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    Movie Review

    Come Play takes specter of too much screentime to the extreme

    Alex Bentley
    Oct 30, 2020 | 9:53 am
    Come Play takes specter of too much screentime to the extreme
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    It wouldn’t be Halloween without another horror movie to deliver the scares of the season. Aficionados can turn to Shudder, a horror movie subscription service, and Amazon Prime Video has partnered with Blumhouse Productions for some new exclusive movies, but the new film Come Play is the only one coming to theaters on Halloween weekend in this scary year.

    Set in a nondescript city/suburb, the film focuses on Oliver (Azhy Robertson), an autistic boy whose sole means of communication is an app on his smartphone. The electronics soon turn against him, though, as a creature named Larry tries to entice Oliver through a story told on the device.

    Oliver’s parents, Sarah (Gillian Jacobs) and Marty (John Gallagher, Jr.), are experiencing marital troubles, not least of which is their opposing ways of handling an autistic son. The creature seems to sense Oliver’s troubled home life and his lack of friends at school, using those issues against him as it tries to make its way from behind screens to the real world.

    Written and directed by Jacob Chase, who adapted his own 2017 short film Larry, the film uses and comments on its modern trappings well. Many parents these days worry about the amount of time their kids spend staring at screens, so having that technology not only represent evil but be evil is a clever twist. In the case of this film it’s doubly so, as the communication app is a godsend for Oliver and his parents, and having the device turn against them is extra upsetting.

    Modern as it is, the film also pays homage to films like Poltergeist or The Ring, with the horror coming from within the screen being watched. Chase also uses flickering lights throughout the film, a horror movie staple he employs to great effect to indicate the presence of creature. It’s a seemingly simple technique, but the way lights go out one after the other in this film is especially creepy.

    Whoever devised the creature and sound design deserve plaudits, as each elevates the spookiness of the film. Chase makes the right decision and only gives brief glimpses of Larry, but each time is more than enough to understand how terrifying he is. Likewise, the sound of Larry’s voice and movements are a series of creaks and pops that would be chilling for anyone, child or not.

    One of the biggest things the film has going for it is having Oliver as its protagonist. Even being mostly non-verbal, Oliver is a perfect proxy for the audience, as everybody can relate to being scared as a kid. When the film turns its attention toward adults being scared of Larry, it’s not nearly as effective.

    Appropriately, it’s Robertson who makes the biggest impact on the film. He sells every moment with the monster extremely well, and his scenes with fellow kid actor Winslow Fegley are some of the best in the film. Jacobs and Gallagher are normally reliably good, but their reactions to the threat of Larry leave a lot to be desired.

    While not as scary as it could have been — its PG-13 rating ensures that — Come Play is a solid outing that more than fits the bill for anyone looking for a few Halloween thrills. Just make sure to turn off your device before watching.

    --

    Come Play is playing exclusively in theaters.

    Gavin Maciver-Wright, Winslow Fegley, Azhy Robertson, and Jayden Marine in Come Play.

    Gavin Maciver-Wright, Winslow Fegley, Azhy Robertson, and Jayden Marine in Come Play
    Photo by Jasper Savage / Amblin Partners / Focus Features
    Gavin Maciver-Wright, Winslow Fegley, Azhy Robertson, and Jayden Marine in Come Play.
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    Movie Review

    Rachel McAdams must survive a plane crash and bad boss in Send Help

    Alex Bentley
    Jan 29, 2026 | 12:45 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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