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    Movie Review

    Come Play takes specter of too much screentime to the extreme

    Alex Bentley
    Oct 30, 2020 | 9:53 am
    Come Play takes specter of too much screentime to the extreme
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    It wouldn’t be Halloween without another horror movie to deliver the scares of the season. Aficionados can turn to Shudder, a horror movie subscription service, and Amazon Prime Video has partnered with Blumhouse Productions for some new exclusive movies, but the new film Come Play is the only one coming to theaters on Halloween weekend in this scary year.

    Set in a nondescript city/suburb, the film focuses on Oliver (Azhy Robertson), an autistic boy whose sole means of communication is an app on his smartphone. The electronics soon turn against him, though, as a creature named Larry tries to entice Oliver through a story told on the device.

    Oliver’s parents, Sarah (Gillian Jacobs) and Marty (John Gallagher, Jr.), are experiencing marital troubles, not least of which is their opposing ways of handling an autistic son. The creature seems to sense Oliver’s troubled home life and his lack of friends at school, using those issues against him as it tries to make its way from behind screens to the real world.

    Written and directed by Jacob Chase, who adapted his own 2017 short film Larry, the film uses and comments on its modern trappings well. Many parents these days worry about the amount of time their kids spend staring at screens, so having that technology not only represent evil but be evil is a clever twist. In the case of this film it’s doubly so, as the communication app is a godsend for Oliver and his parents, and having the device turn against them is extra upsetting.

    Modern as it is, the film also pays homage to films like Poltergeist or The Ring, with the horror coming from within the screen being watched. Chase also uses flickering lights throughout the film, a horror movie staple he employs to great effect to indicate the presence of creature. It’s a seemingly simple technique, but the way lights go out one after the other in this film is especially creepy.

    Whoever devised the creature and sound design deserve plaudits, as each elevates the spookiness of the film. Chase makes the right decision and only gives brief glimpses of Larry, but each time is more than enough to understand how terrifying he is. Likewise, the sound of Larry’s voice and movements are a series of creaks and pops that would be chilling for anyone, child or not.

    One of the biggest things the film has going for it is having Oliver as its protagonist. Even being mostly non-verbal, Oliver is a perfect proxy for the audience, as everybody can relate to being scared as a kid. When the film turns its attention toward adults being scared of Larry, it’s not nearly as effective.

    Appropriately, it’s Robertson who makes the biggest impact on the film. He sells every moment with the monster extremely well, and his scenes with fellow kid actor Winslow Fegley are some of the best in the film. Jacobs and Gallagher are normally reliably good, but their reactions to the threat of Larry leave a lot to be desired.

    While not as scary as it could have been — its PG-13 rating ensures that — Come Play is a solid outing that more than fits the bill for anyone looking for a few Halloween thrills. Just make sure to turn off your device before watching.

    --

    Come Play is playing exclusively in theaters.

    Gavin Maciver-Wright, Winslow Fegley, Azhy Robertson, and Jayden Marine in Come Play.

    Gavin Maciver-Wright, Winslow Fegley, Azhy Robertson, and Jayden Marine in Come Play
    Photo by Jasper Savage / Amblin Partners / Focus Features
    Gavin Maciver-Wright, Winslow Fegley, Azhy Robertson, and Jayden Marine in Come Play.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
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    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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