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Movie Review

Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy

Alex Bentley
Nov 2, 2018 | 1:22 pm
Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy
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When con artists are depicted in movies, they typically come in the form of suave and sophisticated people who know just the right way to manipulate others so that they get what they want. A much less refined type of scammer is at the heart of Can You Ever Forgive Me?, a movie that is all the richer for her lack of social skills.

Melissa McCarthy plays Lee Israel, a real-life author who has fallen on hard times in the 1980s. Unable to get momentum for her passion project about vaudevillian Fanny Brice, Israel has to resort to selling things, like a personal letter from Katharine Hepburn, to pay rent. A chance discovery of a real letter by Fanny Brice soon thereafter makes her realize the value of such documents, starting her down a path of celebrity forgery.

In the midst of her new criminal enterprise, an old acquaintance, Jack Hock (Richard E. Grant), comes back into her life. The two soon become co-dependent in both drinking and life in general, with Jack a little too supportive of Lee’s choice to commit fraud.

Directed by Marielle Heller and written by Nicole Holofcener and Jeff Whitty, the film is about as unglamorous as they come, starting with the plain and frumpy look of Lee. Everything from her helmet hairstyle to a severely dirty apartment suggests that she has long given up on trying to prove her worth to anybody else.

That extends to her letter fraud scheme, one that she is able to accomplish almost despite herself. Her interactions with various book dealers throughout New York are so awkward they’re almost comical, with her literary knowledge her only saving grace.

Lee’s friendship with Jack plays as both entertaining and sad. Their interplay can be highly amusing and they seem to have a genuine connection, but underlying everything is the fact that they are each serving as one of the other’s few lifelines. They are each surviving by the skin of their teeth, and one mistake could send one or both tumbling out of control.

It’s no exaggeration that this is the best performance of McCarthy’s career. Her Oscar-nominated role in Bridesmaids has made her a go-to comedic actor, but she is better served with a role like this that allows her to slow down and consider every line she delivers. With Grant as an ideal foil, she hits every note perfectly, and should be a contender come Oscar season.

Can You Ever Forgive Me? is not a showy film, as it mostly deals with the day-to-day life of a woman who can’t seem to get out of her own way. But with fantastic performances and some sneaky humor, it still sits toward the top of the heap of movies in 2018.

Melissa McCarthy in Can You Ever Forgive Me?.

Melissa McCarthy in Can You Ever Forgive Me?
Photo by Mary Cybulski
Melissa McCarthy in Can You Ever Forgive Me?.
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Rivers wild

Ethan Hawke narrates new documentary that deep-dives into Texas rivers

Brianna Caleri
Aug 7, 2026 | 12:08 pm
Cropped still from Deep in the Heart 2: Texas Rivers
Cropped still from Deep in the Heart 2: Texas Rivers
The Rio Grande is one of the stunning subjects of Deep in the Heart 2: Texas Rivers.

One Texas film icon passes the torch to another for a deep dive on Texas' river ecosystems in the upcoming documentary Deep in the Heart 2: Texas Rivers. Matthew McConaughey narrated the original 2022 film, Deep in the Heart: A Texas Wildlife Story. Now Ethan Hawke narrates the follow-up, which will be in theaters September 25.

Deep in the Heart 2 is directed by Ben Masters, a nature-obsessed Texan who was born and raised in Amarillo and has followed wildlife around the state and beyond. Working with his crew at Fin & Fur Films, Masters explores the Rio Grande, the Sabine River, and the Neches River, a press release says, coming across otters, turkeys, alligator snapping turtles, and more.

Still from Deep in the Heart 2: Texas Rivers This underwater shot was taken in San Marcos.Still from Deep in the Heart 2: Texas Rivers

The original Deep in the Heart took a broad view of Texas — both its landscapes and their inhabitants — while the "sequel," as the release calls it, specifically highlights water. Conservation is an important angle, and viewers will get a chance to consider how they could connect with and protect the ecosystems on their screens.

"Most of my favorite memories are on Texas Rivers," said Masters in the release. "I grew up on the Canadian, fell in love on the Brazos, got married on the Guadalupe, found adventure on the Rio Grande, and am raising my kids on the Colorado."

The filmmaker says that spending three years filming his natural subjects gave him "a newfound appreciation" for rivers and how distinct they are from one another.

Deep in the Heart 2: Texas Rivers Amazing cinematography was a hallmark of the original film, and the sequel offers more beautiful shots.Still from Deep in the Heart 2: Texas Rivers

"We spent months filming mountain lions on the Pecos, snapping turtles on the Neches, otters on the Sabine, fatmuckets on the Llano, and whooping cranes in the Guadalupe's Estuary," Masters said. "Editing the majesty of Texas Rivers into 80 minutes was a huge challenge, and I'm just incredibly grateful to work with such a talented team of cinematographers, editors, producers, and musicians."

Hawke, born in Austin and raised in Fort Worth, is known for acting in the Dead Poets Society, Gattaca, the Richard Linklater films Boyhood and Blue Moon, and more. He has taken up causes in environmental advocacy for years and appeared in other ecology-focused films, including the intense fictional First Reformed (2018) and a goofy anti-littering PSA with TxDOT (2023).

Deep in the Heart 2: Texas Rivers Some unexpected guests in the Rio Grande.Still from Deep in the Heart 2: Texas Rivers

The film was made in association with H-E-B, a regular supporter of ecological documentaries and initiatives, and conservation organization Texan by Nature. Other collaborators include producer Josh Winkler, editor Sam Klatt, assistant editor Chet Stefan, and composer Noah Sorota. The musical score is performed by Dallas Chamber Symphony.

animals documentaries ecology ethan hawke film matthew mcconaughey movies nature texas wildlife
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