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    Movie Review

    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy

    Alex Bentley
    Nov 2, 2018 | 1:22 pm
    Can You Ever Forgive Me? a surefire Oscar bet for Melissa McCarthy
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    When con artists are depicted in movies, they typically come in the form of suave and sophisticated people who know just the right way to manipulate others so that they get what they want. A much less refined type of scammer is at the heart of Can You Ever Forgive Me?, a movie that is all the richer for her lack of social skills.

    Melissa McCarthy plays Lee Israel, a real-life author who has fallen on hard times in the 1980s. Unable to get momentum for her passion project about vaudevillian Fanny Brice, Israel has to resort to selling things, like a personal letter from Katharine Hepburn, to pay rent. A chance discovery of a real letter by Fanny Brice soon thereafter makes her realize the value of such documents, starting her down a path of celebrity forgery.

    In the midst of her new criminal enterprise, an old acquaintance, Jack Hock (Richard E. Grant), comes back into her life. The two soon become co-dependent in both drinking and life in general, with Jack a little too supportive of Lee’s choice to commit fraud.

    Directed by Marielle Heller and written by Nicole Holofcener and Jeff Whitty, the film is about as unglamorous as they come, starting with the plain and frumpy look of Lee. Everything from her helmet hairstyle to a severely dirty apartment suggests that she has long given up on trying to prove her worth to anybody else.

    That extends to her letter fraud scheme, one that she is able to accomplish almost despite herself. Her interactions with various book dealers throughout New York are so awkward they’re almost comical, with her literary knowledge her only saving grace.

    Lee’s friendship with Jack plays as both entertaining and sad. Their interplay can be highly amusing and they seem to have a genuine connection, but underlying everything is the fact that they are each serving as one of the other’s few lifelines. They are each surviving by the skin of their teeth, and one mistake could send one or both tumbling out of control.

    It’s no exaggeration that this is the best performance of McCarthy’s career. Her Oscar-nominated role in Bridesmaids has made her a go-to comedic actor, but she is better served with a role like this that allows her to slow down and consider every line she delivers. With Grant as an ideal foil, she hits every note perfectly, and should be a contender come Oscar season.

    Can You Ever Forgive Me? is not a showy film, as it mostly deals with the day-to-day life of a woman who can’t seem to get out of her own way. But with fantastic performances and some sneaky humor, it still sits toward the top of the heap of movies in 2018.

    Melissa McCarthy in Can You Ever Forgive Me?.

    Melissa McCarthy in Can You Ever Forgive Me?
    Photo by Mary Cybulski
    Melissa McCarthy in Can You Ever Forgive Me?.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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