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    Movie Review

    Unfunny and non-scary Freaky gives body switch movies a bad name

    Alex Bentley
    Nov 11, 2020 | 12:01 pm
    Unfunny and non-scary Freaky gives body switch movies a bad name
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    The premise of the new horror movie Freaky is rife with potential. A take-off of Disney’s Freaky Friday, with added unspoken allusion to the classic horror series Friday the 13th, it features a serial killer named the Blissfield Butcher (Vince Vaughn) magically swapping bodies with high schooler Millie (Kathryn Newton) via an ancient cursed knife.

    Of course, it’s what you do with the fun premise that matters, and this film squanders nearly every opportunity to be memorable. Things start off promising, at least for fans of horror, as the opening sequence of the film has the Butcher dispatch an unfortunate group of teenagers using a variety of creative means, including a wine bottle, tennis racquet, and antique spear.

    Things start to go downhill with the introduction to Millie, which is full of so many clichés that it’s hard to know where to start. Millie, who is white, has two best friends, one of whom is Black and the other gay (Celeste O'Connor and Misha Osherovich). Despite being objectively attractive, she is viewed as an outcast by a group of bully girls, and also acts as the school mascot, the better to cover up her “ugly” face.

    Once the body switch happens via an attempted stabbing of Millie by the Butcher, the movie goes awry in innumerable ways. It’s obvious writer/director Christopher Landon is going for a fun horror movie vibe, but he lands on dumb instead of entertaining. He has plenty of relevant experience, writing much of the Paranormal Activity series and being involved with both Happy Death Day films, but whatever he learned with those experiences doesn’t show up here.

    Landon and co-writer Michael Kennedy try to shoehorn in confrontations by Millie as the Butcher with people who were mean to her previously, something that doesn’t make much sense. Why would the Butcher specifically go after Millie’s enemies when he has no knowledge of them? It makes for a nice comeuppance for those rotten characters, but the revenge is hollow.

    Landon also tries for some sincerity by playing up the death of Millie’s dad and her mom’s subsequent alcoholism, but heartfelt emotions feel radically out-of-place with the rest of the film. Similarly, Millie’s relationship with her two best friends never makes an impact on the film, nor does a budding relationship with football star Booker (Uriah Shelton).

    In fact, the only part of the film that works in the slightest are the performances by Vaughn and Newton, no surprise since they are the stars. While the effectiveness of them affecting each other’s demeanors is dubious, at least each of them commits to the idea fully, going for the gusto at every turn. Each gives their respective dual roles more effort than they deserved.

    Freaky is timed fortuitously to come out on Friday the 13th of November, but only those hard-up for at-home entertainment should bother venturing out to theaters to see it. Risking your health to see this massively unsuccessful film is way scarier than anything it has to offer.

    ---

    Freaky will open in theaters on November 13.

    Vince Vaughn and Kathryn Newton in Freaky.

    Vince Vaughn and Kathryn Newton in Freaky
    Photo by Brian Douglas/Universal Pictures
    Vince Vaughn and Kathryn Newton in Freaky.
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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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