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    JFK at Your Fingertips

    Sixth Floor Museum launches free digital guide to explore Dallas history from home

    Alex Bentley
    Nov 16, 2020 | 11:36 am
    Sixth Floor Museum
    The Sixth Floor Museum has a new digital interactive guide that covers the history of Dealey Plaza.
    Photo courtesy of Sixth Floor Museum

    The Sixth Floor Museum in Dallas has introduced a new free digital online experience that allows people to explore the history of Dealey Plaza and the events that happened there on November 22, 1963 without ever leaving home.

    The Dealey Plaza National Historic Landmark District interactive guide offers a variety of multimedia features, most notably Friday, November 22, 1963, a narrated walking tour that lets visitors navigate the site of the Kennedy assassination. The tour goes through the final moments of the presidential motorcade as it entered and proceeded through Dealey Plaza. It features films, photographs, contemporary news broadcasts, and an oral history, highlighting seven stops in the plaza.

    The three other components of the guide include:

    • Explore the Plaza, an interactive map that offers a self-guided, self-paced exploration of 17 different points of historic interest in and near the plaza.
    • The Front Door of Dallas, a visual story tracing the history of the Dealey Plaza site from the founding of Dallas to the present day.
    • Facing Tragedy, a visual story that chronicles the ways Dallas has honored President Kennedy and memorialized the assassination and other tragic moments in the city’s history.

    The guide takes around 30-40 minutes to complete, depending on how much time a user spends in any particular section.

    “The museum is pleased to bring this project to life for the Dallas community," said Nicola Longford, CEO of The Sixth Floor Museum, in a statement. "Whether you have a little bit of time or a lot of time and whether you are in Dealey Plaza in person or taking advantage of this from afar, the guide will enlighten and educate you and your family about the fascinating history of Dealey Plaza and Dallas.”

    During the COVID-19 pandemic lockdown, museum staff began transitioning some of their core storytelling traditionally experienced inside the museum to a virtual platform. The development of a user-friendly digital guide to the historic sites surrounding the museum was part of a goal of making historical content more accessible to broader audiences, they say.

    The digital experience marks the first time that a comprehensive view of the long history of Dealey Plaza — the site where Dallas was founded — is explored in an interactive and digital format and is accessible to anyone in the world at no cost. The information presented in the guide goes as far back in time as 1841 and the founding of Dallas by John Neely Bryan and covers events in the plaza through the protests for social and racial justice in summer 2020.

    The guide, which can be easily viewed on different devices, including computers, tablets, and smartphones, is available at dealeyplaza.jfk.org in both English and Spanish.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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