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    A Movie with No Heat

    Out of the Furnace wastes star talent with pointless story

    Alex Bentley
    Dec 6, 2013 | 12:00 am
    Out of the Furnace wastes star talent with pointless story
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    Writer/director Scott Cooper struck gold with his 2009 directorial debut Crazy Heart, mostly thanks to the Oscar-winning performance by star Jeff Bridges.

    It’s no surprise, then, that stars lined up for his follow-up, Out of the Furnace, including Christian Bale, Woody Harrelson, Casey Affleck, Zoe Saldana, Forest Whitaker, Willem Dafoe and Sam Shepard.

    It’s just too bad that what Cooper delivered is such a rambling, pointless mess. Bale plays Russell Baze, a steelworker just trying to make the best out of life in downtrodden western Pennsylvania. His brother, Rodney (Affleck), is a soldier who’s done multiple tours in Afghanistan and can’t seem to stay out of trouble.

    ​As if weren't enough to be relentlessly depressing, the film also has no discernable plot.

    As Rodney continues to spiral downward, Russell, always the protector, can’t help but be pulled into his brother’s negative wake, including dealings with a local bookie (Dafoe), a back-country criminal (Harrelson) and the local police chief (Whitaker).

    The movie’s title is a play on the phrase “out of the furnace, into the fire,” something that couldn’t be more apropos of this relentlessly depressing film. Just about everything that can go wrong for these two brothers does, although many times it’s of their own doing.

    But what Cooper never makes clear is exactly what he’s trying to say by making such a film. Is he trying to comment on how the poor economy affects people living in small towns like this? Pointing out that returning veterans often can’t find their footing after the horrors of war? Something else? Whatever it is, Cooper mangles it by never finding a focus.

    There’s no discernible plot going on; it’s more of repetitive format, with Russell constantly cleaning up Rodney’s messes. A detour for Russell a third of the way through makes no sense, dramatically or otherwise, except to show how even Rodney’s absence can cause things to go bad for Russell.

    The final 30 minutes of the film turn into a revenge story of sorts, but it never resonates because Cooper and co-writer Brad Ingelsby meander their way toward the supposedly tense conclusion. The movie hangs on Russell’s never-ceasing love for his brother, but Cooper dulls that emotion by giving Russell too many other distractions.

    Despite the lackluster story, the talent of the actors involved shines through. Bale is intimidating yet relatable, Affleck is in a believable state of chaos and Harrelson is as creepy as he's ever been. They and the rest of the cast somehow make the film watchable even when Cooper can’t seem to decide what to do next.

    Crazy Heart was a force to be reckoned with at Oscars time, but Out of the Furnace is not likely to replicate that success. It’s a film that seems to have a lot to say but can never find the right manner in which to say it.

    Christian Bale in Out of the Furnace

    Christian Bale in Out of the Furnace
    Photo by Kerry Hayes Relativity Media
    Christian Bale in Out of the Furnace
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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