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    Movie Review

    Star-filled satire Don't Look Up skewers targets big and small

    Alex Bentley
    Dec 10, 2021 | 12:30 pm
    Star-filled satire Don't Look Up skewers targets big and small
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    Writer/director Adam McKay, who spent most of his career making comedy for comedy’s sake, has made one of the more interesting pivots in Hollywood, turning his comedic eye on real world topics. He took on the financial system in 2015’s The Big Short and the Bush/Cheney presidency in 2018’s Vice, using satire to make larger points.

    At first blush his new film, Don’t Look Up, wouldn’t seem to be in line with the previous two. It centers on two astronomers, Dr. Randall Mindy (Leonardio DiCaprio) and PhD student Kate Dibiasky (Jennifer Lawrence), who make the shocking discovery that a previously uncharted comet is on a course to hit Earth. They quickly try to get word out about the impending disaster, starting with a meeting with President Janie Orlean (Meryl Streep), and then move on to a press tour when the president doesn’t seem to take the threat seriously.

    It’s during that tour that McKay’s real goal with the film starts to crystalize, as Mindy and Dibiasky’s urgent message to the world gets filtered through a variety of outlets, each of which have their own goals that don’t necessarily align with that of the astronomers. The deeper they get, the more it becomes clear that having the public believe in a fact in this day and age is next to impossible.

    Journalist David Sirota, who’s worked on a number of political campaigns, including Bernie Sanders’ 2020 presidential run, is given a story credit on the film, which should tell you something about where it is heading. Through a thinly-veiled lens, it gives commentary on the current state of science, politics, the influence of money on politics, media, social media, discourse in general, all-encompassing corporations, and more.

    The more McKay skewers what life is like in the modern world, and the last two years in particular, the funnier the movie becomes. Each of the people Mindy and Dibiasky encounter are ridiculous in their own way, but they’re also scarily believable in a world where a former reality TV host and his family became leaders of a country.

    And thank goodness the movie is so funny, because if you think too much about the implications of the characters and plot developments, you might start crying. That’s especially true of the film’s discussions around science, which ring all too true in a world where efforts to keep people healthy, including a life-saving vaccine, are being debated as good or not.

    The cast of the film is top-notch, and they all came with their A-games. DiCaprio, Lawrence, and Streep maintain their Oscar-level reputations, and other great performances dot the film’s landscape, including those by Rob Morgan, Cate Blanchett, Tyler Perry, Jonah Hill, Melanie Lynskey, and Mark Rylance. The cast is such that somehow Timothée Chalamet is relegated to second-tier status.

    McKay has carved out a special role in Hollywood, one where he seems to know how to tackle weighty topics without making his films feel heavy at all. Don’t Look Up may just be the best movie about the COVID era without ever mentioning the disease.

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    Don't Look Up is now playing in theaters. It debuts on Netflix on December 24.

    Meryl Streep in Don't Look Up.

    Meryl Streep in Don't Look Up
    Photo by Niko Tavernise/Netflix
    Meryl Streep in Don't Look Up.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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