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    Movie Review

    The Big Short amuses even if the message depresses

    Alex Bentley
    Dec 23, 2015 | 6:00 am
    The Big Short amuses even if the message depresses
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    On the list of real-life events that most people would not want to relive, much less try to be entertained by, the housing market collapse of 2008 resides near the top. And yet here is The Big Short, directed by comedy filmmaker Adam McKay, attempting to bring a measure of levity to the worst financial crisis any of us hope to ever know.

    McKay does so by focusing on three groups of mostly unrelated people in the financial industry who saw the collapse coming and bet many millions of dollars on the idea that it would happen. They include Dr. Michael Burry (Christian Bale), leader of a hedge fund; Mark Baum (Steve Carell) and Jared Vennett (Ryan Gosling), two players on Wall Street; and Ben Rickert (Brad Pitt), a veteran banker who helps two green investors exploit the financial system.

    Each of them goes about betting against the housing market, or in financial lingo, “shorting” it, in different ways. Much of the humor of the film comes in how each of them, in the face of much derision, forges forward because of their foresight. At the same time, the situations contain either underlying or overt drama, since them being right means almost certain disaster for the country, if not the world.

    McKay and co-writer Charles Randolph know that the details of the financial market can be, to put it mildly, a bit dry. Even though they still use a lot of it because it’s unavoidable, they occasionally make it more interesting by having celebrities like Margot Robbie, Anthony Bourdain, and Selena Gomez break concepts down so that non-experts can understand them.

    They inject additional comedy into the proceedings by giving many of the main characters big or quirky personalities, and by saddling each of the stars with ridiculous wigs. Carell and Gosling, previously co-stars in Crazy, Stupid, Love., get to go the most wild, while Bale and Pitt let their absurd hair do the talking for them.

    But as entertaining as some of the scenes can be, there’s no escaping the downbeat ending we all know is coming. It’s difficult to root for any of characters’ successes knowing that their gain is our pain. Even though none of them seems to do anything wrong, and some even express remorse about their role in the process, they’re never really “heroes.”

    The two big winners, acting-wise, are Carell and Bale, for almost opposite reasons. Carell’s role has more meat to it, as Baum’s incredulity and anger give him a lot to work with. Bale’s role is subtler but just as effective. Special credit should also be given to supporting actors like Rafe Spall, Hamish Linklater, Jeremy Strong, John Magaro, and Finn Wittrock. They each give true support to the stars, setting them up brilliantly time and again.

    In its own way, The Big Short is as vital a message movie as has come out in recent years. The downright depressing coda, which shows that almost nothing has changed in the seven years since the start of the crisis, should be a wake-up call for anybody who thinks this could never happen again.

    Steve Carell and Ryan Gosling in The Big Short.

    Steve Carell and Ryan Gosling in The Big Short
    Photo by Jaap Buitendijk
    Steve Carell and Ryan Gosling in The Big Short.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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