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    Movie Review

    Star-filled satire Don't Look Up skewers targets big and small

    Alex Bentley
    Dec 10, 2021 | 12:30 pm
    Star-filled satire Don't Look Up skewers targets big and small
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    Writer/director Adam McKay, who spent most of his career making comedy for comedy’s sake, has made one of the more interesting pivots in Hollywood, turning his comedic eye on real world topics. He took on the financial system in 2015’s The Big Short and the Bush/Cheney presidency in 2018’s Vice, using satire to make larger points.

    At first blush his new film, Don’t Look Up, wouldn’t seem to be in line with the previous two. It centers on two astronomers, Dr. Randall Mindy (Leonardio DiCaprio) and PhD student Kate Dibiasky (Jennifer Lawrence), who make the shocking discovery that a previously uncharted comet is on a course to hit Earth. They quickly try to get word out about the impending disaster, starting with a meeting with President Janie Orlean (Meryl Streep), and then move on to a press tour when the president doesn’t seem to take the threat seriously.

    It’s during that tour that McKay’s real goal with the film starts to crystalize, as Mindy and Dibiasky’s urgent message to the world gets filtered through a variety of outlets, each of which have their own goals that don’t necessarily align with that of the astronomers. The deeper they get, the more it becomes clear that having the public believe in a fact in this day and age is next to impossible.

    Journalist David Sirota, who’s worked on a number of political campaigns, including Bernie Sanders’ 2020 presidential run, is given a story credit on the film, which should tell you something about where it is heading. Through a thinly-veiled lens, it gives commentary on the current state of science, politics, the influence of money on politics, media, social media, discourse in general, all-encompassing corporations, and more.

    The more McKay skewers what life is like in the modern world, and the last two years in particular, the funnier the movie becomes. Each of the people Mindy and Dibiasky encounter are ridiculous in their own way, but they’re also scarily believable in a world where a former reality TV host and his family became leaders of a country.

    And thank goodness the movie is so funny, because if you think too much about the implications of the characters and plot developments, you might start crying. That’s especially true of the film’s discussions around science, which ring all too true in a world where efforts to keep people healthy, including a life-saving vaccine, are being debated as good or not.

    The cast of the film is top-notch, and they all came with their A-games. DiCaprio, Lawrence, and Streep maintain their Oscar-level reputations, and other great performances dot the film’s landscape, including those by Rob Morgan, Cate Blanchett, Tyler Perry, Jonah Hill, Melanie Lynskey, and Mark Rylance. The cast is such that somehow Timothée Chalamet is relegated to second-tier status.

    McKay has carved out a special role in Hollywood, one where he seems to know how to tackle weighty topics without making his films feel heavy at all. Don’t Look Up may just be the best movie about the COVID era without ever mentioning the disease.

    ---

    Don't Look Up is now playing in theaters. It debuts on Netflix on December 24.

    Meryl Streep in Don't Look Up.

    Meryl Streep in Don't Look Up
    Photo by Niko Tavernise/Netflix
    Meryl Streep in Don't Look Up.
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    Movie Review

    The Invite delivers smart, sexy laughs with an all-star cast

    Alex Bentley
    Jul 10, 2026 | 11:40 am
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite
    Photo courtesy of A24
    Olivia Wilde, Seth Rogen, Penelope Cruz, and Edward Norton in The Invite.

    Once upon a time, well before scandal embroiled him, Woody Allen made great comedies aimed at adults. That type of film - which is different from the raunchy, R-rated comedies of the 21st century - has fallen out of favor in Hollywood, but as the new film The Invite proves, when done well it can be as funny as anything else out there.

    Joe (Seth Rogen) and Angela (Olivia Wilde) are an unhappily married couple living in San Francisco. As we meet them, Joe has arrived home to Angela preparing for a visit from their upstairs neighbors, Hawk (Edward Norton) and Piña (Penélope Cruz), who have moved in relatively recently. Their impending arrival starts a new round of arguing between Joe and Angela, something they can barely contain once the other couple comes to their door.

    What proceeds is a getting-to-know-you process that is mostly awkward as Joe and Angela continue sniping at each other while Hawk and Piña put in their two cents in a much calmer manner. A sticking point between the two couples - the loud sex Hawk and Piña have on an almost nightly basis - turns the film on its head with an unexpected invitation.

    Directed by Wilde and written by Will McCormack and Rashida Jones, the film is a fast-paced chamber piece that takes place almost entirely in Joe and Angela’s apartment. Wilde, the writers, and the actors speed the story along not with action but through almost non-stop dialogue that often has the characters overlapping each other’s lines. The rapidity of the speech fuels the humor of the situation and establishes the differing personalities of each person.

    Sex is very much top of mind for each of the characters for most of the film, but the filmmakers approach the topic in such a way that it never feels salacious. Each of the characters is a rational adult who can talk about sex in a mature manner while also acknowledging their unique feelings on the matter. And it’s the discoveries each of them makes along the way that brings about the most comedy.

    But, like any comedy for adults, the film also has a dramatic tilt to it, and Wilde edges the story back-and-forth between the two tones extremely well. Joe and Angela fighting is played for laughs at times, but the sadness of their relationship comes through loud and clear. Hawk and Piña are much more intimate with each other, but the funniness of their openness is juxtaposed with a depth that arises through their conversations.

    In the 2020s, Rogen has managed to make the transition from goofy stoner to stoner with real acting chops. In a stacked cast, he is the one who sells every moment the best. That’s not to say that Wilde, Norton, and Cruz don’t measure up, though; each of them inhabits their respective roles magnificently. The four actors play off each other as if they had been working together for years.

    While The Invite will likely play better to those who have experience with long term relationships, its insights - and occasional bawdiness - make it a comedy that can be appreciated universally. With four actors at the top of their games and a razor-sharp script made even better by some well-done improv, it proves that you don’t need to go low to get great laughs.

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    The Invite is now playing in theaters.

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