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Movie Review

Wander Darkly explores couple's relationship through dreamlike state

Alex Bentley
Dec 11, 2020 | 9:14 am
Wander Darkly explores couple's relationship through dreamlike state
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Some movies are so surreal that they can feel like living through a dream. And then there are others, like the new Wander Darkly, that actively present their stories through the dreamlike state of their characters to try to present larger truths about their lives.

Adrienne (Sienna Miller) and Matteo (Diego Luna) are a couple living in Los Angeles with a newborn baby. Before we even get to know much at all, they get into a car accident, leaving both of them seriously injured. The next thing Adrienne knows, she’s in the hospital, seemingly having an out-of-body experience.

Not knowing if she’s alive or dead, Adrienne goes on a film-long exploration of her life with Matteo, reliving various moments of their relationship, whether they were good or bad. In so doing, the film dives deep into the psyches of both people, laying bare each of their weaknesses while trying to understand what makes each of them tick.

Written and directed by Tara Miele, the film takes the unusual approach of telling a couple’s story through flashbacks, but as if the couple was remembering their past lives while they were living them. It’s a confusing method at first, but it gets easier to understand as film goes along.

As if that wasn’t enough, the film recreates moments from their relationship through the prism of their memories, which may or may not be accurate. Adrienne and Matteo tend to remember the circumstances of key events differently, so the viewer can never be sure what to trust. Add on the idea that Adrienne may have some mental health issues and Matteo may by somewhat untrustworthy, and it’s a lot to process.

Miele keeps all of this flowing thanks some nice visual trickery that makes it seem as if one scene is blending into the next, no matter how disparate the setting. It really does feel as if you’re in a dream with Adrienne, taking a ride on her wave of emotions. Befitting the circumstances of how she entered her reverie, the film does not idealize her relationship with Matteo, ironically making the film more about realism than romance.

Both Miller and Luna have had understated movie careers. While neither has hurt for work over the past 20 years and both have made appearances in some big movies, neither has become an A-list star. Their performances here are typical of their previous roles – solid and believable, although the way the story is told, neither transcends the material itself.

Wander Darkly is a meditation on relationships, parenthood, and life itself. While mostly a downer of a film, it gets points for not trying to gloss over the faults of its characters, delivering a story that earns its emotions thanks to its authenticity.

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Wander Darkly opens in select theaters and on premium on-demand on December 11.

Sienna Miller and Diego Luna in Wander Darkly.

Sienna Miller and Diego Luna in Wander Darkly
Photo courtesy of Lionsgate
Sienna Miller and Diego Luna in Wander Darkly.
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Movie Review

Spider-Man: Brand New Day sets a new standard for comic book movies

Alex Bentley
Jul 30, 2026 | 1:02 pm
Tom Holland in Spider-Man: Brand New Day
Photo courtesy of Sony Pictures
Tom Holland in Spider-Man: Brand New Day.

Ever since Spider-Man became part of the Marvel Cinematic Universe, the character’s stand-alone movies have been notable for maintaining their own vision despite having to service the larger MCU storyline. The emotionality of the series reached its high point in No Way Home by bringing back two former Spider-Mans - Tobey Maguire and Andrew Garfield - to assist Tom Holland in a multiversal storyline.

The heart displayed in that film is superseded by Spider-Man: Brand New Day, in which Peter Parker (Holland) is now alone in the world following the events of the previous film. For years, he has done his best to stay busy by stopping in-progress crimes and checking in with Detective Jean DeWolff (Liza Colón-Zayas), but the twin traumas of losing Aunt May (Marisa Tomei) and forcing girlfriend MJ (Zendaya) and best friend Ned (Jacob Batolon) to forget him still weigh heavily on him.

Almost simultaneously, Peter starts experiencing a change in his physiology and is challenged by a new threat who has a power he does not know how to defeat. As he struggles with both of those things, he asks for help from a variety of sources, including Professor Bruce Banner (Mark Ruffalo), Frank Castle, aka The Punisher (Jon Bernthal), and - despite not knowing who he is - MJ and Ned, who are now roommates in New York following their college years at MIT.

Directed by Dustin Daniel Cretton and written by Chris McKenna and Erik Sommers (who have written each of the Holland Spider-Man films), the movie has a near-perfect blend of comic book spectacle and small-scale intimacy. Spider-Man’s ability to swing through New York’s urban landscape with ease provides plenty of opportunities for great action sequences, but the character’s focus on keeping the streets safe and finding a way back to his friends makes the story still feel manageable.

This is aided by the decision to not go overboard with the MCU connections. Bruce Banner/Hulk and a member of the New Avengers show up, but in relatively small roles. The Punisher makes the leap from TV to the movies, and the interaction between him and Spider-Man feels organic. So too does the super-secret villain, whose impact is felt well before they ever show up on screen thanks to a power that is as mysterious as it is effective.

While the action is abundant in the film, the filmmakers lean on emotion much more than most other comic book movies. Peter’s journey back to a semblance of a normal life is well-earned, with his reconnection with MJ and Ned slow-walked in an admirably subtle way. And in the final act, when CGI battles typically take over, the interior lives of Peter and other characters play as much a role in what happens as anything they do physically.

Holland, who tends to take criticism for non-Spider-Man roles, remains the ideal actor for the role. His open-heartedness makes him relatable, his athleticism makes him believable, and he crushes the heavier moments. He and Zendaya, who are now married in real life, work tremendously well together, and Batalon is a fun third wheel. Other standouts include Bernthal, Colón-Zayas, Trammell Tillman, and Stranger Things’ Sadie Sink.

From beginning to end, Spider-Man: Brand New Day now owns the title as best movie in the current Spider-Man universe. By maintaining connections to past movies, solidly incorporating new characters, and pointing to the future without making it the whole story, it demonstrates a model for how comic book movies should be done.

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Spider-Man: Brand New Day opens in theaters on July 31.

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