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    Movie Review

    Once Upon a Deadpool waters down violence but doesn't drain fun of original

    Alex Bentley
    Dec 12, 2018 | 12:30 pm
    Once Upon a Deadpool waters down violence but doesn't drain fun of original
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    One of the biggest reasons for the success of both Deadpool and Deadpool 2 was its willingness to push past the boundaries of the PG-13 superhero genre and deliver an R-rated experience that was genuinely fun. Now, with the charity-driven Once Upon a Deadpool coming out for a special two-week run, they're testing whether a watered-down version can be popular, too.

    Aside from removing all traces of a certain four-letter F-word — along with most of the blood, guts, and other things that would trigger an R rating — the movie's conceit is that Deadpool (Ryan Reynolds) is telling the story of the film to Fred Savage, re-creating the former child actor's iconic scenes from The Princess Bride.

    The story, of course, remains the same, with Wade Wilson/Deadpool (Ryan Reynolds) doing his lone wolf thing until an upheaval in his personal life and the appearance of a time-traveling mutant named Cable (Josh Brolin) forces him to try to put together a team. Cable is on the trail of Russell (Julian Dennison), a young boy with fire-starting powers who will go on to kill Cable’s family in the future.

    Just as in The Princess Bride, the film stops in its tracks throughout the film for either Deadpool or Savage to comment on what's going on in the story, with varying success. The breaks contain winking nods for fans of both films, something that would be a lot funnier if Deadpool wasn't already in the habit of breaking the fourth wall in his own movie.

    It's difficult to tell how precisely how much material was excised from Deadpool 2, but with Once Upon a Deadpool clocking in at 117 minutes compared to DP2's 119 minutes, complete with five minutes or more of new scenes with Savage, the changes are significant. Anyone who didn't see the original may not notice the difference, but the experience is choppy for those who have.

    What's most interesting about the experiment is that it demonstrates just how violent and profane a PG-13 movie can be. The film is being marketed as an alternative for kids who weren't old enough to see the R-rated version, but it's still not exactly kid-friendly. While the consequences of violence, i.e. most blood and gore, are not shown, the body count remains high, and there is still plenty of profanity and sexual innuendo to be found.

    Even with all that, the film remains a lot of fun, with a story that zags where you expect it to zig, keeping the audience on its collective toes the entire time. And even though the language is tamer, the barrage of jokes and insults about the X-Men, the Marvel Cinematic Universe, the DC Comics universe, itself, and more is as funny as ever.

    Once Upon a Deadpool is not a wholly satisfying experience for anyone who has seen Deadpool 2, but with some of the proceeds going to the appropriately renamed Fudge Cancer, it adds a little more heart to a film that already had more than you'd expect.

    -----

    Once Upon a Deadpool will be in theaters through December 24.

    Ryan Reynolds in Once Upon a Deadpool.

    Ryan Reynolds in Once Upon a Deadpool
    Photo courtesy of Twentieth Century Fox
    Ryan Reynolds in Once Upon a Deadpool.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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