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    Movie Review

    Humor and spirit of Ferdinand make it well worth the 81-year wait

    Alex Bentley
    Dec 14, 2017 | 2:40 pm
    Humor and spirit of Ferdinand make it well worth the 81-year wait
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    After 81 years of sitting still in the pages of a classic children's book, everyone's favorite big, lovable bull is finally getting his chance to shine on the big screen. American author Munro Leaf wrote The Story of Ferdinand in 1936. It was adapted as a short film by Walt Disney in 1938, but it’s taken until 2017 for it to be made into a feature length film.

    In Blue Sky Studios/20th Century Fox's Ferdinand, wrestler-turned-actor John Cena voices Ferdinand, a bull who would rather sniff and look at flowers all day than do what he’s supposed to do, which is fight a matador. An unintended escape early in his life lands him with Nina (Lily Day) and her father, but his size means he can’t avoid his fate forever.

    This adaptation has added a host of supporting actors to flesh out the thin original story. They include three distinct trios: Fellow bulls Valiente (Bobby Cannavale), Guapo (Peyton Manning), and Bones (Anthony Anderson); hedgehogs Una (Gina Rodriguez), Dos (Daveed Diggs), and Cuatro (Gabriel Iglesias); and show horses Hans (Flula Borg), Greta (Sally Phillips), and Klaus (Boris Kodjoe). For good measure, there’s also a support goat named Lupe (Kate McKinnon) and Nina’s dog, Paco (Jerrod Carmichael).

    That’s a lot of characters to serve, but director Carlos Saldanha and his team keep things relatively focused on Ferdinand and Lupe, bringing in everybody else when necessary. The result is controlled chaos, with written and visual gags flying everywhere and set pieces designed for maximum humor. This is balanced out by more emotion than you might think, making the film about more than just being funny.

    Turns out that the people behind the Ice Age series knew exactly what to do with such a potentially tricky tale. The story refers to what ultimately happens to bulls whether they fight in the ring or not, but it does so in a light manner that won't traumatize kids. Anybody who’s read the book knows what Ferdinand does to combat his supposed role in the bullfighting world, but the way it’s handled in the film is surprisingly moving.

    I’m not usually a proponent of using big names as the voices of animated characters, but both Cena and McKinnon bring something extra special to their roles. Cena has a naturally big-hearted personality that, combined with a voice that befits his big size, complements Ferdinand’s persona to a tee. Any fan of Saturday Night Live knows McKinnon elevates virtually every part she plays, and she demonstrates that again as Lupe. Her vocal acrobatics are equal to the off-the-wall visuals, making it impossible to keep a straight face.

    With loads of laughs, a gentle spirit, and outsized performances, Ferdinand just might be the most enjoyable animated film of the year. That’s not a bad feat for a movie that was eight decades in the making.

    John Cena as Ferdinand and Lily Day as Nina in Ferdinand.

    John Cena and Lily Day in Ferdinand
    Photo courtesy of Twentieth Century Fox Film Corporation
    John Cena as Ferdinand and Lily Day as Nina in Ferdinand.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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