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    English News

    5 annoying buzzwords that Dallas definitely needs to let go of in 2021

    Teresa Gubbins
    Dec 29, 2021 | 4:00 pm
    sandos Japanese sandwiches
    There's sandwich and there's sando, and one of them has to go.
    Sandoitchi

    There are five phrases that have become hot buzzwords in the past year or so, and they absolutely must be wiped out.

    These are words and phrases that have snuck into the vernacular, and they should all be repelled by anyone who loves the English language. Nevermind what they say about English being a living thing that grows and changes. Or that an ill-used word or phrase doesn't mean society is declining. They're wrong.

    These 5 words are absolutely a threat to society, and the only course of action is to promise to never use them again.

    Curate
    Once upon a time — for centuries, really — curate was used only in the rarified world of art galleries and museums, where it belonged.

    Then a bad thing happened. People who market restaurants and department stores and real estate discovered curate and started using it to pass off their pedestrian output as "art."

    In Dallas, it first surfaced in 2013, when developer Mark Masinter said he was "trying to curate Henderson Avenue." How do you curate a $&%! street?

    Since then, CultureMap has seen 603 people trying to curate things across an absurd range of topics: Clothes being curated at JC Penney. Website Axios laughably curating content. "Talent" being curated for a society event.

    Curate is particularly popular these days among restaurants (well, really, restaurant PR people). Every press release about a new restaurant promises a "curated" menu. No. Chefs are creative, but food is fricking food.

    Sandos
    The problem here is not the trendy, twee sandwiches known as "katsu sandos." Katsu sandos being a sandwich from Japan made with slices of white bread and sold in child-like little packages. (Sando is an abbreviation of "sandoitchi," which means sandwich.)

    The problem is that people are starting to call regular sandwiches "sandos." Which is idiotic. Sando has two syllables, just like sandwich. It's not like you're saving any time. Saying "sando" takes exactly the same amount of time as "sandwich." I timed it.

    Here's a few examples of things that are not "sandos":

    • BLT
    • tuna salad sandwich
    • grilled cheese

    Next time you hear someone saying "sando" to sound hip, one-up them by reminding them that sandos started out in Japan being sold at, ugh, convenience stores. Who's hip now?

    Repeat after me: sandwich.

    Do Better
    "Do better" are two very average words. But combined together and deployed on social media, they've become a polite, passive-aggressive way to say F.U., especially on Twitter.

    Saying "do better" is a way to have a tantrum and seem powerful — but in a pretend-civilized manner. For example:

    • "Do better" is what you say to the guy who wasn't wearing his mask properly and sneezed in your direction but you want to look like you're taking the high road
    • "Do better" is what you say when you're whining at an airline for making you wait but want to pretend you're giving them valuable business advice
    • "Do better" is what you say to the people who still eat at Chick Fil-A and you don't want to outright call them names

    The fact that "do better" is so very vague, with no metrics, makes it all the more ineffective. It's not even a superlative. It's not "do best" — it's "improve slightly in an unmeasurable way." What kind of goal is that.

    Comedian Sarah Silverman is the only exception:

    @SarahKSilverman
    underserved and undeserved look too much alike. Do better, language.
    9:33 PM · Dec 27, 2021

    Rest in power
    For more than a century, if you died, the thing people said was Rest In Peace. RIP. But for a certain kind of online hipster, Rest In Peace is no longer cool enough. It has to be Rest In Power. Even when it's your Granny or a neighbor you liked or The Cars' singer Rick Ocasek.

    Rest In Power started out as a social justice phrase, to eulogize victims who suffered inequality or discrimination, or else game-changing public figures.

    Now it's become a virtue signaling thing, showing how down you are.

    LoveToKnow.com wisely suggests you should only be using the phrase if you're prepared to perpetrate some social justice of your own.

    Cohort
    This one is still new, but it's a super-buzzy word right now, and unfortunately being tossed about in all sorts of ways that sound wrong.

    Cohort used to mean your buddies. You and your cohorts went to the club. This is the correct context.

    But Silicon Valley started using it in strange new ways, and this has set off a chain reaction of dumb and dumber usages. For example:

    • One site talks about grouping people into cohorts. Using "groups" didn't sound technical enough?
    • A business is graduating its second cohort of companies. Using "round" was too '90s?
    • Vox just welcomed its new cohort of fellows. Using "class" seemed too academic?

    It's really just people trying to sound smarter than they are, and so the time has come: We must organize a cohort of people against this flagrantly wrong use of cohort.

    trends
    news/entertainment
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

    moviesfilm
    news/entertainment

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