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    English News

    5 annoying buzzwords that Dallas definitely needs to let go of in 2021

    Teresa Gubbins
    Dec 29, 2021 | 4:00 pm
    sandos Japanese sandwiches
    There's sandwich and there's sando, and one of them has to go.
    Sandoitchi

    There are five phrases that have become hot buzzwords in the past year or so, and they absolutely must be wiped out.

    These are words and phrases that have snuck into the vernacular, and they should all be repelled by anyone who loves the English language. Nevermind what they say about English being a living thing that grows and changes. Or that an ill-used word or phrase doesn't mean society is declining. They're wrong.

    These 5 words are absolutely a threat to society, and the only course of action is to promise to never use them again.

    Curate
    Once upon a time — for centuries, really — curate was used only in the rarified world of art galleries and museums, where it belonged.

    Then a bad thing happened. People who market restaurants and department stores and real estate discovered curate and started using it to pass off their pedestrian output as "art."

    In Dallas, it first surfaced in 2013, when developer Mark Masinter said he was "trying to curate Henderson Avenue." How do you curate a $&%! street?

    Since then, CultureMap has seen 603 people trying to curate things across an absurd range of topics: Clothes being curated at JC Penney. Website Axios laughably curating content. "Talent" being curated for a society event.

    Curate is particularly popular these days among restaurants (well, really, restaurant PR people). Every press release about a new restaurant promises a "curated" menu. No. Chefs are creative, but food is fricking food.

    Sandos
    The problem here is not the trendy, twee sandwiches known as "katsu sandos." Katsu sandos being a sandwich from Japan made with slices of white bread and sold in child-like little packages. (Sando is an abbreviation of "sandoitchi," which means sandwich.)

    The problem is that people are starting to call regular sandwiches "sandos." Which is idiotic. Sando has two syllables, just like sandwich. It's not like you're saving any time. Saying "sando" takes exactly the same amount of time as "sandwich." I timed it.

    Here's a few examples of things that are not "sandos":

    • BLT
    • tuna salad sandwich
    • grilled cheese

    Next time you hear someone saying "sando" to sound hip, one-up them by reminding them that sandos started out in Japan being sold at, ugh, convenience stores. Who's hip now?

    Repeat after me: sandwich.

    Do Better
    "Do better" are two very average words. But combined together and deployed on social media, they've become a polite, passive-aggressive way to say F.U., especially on Twitter.

    Saying "do better" is a way to have a tantrum and seem powerful — but in a pretend-civilized manner. For example:

    • "Do better" is what you say to the guy who wasn't wearing his mask properly and sneezed in your direction but you want to look like you're taking the high road
    • "Do better" is what you say when you're whining at an airline for making you wait but want to pretend you're giving them valuable business advice
    • "Do better" is what you say to the people who still eat at Chick Fil-A and you don't want to outright call them names

    The fact that "do better" is so very vague, with no metrics, makes it all the more ineffective. It's not even a superlative. It's not "do best" — it's "improve slightly in an unmeasurable way." What kind of goal is that.

    Comedian Sarah Silverman is the only exception:

    @SarahKSilverman
    underserved and undeserved look too much alike. Do better, language.
    9:33 PM · Dec 27, 2021

    Rest in power
    For more than a century, if you died, the thing people said was Rest In Peace. RIP. But for a certain kind of online hipster, Rest In Peace is no longer cool enough. It has to be Rest In Power. Even when it's your Granny or a neighbor you liked or The Cars' singer Rick Ocasek.

    Rest In Power started out as a social justice phrase, to eulogize victims who suffered inequality or discrimination, or else game-changing public figures.

    Now it's become a virtue signaling thing, showing how down you are.

    LoveToKnow.com wisely suggests you should only be using the phrase if you're prepared to perpetrate some social justice of your own.

    Cohort
    This one is still new, but it's a super-buzzy word right now, and unfortunately being tossed about in all sorts of ways that sound wrong.

    Cohort used to mean your buddies. You and your cohorts went to the club. This is the correct context.

    But Silicon Valley started using it in strange new ways, and this has set off a chain reaction of dumb and dumber usages. For example:

    • One site talks about grouping people into cohorts. Using "groups" didn't sound technical enough?
    • A business is graduating its second cohort of companies. Using "round" was too '90s?
    • Vox just welcomed its new cohort of fellows. Using "class" seemed too academic?

    It's really just people trying to sound smarter than they are, and so the time has come: We must organize a cohort of people against this flagrantly wrong use of cohort.

    trends
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

    moviesfilm
    news/entertainment
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