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Weekend Event Planner

These are the 14 best things to do in Dallas this weekend

Alex Bentley
Oct 6, 2022 | 6:00 am

It's another big weekend in and around Dallas, including five concerts featuring well-known singers or bands, two new local theater productions, a famous comedian, the start of a new opera season, and more.

Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, October 6

The Firehouse Theatre presents Catch Me If You Can
Seeking fame and fortune, precocious teenager Frank Abignale, Jr. runs away from home to begin an unforgettable adventure. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor, and a lawyer, living the high life and winning the girl of his dreams. The musical comedy about chasing your dreams and not getting caught will play at The Firehouse Theatre in Farmers Branch through October 23.

Craig Ferguson: The Fancy Rascal Tour
Craig Ferguson is an actor, writer, producer, director, and comedian with a diverse career that encompasses film, television, and the stage. He is a bestselling author, has recorded numerous standup specials, and was the host of The Late Late Show with Craig Ferguson, which ran on CBS for 10 years. He'll perform at Majestic Theatre.

Friday, October 7

Dallas Symphony Orchestra presents "Hélène Grimaud Plays Brahms"
Wildlife conservationist, activist, writer, and virtuosic pianist Hélène Grimaud returns to Dallas to perform Brahms’ First Piano Concerto, the composer’s first performed orchestral work. The symphony will also perform Franck’s Symphony in D minor, which is being reintroduced by conductors like Fabio Luisi with a passion for exposing lost masterpieces to new audiences. There will be three performances through Sunday at Meyerson Symphony Center.

The Doobie Brothers in concert
The Doobie Brothers are a classic rock band whose sound has come to be associated with the term "yacht rock." Debuting in 1971, the group - which has famously featured singer Michael McDonald off and on for most of its history - has a number of indelible hits, including "Listen to the Music," "Black Water," "What a Fool Believes, and more. They'll play at Majestic Theatre as part of their 50th anniversary tour, which is in support of their 2021 album, Liberté.

Cara Mia Theatre presents Latinidades Theatre Fest: ¡Estar Guars!
In a loving homage to live comedy, original videos, and visual spectacle, ¡Estar Guars! re-creates the classic sci-fi rebellion as a modern-day Resistencia, complete with Galactic Walls, space chanclas, migrant moisture farmers, fearless princesas, mystical abuelas, and the targeting of Sanctuary Planetas by an evil empire determined to MAGGA (Make A Galaxy Great Again). The finale of Cara Mia Theatre's Latinidades Theatre Fest will play at Latino Cultural Center through Sunday.

Dallas Black Dance Theatre presents DanceAfrica
The 17th annual DanceAfrica will feature African culture flowing through the music and dance of DBDT and DBDT: Encore!, along with the Allegro Performing Ensemble, the Senior Performing Ensemble, and the Junior Performing Ensemble of Dallas Black Dance Academy. Also performing will be guest artist Giwayen Mata, the Booker T. Washington High School for the Performing and Visual Arts Dance Conservatory, and the DeSoto A Cappella Choir and Varsity Women. The festival takes place on Friday and Saturday at Moody Performance Hall.

Saturday, October 8

Morgan Wallen in concert
Few entertainers have had a better start to their careers than country singer Morgan Wallen. His 2018 debut If I Know Me went double platinum and yielded a No. 1 hit, "Whiskey Glasses." His follow-up, 2021's Dangerous: The Double Album, has been even bigger, going to No. 1 on the Billboard 200 and was named Album of the Year at the 2022 Academy of Country Music Awards. He'll play at an appropriately big venue, Globe Life Field in Arlington, as part of his first headlining tour.

The Dallas Opera presents Rigoletto
Treachery, seduction, and a raging father dead set on revenge. Rigoletto - he’s the jaded jester paid to make others laugh in the debauched court of Mantua. But when his innocent daughter is cruelly seduced by the predatory Duke, Rigoletto stops being funny and vows revenge. Seething with rage, he launches an elaborate plot to avenge his beloved child. But everything goes terribly, terribly wrong... The opera will have four performances through October 16 at Winspear Opera House.

Turtle Creek Chorale presents That '70s Show: Sing-Along Sensation
That '70s Show: Sing-Along Sensation features songs that made the '70s one of the most amazing decades for music, not to mention the social and political shift that unfolded during the truly revolutionary time in people's lives. The special concert will give audiences a chance to join the Turtle Creek Chorale and celebrate the exciting, provocative, and fabulous music of the storied decade. There will be two performances - one Saturday and one Sunday - at McFarlin Auditorium on the SMU campus.

Bonnie Raitt in concert
Blues singer and guitarist Bonnie Raitt has been performing for over 50 years, although she didn't achieve breakthrough success until her 10th album, 1989's Nick of Time. It was her follow-up album, Luck of the Draw, which made her a superstar, thanks to hits like "Something to Talk About" and "I Can't Make You Love Me." She'll play at Texas Trust CU Theatre at Grand Prairie in support of her new album, Just Like That..., joined by Marc Cohn.

Eisemann Center presents Paul Taylor Dance Company
The Paul Taylor Dance Company is one of the world’s most sought-after dance troupes. The dancers, led by Artistic Director Michael Novak, perform Taylor's repertoire and works by contemporary choreographers. Dances on the program for this performance at Eisemann Center for the Performing Arts in Richardson include Paul Taylor's Arden Court, Taylor's Scudorama, and Rush Hour 1 by Larry Keigwin.

Roger Waters in concert
During this concert at American Airlines Center, part of Roger Waters' This is Not a Drill tour, he will give an indictment of the corporate dystopia in which we all struggle to survive, and a call to action to love, protect, and share the precious and precarious planet Earth. The show will include a dozen songs from Pink Floyd's golden era, alongside other newer songs.

Sunday, October 9

Nasher Sculpture Center presents Magali Reus: "A Sentence in Soil" closing day
Sunday will be the final day to view Magali Reus: "A Sentence in Soil" at Nasher Sculpture Center. Reus' second major U.S. show features an installation that examines the relationships between people and objects through the distortion of common images. The artist reimagines commonly found objects such as “No Parking” signs or dehumidifiers to take on new lives.

Monday, October 10

Craig Ferguson
Photo by Gage Skidmore

Craig Ferguson performs at Majestic Theatre on October 6.

The Chicks in concert
We're extending the list past the weekend to note a rare two-day appearance by a big band. The last time The Chicks came to town in 2016, they still had the word "Dixie" attached to their name. But in 2020, in conjunction with the release of their latest album, Gaslighter, they decided to drop that part since it came with unintended negative connotations. They'll play on both Monday and Tuesday at The Pavilion at Toyota Music Factory in Irving.

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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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