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Movie Review

Billie Eilish brings fans closer in immersive new 3D tour film

Alex Bentley
May 7, 2026 | 11:15 am
Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D

Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

Photo by Henry Hwu/courtesy of Paramount Pictures

In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

The draw of the film - other than Eilish herself - is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

Eilish has almost as many movies - two - as she does albums - three - which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

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Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

movies film
news/entertainment

Good as gold

Dallas gymnast Skye Blakely wins gold at 2026 world championships

Associated Press
Oct 23, 2026 | 4:52 pm
Day 7 - Artistic Gymnastics World Championships Rotterdam 2026
Photo by Adam Pretty/Getty Images
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ROTTERDAM, Netherlands (AP) — American Skye Blakely soared to the women's all-around gold at the world gymnastics championships on Friday, putting together four stellar routines as other top competitors faltered.

The 21-year-old's total of 55.733 included a dazzling set on uneven bars and a stoic and steady performance on balance beam and no major form breaks or falls, giving the Dallas native a moment of redemption after bids to make the 2020 and 2024 U.S. Olympic teams ended due to injury.

Blakely was born in Dallas and lives and trains in Frisco, at the World Olympic Gymnastics Academy (WOGA); she's also a student-athlete at the University of Florida.

Blakely broke into tears when she walked off the podium at the end of her floor exercise in the final rotation, her long and painful journey with an unforgiving sport hitting a high note that seemed far away during lengthy rehabs that taxed both her mind and her body.

Liudmila Roschina earned silver at 55.199. Ke Qinqin of China took bronze at 55.032.

Algerian Kaylia Nemour's bid to become the first gymnast from Africa to win an all-around title at worlds ended with a fourth-place finish. The 19-year-old's finals got off to a rough start in her first rotation when her feet didn't land squarely on the springboard while vaulting, forcing her to do a simpler vault that cost her valuable points.

While Nemour recovered spectacularly thanks in large part to an uneven bars routine that is one of the hardest routines done on any apparatus by any gymnast — male or female — in the world, it wasn't quite enough to reach the podium.

American Claire Pease's hopes of joining Blakely on the medal stand ended when she hopped off beam on her way to a seventh-place finish. Pease, a Sunnyvale native, also trains at WOGA in Frisco.

Blakely and Pease were competing two days after the U.S. saw its long run of gold medals in the team finals at worlds end with a second-place finish to resurgent China. That up-and-down night included Blakely failing to get credit for a connection during her beam routine that cost the Americans nearly a point in a meet where they missed out on gold by a fraction of that.

There were no such issues this time around. Blakely headed to beam atop the leaderboard after an excellent start on vault followed by a bars routine that's pretty good in its own right.

Still, beam is something different. And this time there were no missed connections and barely a wobble. Her score of 14.200 kept her in front and turned her floor exercise largely into a victory lap.

The tears after she saluted the judges were real. So were the ones when her spot atop the sport became official about 15 minutes later.

Blakely then draped the American flag over her back while posing for the cameras becoming the ninth U.S. woman — and sixth this century — to win a world all-around crown.

While the picture figures to get considerably more crowded in the next two years ahead of the 2028 Olympics in Los Angeles, Blakely's perseverance and talent have thrust her back into the conversation.

gymnastics olympics sports
news/entertainment
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