Just a Traveler

Country superstar Chris Stapleton adds Dallas stop to his all-American tour this fall

He's just a traveler, and he'll travel to Texas quite a bit this year.

Photo by RodeoHouston

UPDATE 3-30-2023: Due to demand, Stapleton is adding a second Dallas show, on October 28. Tickets go on sale 10 am Friday, March 31.

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Chris Stapleton is bringing his “All-American Road Show" back to Dallas this fall. The eight-time Grammy Award-winning country music superstar (who also has 15 CMA and 10 ACM awards under his belt) will stop at Dos Equis Pavilion on October 27, 2023.

Stapleton will appear with special guests Nikki Lane and CMT-nominated Charley Crockett.

The new date, announced March 23, will come one year after Stapleton's "Roadshow" concert at Globe Life Field. He'll be playing shows in San Antonio and Austin on October 19 and 20, respectively, and his only other Texas stop (so far) is Corpus Christi, on October 12.

Tickets will go on sale on Friday, March 31, at 10 am. Stapleton’s fan club will have early access to tickets and VIP packages with pre-sale starting on Tuesday, March 28, at 10 am through Thursday, March 30, at 10 pm. As the official card of Chris Stapleton’s “All-American Road Show” 2023 tour, Citi cardmembers will have access to pre-sale tickets starting on Tuesday, March 28, at 10 am until Thursday, March 30, at 10 pm. For complete pre-sale, details visit citientertainment.com.

In addition to the new “All-American Road Show” dates, Stapleton will headline Stagecoach Music Festival on April 30 and will join George Strait for a series of stadium shows with special guests Little Big Town.

The Kentucky-born artist is one of the country’s most respected and beloved musicians. He was recently named the CMA Male Vocalist of the Year for the sixth time, setting the record for most wins ever in the category. Additionally, his most recent album, Starting Over, won Best Country Album at the 67th Annual Grammy's, as well as earning Album of the Year honors at both the 54th Annual CMA Awards and 56th ACM Awards. The record follows Stapleton’s pair of Platinum-certified releases from 2017, From A Room: Volume 1 and From A Room: Volume 2, as well as his x5 Platinum breakthrough solo debut album, Traveller.

In addition to his work as a musician, Stapleton and his wife, Morgane, are founders of the Outlaw State of Kind charitable fund, which supports a variety of causes that are close to their heart. Most recently, their “Kentucky Rising” concert last fall raised over $2.8 million to support flood relief in Eastern Kentucky.

Confirmed tour dates are listed below, including supporting acts and special guests:

April 26: El Paso, TX—UTEP Don Haskins Center*
April 27: Albuquerque, NM—Isleta Amphitheater*
April 29: Los Angeles, CA—Hollywood Bowl – Willie Nelson’s 90th Birthday
April 30: Indio, CA—Stagecoach
May 6: Glendale, AZ—State Farm Stadium†
May 27: Columbus, OH—Buckeye Country Superfest
June 1: Moline, IL—Vibrant Arena at The MARK‡
June 2: Grand Rapids, MI—Van Andel Arena‡
June 3: Milwaukee, WI—American Family Field†
June 8: Syracuse, NY—St. Joseph’s Health Amphitheater at Lakeview+
June 9: Mansfield, MA—Xfinity Center+
June 10: Mansfield, MA—Xfinity Center+
June 15: Spokane, WA—Spokane Arena§
June 16: Bend, OR—Hayden Homes Amphitheater§
June 17: Seattle, WA—Lumen Field†
June 22: Des Moines, IA—Wells Fargo Arena§
June 23: Wichita, KS—INTRUST Bank Arena§
June 24: Denver, CO—Empower Field at Mile High†
July 7: Bangor, ME—Maine Savings Amphitheater§
July 8: Cavendish, PEI—Cavendish Beach Music Festival
July 13: Charleston, SC—Credit One Stadium#
July 14: Virginia Beach, VA—Veterans United Home Loans Amphitheater#
July 15: Baltimore, MD—CFG Bank Arena#
July 19: Omaha, NE—CHI Health Center**
July 20: St. Louis, MO—Hollywood Casino Amphitheatre**
July 21-22: Cullman, AL—Rock the South
July 28: Nashville, TN—Nissan Stadium†
July 29: Nashville, TN—Nissan Stadium†
August 5: Tampa, FL—Raymond James Stadium†
August 10: Gilford, NH—Bank of New Hampshire Pavilion**
August 11: Gilford, NH—Bank of New Hampshire Pavilion**
August 12: Gilford, NH—Bank of New Hampshire Pavilion**
August 17: Toronto, ON—Budweiser Stage‡
August 18: Toronto, ON—Budweiser Stage‡
August 19: Montreal, QC—Lasso Festival at Parc Jean-Drapeau
August 24: Memphis, TN—FedExForum††
August 25: Alpharetta, GA—Ameris Bank Amphitheatre††
August 26: Alpharetta, GA—Ameris Bank Amphitheatre††
October 5: Charlottesville, VA—John Paul Jones Arena*
October 6: State College, PA—Bryce Jordan Center*
October 12: Corpus Christi, TX—AmericanBank Center Arena+
October 19: San Antonio, TX—AT&T Center+
October 20: Austin, TX—Moody Center+
October 26: Tulsa, OK—BOK Center+
October 27 – Dallas, TX – Dos Equis Pavilion+

*with special guests Margo Price and Nikki Lane
†with George Strait and special guests Little Big Town
‡with special guests Marcus King and The War and Treaty
+with special guests Charley Crockett and The War and Treaty
§with special guests Marty Stuart and His Fabulous Superlatives and Allen Stone
#with special guests Margo Price and Allen Stone
**with special guests Marty Stuart and His Fabulous Superlatives and The War and Treaty
††with special guests Marcus King and Allen Stone
+with special guests Charley Crockett and Nikki Lane

Dos Equis Pavilion chris stapleton music concerts

Movie Review

Stephen King film adaptation The Life of Chuck aims for the heart

Photo courtesy of NEON

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Just like actors, once a filmmaker becomes known for a certain genre, it can be difficult to escape that pigeonholing. Writer/director Mike Flanagan has worked for 20 years in both film and television, and literally every project he’s done has been related to horror. He’s finally breaking out with The Life of Chuck, which is ironically based on a short story of the same name by Stephen King.

Told in three chapters in reverse order, the film is almost impossible to describe without giving away its magic. The first section centers on Marty (Chiwetel Ejiofor), a teacher grappling, like everyone around him, with what seems to be the world falling apart. He’s comforted to a degree by reuniting with his ex-wife, Felicia (Karen Gillan), but is also baffled by multiple ads touting the retirement of Charles “Chuck” Krantz (Tom Hiddleston) after “39 great years.”

The second section consists of little more than a slightly younger Chuck happening upon Taylor (The Pocket Queen), a drummer busking on a street corner, giving Chuck and a younger woman, Janice (Annalise Basso), the inspiration to start dancing. The final section goes back to the childhood of Chuck (Benjamin Pajak), where he’s raised by his grandparents (Mark Hamill and Mia Sara), discovers dance as an outlet, and wonders about various small mysteries.

Flanagan finds a way to deliver a lot of story with relatively little effort. Using a wry narrator (Nick Offerman), a limited number of locations, and a series of great small performances, he creates an intriguing premise with few straightforward answers. The structure of the film is designed to confuse the viewer until just the right moment, and the revelation forces you to reexamine everything that came before.

The biggest accomplishment by Flanagan is making what are essentially three short films and having each of them resonate equally. The film contains elements of science fiction, although the first section may hit a bit too close to home for some of those watching. All three sections, though, have a heartwarming bent to them that sells their central idea without becoming overly saccharine.

To do so, each of the characters have to connect in a short amount of time. The casting of the film is crucial, and not only does that department succeed with the main roles, but a series of small roles are filled expertly as well. Carl Lumbly as a funeral home owner, David Dastmalchian and Harvey Guillen as parents of students, Matthew Lillard as Marty’s neighbor, Q’orianka Kilcher as Chuck’s wife, and Jacob Tremblay as a teenage Chuck are just a few of the recognizable actors that do yeoman’s work in their brief time on screen.

Hiddleston is only prominently featured in the second chapter, but his performance there and in small glimpses throughout makes a big impression. Ejiofor is given the star turn in the first chapter and he absolutely kills, both in moments by himself and in scenes with Gillan, with whom he has great chemistry. Hamill, making a rare non-voiceover appearance outside of the Star Wars universe, and Sara, in her first notable role in 11 years, are also very memorable in the final chapter.

The Life of Chuck is a film that’s filled with emotion, but the full impact of the story is not felt until the final moments. It has a mysterious journey that is initially frustrating, but the performances keep the film going until it gets to its satisfying payoff.

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The Life of Chuck is now playing in theaters.

movies film