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    Hold Onto Your Cowboy Hats

    Cirque du Soleil's new country show line-dances into the State Fair of Texas

    CultureMap Create
    Oct 1, 2024 | 12:09 pm

    The beloved tradition is back: For the first time since 2013, Broadway Dallas is presenting a show during the State Fair of Texas.

    It's a new Cirque du Soleil creation called Songblazers, which celebrates the pioneering spirit of country music’s trailblazers in partnership with Universal Music Group Nashville. Songblazers runs through the end of the Fair, October 20, and each show ticket purchased comes with free same-day admission to the State Fair of Texas.

    This collaboration means that some of country's most recognizable songs — think "Crazy," "King of the Road," "Achy Breaky Heart," and "All My Exes Live in Texas" — are the live soundtrack to Cirque du Soleil's jaw-dropping athletics and acrobatics.

    Cirque du Soleil SongblazersThis scene is performed to "Man! I Feel Like a Woman!"Photo courtesy of Cirque du Soleil

    The story follows Dusty, a young songwriter disheartened by a poor performance at a local carnival's talent show. He sets off on a quest to reignite his passion and find his voice, meeting his future songwriter partner, Wyatt, along the way.

    Amidst campfire sing-a-longs, barn dances, and bar fights, the audience is taken on an emotional train ride through the heartlands of the American West, meeting a variety of unforgettable characters and muses, each embodying the spirit of country.

    Outlaws, ranch girls, brakemen, and conductors all guide Dusty and Wyatt, offering lessons in life, love, and the relentless pursuit of dreams. Together, they navigate the highs and lows of the musical artist’s journey, sharing moments of triumph, despair, friendship, and rivalry.

    Here's a sneak peek of the show:

    There are also lots of fun facts about Songblazers, such as:

    • Country’s roots are deeply intertwined with African American musical traditions, as early country music blended blues, gospel, and spirituals. The African banjo — the "banjar" — and the European fiddle both contributed to the birth of country music and its unique sound. Throughout the show, the two main characters play both instruments.
    • Sam Williams, son of legendary country artist Hank Williams Jr. and grandson of Hank Williams Sr., has written an original song for the show, along with fellow songwriters PJ Harding and Ned Houston. It's called "Carnival Heart."
    • The Country Music Hall of Fame was established in 1961. One of its first inductees was Hank Williams, whose song "I’m So Lonesome I Could Cry" features in Songblazers.
    • As well as directing shows for many of the world’s most renowned musical artists, Songblazers director Amy Tinkham has also conceptualized numerous performances for the Country Music Awards.
    • Songblazers' costume designer Zerina Akers has dressed famous celebrities such as Megan Thee Stallion, Chloe, and Halle Bailey, as well as collaborating with Beyonce as her personal stylist for more than a decade.
    • More musicians and vocalists appear in Songblazers than in any other Cirque du Soleil show, with 13 musical artists in the cast.
    • Overall, Songblazers stars 29 artists and 21 crew members from 13 countries, communicating in over 10 languages.

    Cirque du Soleil SongblazersA little country and a lot international.Photo courtesy of Cirque du Soleil

    Cirque du Soleil Songblazers

    Photo courtesy of Cirque du Soleil

    Of course there is some singin' 'round the campfire.

    Every Songblazers ticket purchased comes with free same-day admission to the State Fair of Texas. The show is 95 minutes long and suitable for all ages. Purchase tickets here.

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    Movie Review

    Iranian film It Was Just an Accident is a thriller with deep meaning

    Alex Bentley
    Oct 31, 2025 | 2:02 pm
    Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident
    Photo courtesy of Neon
    Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident.

    American filmmakers, for the most part, enjoy luxury and freedoms when making movies in the United States that filmmakers in other countries could only dream of. Not only does Iranian writer/director Jafar Panahi not have millions of dollars with which to make his films, he also has to deal with a government that has previously arrested him for being critical of their policies.

    And yet he persists, returning to the screen with the taut It Was Just An Accident. The film begins with a kind of misdirect, showing Eghbal (Ebrahim Azizi) and his family driving home at night, during which they strike and kill a dog. That accident sends Eghbal into the orbit of Vahid (Vahid Mobasseri), who works at a business that helps repair Eghbal’s car.

    Recognizing the distinctive sound of Eghbal’s prosthetic leg, Vahid believes him to be the same man who kidnapped and tortured him and others in a recent government arrest spree. Desperate to confirm his suspicions, Vahid kidnaps Eghbal and takes him to a series of people who were also imprisoned under the man they named “Peg Leg,” including Shiva (Mariam Afshari), a wedding photographer; Golrokh (Hadis Pakbaten), the bride being photographed; and more.

    Most filmmakers have the ability to use sets and take as much time as they need - within reason - to get the shot they need. Panahi employs a type of guerrilla filmmaking rarely seen these days, stealing shots in broad daylight while trying not to gain the notice of Iranian authorities. The daring nature of the making of the movie infuses the story with an extra tension that elevates what is otherwise a relatively simple story.

    The film puts the audience directly in the shoes of the various characters as each of them wrestles with the complicated feelings arising from their actions. As they were all blindfolded while imprisoned, they can’t be 100 percent sure they have the right man, and debates/arguments between the characters keep viewers guessing as to who he is and what they will do with him. Even if he is who they think he is, will enacting some kind of revenge on him soothe their consciences?

    Through it all, the idea that a former political prisoner is making a film about former political prisoners who are engaging in conduct that could get them arrested again - just as Panahi is doing with his film - makes this meta filmmaking on another level. The simplicity of the story belies the complexity underscoring the entire film, and it delivers one of the most impactful endings of any recent movie.

    While a few of the actors have acted before, including in previous Panahi films, most of them are making their first appearance in a movie. Despite this lack of experience, each of them does well, especially Mobasseri and Afshari, who share a number of heated scenes that bring out the best in both of them.

    It Was Just an Accident is the type of film that constantly keeps the audience on their collective toes, never knowing where it will head next. And that’s even if you didn’t know the details of how and why it was made; once that is discovered, it becomes something much deeper and more important than most other movies that will be released in 2025.

    ---

    It Was Just an Accident is now playing in select theaters.

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