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    Film Lovers Unite

    Dallas International Film Festival reveals star-laden lineup for 2024

    Alex Bentley
    Mar 29, 2024 | 9:10 am

    The 18th Dallas International Film Festival will take place from April 25-May 2 at Violet Crown Cinema in West Village Uptown, featuring screenings of more than 100 films, Q&A sessions, and panels with filmmakers and actors, and special events.

    The full lineup features a mix of feature films boasting big-name stars and filmmakers alongside documentaries and lesser-knowns making their way in the movie industry

    Headlining the festival will be the world premiere of the documentary Dude Perfect: A Very Long Shot, part of ESPN Films’ “30 for 30” series, which will be the opening night film on Thursday, April 25 at Majestic Theatre. The film charts the history of the Frisco-based trick shot group and where they will go in the future.

    Closing on the festival on May 2 will be A24’s Sing Sing, starring recent first-time Oscar nominee Colman Domingo. Based on the real-life program Rehabilitation Through the Arts, the film features a cast that includes formerly incarcerated actors and alumni of the program.

    Other notable films being screened include The Dead Don't Hurt, a Western from writer/director Viggo Mortensen starring Vicky Krieps and Mortensen; Ezra, a comedy/thriller starring Bobby Cannavale and Robert DeNiro; I Saw the TV Glow, a horror starring rising star Justice Smith; The Idea of You, a romcom starring Anne Hathaway and Nicholas Galitzine; and Print It Black, a documentary about how journalists in Uvalde, Texas responded to the school shooting at Robb Elementary.

    “We always try to ensure the festival features important and interesting stories, and this year’s schedule abounds with the kind of films that remind us why we love watching movies,” said James Faust, DIFF Artistic Director, in a statement. "I could say this every year, but this program might be my favorite ever.”

    Dude Perfect
    Photo courtesy of Dude Perfect

    Dude Perfect: A Very Long Shot will be the opening night film at the 2024 Dallas International Film Festival.

    Festival passes, which range from $100-$500, are now on sale at dallasfilm.org/diff; individual tickets will go on sale at a later date.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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