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    Club News

    Music venue Silo dances into vintage Dallas Design District building

    Raven Jordan
    Jul 25, 2024 | 5:14 pm
    Deadmau5

    Deadmau5 at Padre island

    Disco Donnie Presents

    A major new venue is coming to Dallas' Design District that'll feature electronic dance music and more. Called Silo, it's going into a former industrial building at 1340 Manufacturing St., with an opening set for September.

    Silo comes from two well-established entertainment-industry names: Promoter James “Disco Donnie” Estopinal, Jr., founder of Disco Donnie Presents, which produces club events, arena shows, and festivals such as Lights Al Night; and Dallas entrepreneur Patrick Tetrick, who has owned numerous Dallas clubs over the years such as Three Sheets and Lotus.

    They're opening the new venue with the goal of nudging the Design District closer to a full-blown entertainment district.

    “It’s centrally located and surrounded by so many great hotels, and some of the best restaurants in the city are just a couple blocks away,” Estopinal and Tetrick said in an email. "We are excited to be a part of this area’s development and believe we, too, will offer a significant contribution to the area's economic and cultural growth.”

    They've done their part, booking a spectacular lineup of internationally-known acts including DJ/music producer Tiësto, Sasha & John Digweed, RL Grime, deadmau5, and Illenium.

    Tiesto will kick off their grand opening weekend September 19-20, and tickets are already sold out for the Illenium show in October.

    Though most of the acts they've booked are EDM, that won’t be the only genre. They've designed Silo for versatility into uses that go beyond music.

    “Although we have a long, successful history in the electronic music scene, the venue itself is being designed to cater to multiple events,” Estopinal and Tetrick say. “We have a national size stage and a sound system that works for every type of musical genre. We've already been approached by numerous people with great ideas and concepts for special events.”

    The location was built in 1959 as a storage facility for Johnson Grain Company, and comprises a massive 30,000-square-foot space they've renovated, with 40-foot high ceilings, a 40X30-foot stage, and acoustic design by Owens, whose prior designs include Dallas' Winspear Opera House.

    Capacity is 3,145 people.

    There'll be multiple bars serving cocktails, beer, and wine, plus a small food program of “munchies” prepared on site, still TBA.

    “Of course, each special event/private event is its own opportunity, and each occasion is approached differently and individually. Silo is incredibly versatile, and so is our staff,” Estopinal and Tetrick say.

    The first round of shows with dates are as follows:

    • September 19 and 20: Tiësto
    • September 21: Deorro
    • September 28: Sasha & John Digweed
    • October 5: Chris Lake
    • October 11: Anjunadeep
    • October 25: RL Grime
    • November 1: James Hype
    • November 9: Galantis
    • November 16: Eric Prydz
    • November 23: Lilly Palmer
    • November 29: Camelphat
    • December 21: deadmau5

    Tickets for most shows can be purchased on Silo's website, and they also thoughtfully offer links to book hotels.

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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