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    Outsider Art

    Dallas venture Horror Remix brings drugs, good kills and boobs to the big screen

    Kate Boswell
    Oct 29, 2012 | 10:16 am
    • Edward J. Anttila and Alecia Fryman show off their puppet counterparts,Cheesecake and Thunderclap.
      Photo by Kate Boswell
    • Horror Remix is celebrating its fifth anniversary this Halloween with a show atStudio Movie Grill Royal Lane.

    The concept seems simple: take two to three ’80s horror movies, edit and remix them down to 20-minute segments, and add in a dash of hilarious commentary provided by wisecracking … puppets?

    The result is Horror Remix, a Dallas-based horror-comedy show that, like the zombie horde, has spread wildly across the country. Those responsible for the popular show are locals Edward J. Anttila and Alecia Fryman.

    In Dallas, the pair shows the themed remixes monthly at the Studio Movie Grill on Royal Lane. October’s Halloween show marks Horror Remix’s fifth anniversary. The fun starts at 10 pm Wednesday.

    Co-creator Edward Anttila describes the show as the video equivalent of a horror mix tape.

    And, yes, it’s free.

    “Most people don’t believe you when you say that,” Fryman says. “But it is!”

    Humble beginnings
    Anttila describes the show as the video equivalent of a horror mix tape. “Like a mix tape, it might be themed,” he says. “Hopefully, you share it with your friends.”

    Though Horror Remix is now featured in 10 cities across the United States, its evolution has been gradual. It all started back in February 2007, when Anttila began editing and showing offbeat ’80s horror movies at house parties.

    “I figured out that my friends — well, most people — wouldn’t be willing to sit through the whole movie, so I decided to condense them so that people could just watch for 20 minutes and then split,” he says.

    In May of that year, he started a website and video podcast, which is when Fryman joined him. Together, they introduced the wisecracking puppets, Cheesecake and Thunderclap, who provide post-movie commentary.

    Cheesecake, a wizard, is voiced by Anttila. Fryman provides the voice for Thunderclap the bat.

    “My part is easy,” Fryman says. “I just show up and make fun of stuff. E.J. does all the editing.”

    In October 2007, they had their first public show at The Cavern, an event that Anttila describes as “a failure” because the audience was made up of only his friends. However that all changed in the summer of 2008, when reps from Alamo Drafthouse in Austin contacted Anttila and asked him to bring his show to their theater.

    Though Horror Remix is now featured in 10 cities across the United States, its evolution has been gradual.

    They had seen the Horror Remix blog and thought Anttila and Fryman’s brand of quirky comedy would be perfect for their venue. Two months later, Studio Movie Grill in Dallas followed suit, and the show’s audience has continued to grow.

    Developing the craft
    What sets Horror Remix apart from other parodists, whether they be the cast of Mystery Science Theater or drunk twentysomethings at a dollar movie, is the genuine affection they feel for the movies they showcase. Anttila insists that Horror Remix is about tribute, not mockery.

    “I do see these as art, just a different type of art,” he says. “We see these movies as outsider art.”

    He compares the remixing process to highlighting “great singles from a record.”

    “Cutting them is not disrespectful; it’s to create exposure,” Anttila says. “For most people, you wouldn’t watch these in their entirety. I cut it down to what the average person is willing to handle.”

    Typically, Fryman and Anttila watch the movies through together, taking notes on any moments they want to return to later.

    “We don’t talk during this part,” Fryman says. “It’s funny because we will laugh at some of the same things, but then it turns out that we are making completely different jokes.”

    Once the initial viewing is over, they turn on the camera.

    “I do see these as art, just a different type of art,” Anttila says. “We see these movies as outsider art.”

    “We record, and we just kind of ping off of each other. We re-record only if we slur or start laughing,” Fryman says.

    A delicate process
    Before they can sit down with the movies, Anttila has already worked for several months to choose a theme and find suitable films. He combs various websites and books he has collected about ’70s- and ’80s-era horror and compiles a list of movies that fit with the theme he has chosen. For November, the theme is “Roadtrip Getaway.”

    “I just keep Googling, and I try to compile at least 10 movies and then figure out what will be featured," Anttila says.

    Currently, in addition to continuing their work with Horror Remix, Fryman and Anttila are working on their own side project: a short, original horror film.

    “The only relation to Horror Remix is that it’s 30 minutes long, and it will feel like a Horror Remix edit,” Anttila says.

    Fryman wanted to assure fans that it would still have that Horror Remix touch: “It will have all the things people love: cussing, drugs, good kills and boobs.”

    They are writing and directing it themselves, and they hope to show the film at festivals next spring. In the meantime, they plan to continue cooking up more cheesy horror-comedy for their fans in Dallas and other cities.

    However, the mystery remains: how did Cheesecake and Thunderclap get those ridiculous names?

    “I don’t know,” Fryman admits. “You’d have to ask the beer we were drinking that night.”

    unspecified
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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