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Movie Review

Evil Dead Burn reignites horror franchise with relentless gore

Alex Bentley
Jul 9, 2026 | 12:56 pm
Luciane Buchanan in Evil Dead Burn

Luciane Buchanan in Evil Dead Burn.

Photo courtesy of Warner Bros. Pictures

Horror franchises tend to endure because of several reasons. First and foremost, the title conjures up nostalgia for older viewers, as the many of the most popular ones started in the 1970s or ‘80s. Sequels can recycle key elements of past films as long as they tweak the formula enough to offer something original. And they’re also relatively cheap to make, as new films can bring in young or lesser-known actors to be terrorized.

All of those reasons make Evil Dead Burn a smashing success, giving viewers reminders of the past while still becoming its own thing. The film is almost non-stop from the jump as a series of people, known colloquially as “deadites,” get infected by a malevolent force. A long, 15-minute opening set piece introduces the main characters, including Alice (Souhelia Yacob), her brother-in-law Joseph (Hunter Doohan), his girlfriend Thya (Luciane Buchanan), and his parents, Susan (Tandi Wright) and Edgar (Erroll Shand).

They’re all mourning the death of Alice’s husband Will (George Pullar), who they think died while driving drunk. However, the infection in Will’s corpse soon latches on to Edgar, whose descent into murderous rage is initially masked by his intense grief. With the family all gathered together in an older, decaying home, no one is safe from the rampage of the supernatural force.

Written and directed by French filmmaker Sébastien Vanicek and co-written by Florent Bernard, the film is aimed directly at horror fanatics who are used to copious amounts of blood and gore. From the opening scene to the film’s final intense moments, Vanicek and his team come up with numerous hide-your-eyes sequences that test the stomachs of weak-willed viewers. But for those who can’t get enough of such things, they also indicate a creativity and willingness to push boundaries that is both thrilling and entertaining.

While some previous entries in the Evil Dead series leaned comedic, this entry follows the previous two films in 2013 and 2023 as as a pure horror. However, that doesn’t mean that the film is devoid of lightness. One of the most enjoyable aspects is Vanicek comically adhering to the concept of Chekhov’s gun. So many different potential weapons are introduced and later used that you can’t help but laugh when they come into play.

Ultimately, it’s the performances by the lesser-known cast that make the movie what it is. Doohan (Wednesday) plays a mild-mannered character who seems to be the main protagonist early on, but he cedes the spotlight to Yacob as the film goes along. The French actress knows how to hold the screen through both her actions and line deliveries. Shand, with his craggy face and bald head, turns into a superior villain, able to chill with just his intense stare.

Evil Dead Burn is not for everybody, but it’s another great addition to what’s turning out to be a banner year for horror movies. With highly effective, cringeworthy action sequences, moments that lighten the mood when needed, and a cast that carries the story, it’s an announcement of bigger things to come for all involved.

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Evil Dead Burn opens in theaters on July 10.

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Movie Review

Spider-Man: Brand New Day sets a new standard for comic book movies

Alex Bentley
Jul 30, 2026 | 1:02 pm
Tom Holland in Spider-Man: Brand New Day
Photo courtesy of Sony Pictures
Tom Holland in Spider-Man: Brand New Day.

Ever since Spider-Man became part of the Marvel Cinematic Universe, the character’s stand-alone movies have been notable for maintaining their own vision despite having to service the larger MCU storyline. The emotionality of the series reached its high point in No Way Home by bringing back two former Spider-Mans - Tobey Maguire and Andrew Garfield - to assist Tom Holland in a multiversal storyline.

The heart displayed in that film is superseded by Spider-Man: Brand New Day, in which Peter Parker (Holland) is now alone in the world following the events of the previous film. For years, he has done his best to stay busy by stopping in-progress crimes and checking in with Detective Jean DeWolff (Liza Colón-Zayas), but the twin traumas of losing Aunt May (Marisa Tomei) and forcing girlfriend MJ (Zendaya) and best friend Ned (Jacob Batolon) to forget him still weigh heavily on him.

Almost simultaneously, Peter starts experiencing a change in his physiology and is challenged by a new threat who has a power he does not know how to defeat. As he struggles with both of those things, he asks for help from a variety of sources, including Professor Bruce Banner (Mark Ruffalo), Frank Castle, aka The Punisher (Jon Bernthal), and - despite not knowing who he is - MJ and Ned, who are now roommates in New York following their college years at MIT.

Directed by Dustin Daniel Cretton and written by Chris McKenna and Erik Sommers (who have written each of the Holland Spider-Man films), the movie has a near-perfect blend of comic book spectacle and small-scale intimacy. Spider-Man’s ability to swing through New York’s urban landscape with ease provides plenty of opportunities for great action sequences, but the character’s focus on keeping the streets safe and finding a way back to his friends makes the story still feel manageable.

This is aided by the decision to not go overboard with the MCU connections. Bruce Banner/Hulk and a member of the New Avengers show up, but in relatively small roles. The Punisher makes the leap from TV to the movies, and the interaction between him and Spider-Man feels organic. So too does the super-secret villain, whose impact is felt well before they ever show up on screen thanks to a power that is as mysterious as it is effective.

While the action is abundant in the film, the filmmakers lean on emotion much more than most other comic book movies. Peter’s journey back to a semblance of a normal life is well-earned, with his reconnection with MJ and Ned slow-walked in an admirably subtle way. And in the final act, when CGI battles typically take over, the interior lives of Peter and other characters play as much a role in what happens as anything they do physically.

Holland, who tends to take criticism for non-Spider-Man roles, remains the ideal actor for the role. His open-heartedness makes him relatable, his athleticism makes him believable, and he crushes the heavier moments. He and Zendaya, who are now married in real life, work tremendously well together, and Batalon is a fun third wheel. Other standouts include Bernthal, Colón-Zayas, Trammell Tillman, and Stranger Things’ Sadie Sink.

From beginning to end, Spider-Man: Brand New Day now owns the title as best movie in the current Spider-Man universe. By maintaining connections to past movies, solidly incorporating new characters, and pointing to the future without making it the whole story, it demonstrates a model for how comic book movies should be done.

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Spider-Man: Brand New Day opens in theaters on July 31.

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