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    Ooky and spooky

    A Halloween-season list of the most famous ghosts of Dallas

    Rhonda Aghamalian
    Oct 29, 2025 | 8:58 am
    Halloween ghost

    Scary ghost like character on a foggy night.

    Vecteezy.com

    Dallas may lack the bones and brooding of a classic ghost story — no cliffside mansions, rolling fog, or lonely swamps — but we’ve still managed to attract a few hauntings between the freeways. If you’re in the mood for a local ghost story, here are a few of Dallas’ most classic spooky tales:

    The Lady of the Lake, White Rock Lake
    Dallas’ take on the vanishing traveler legend is perhaps its best-known ghost story. A young woman in evening wear — sometimes said to have come from “The Store,” better known as Neiman Marcus — is spotted walking near the lake after dark. A couple in a passing car stop to offer her a ride. She gives an address — Oak Cliff in some accounts, Lakewood in others — then vanishes when the good Samaritans arrive, leaving only a puddle of water.

    When the motorists knock on the door to explain, an older man or woman — sometimes a couple — reveal that the description of the girl matches their daughter, who drowned in a boating accident. “It happens every year on this night,” they say. “The girl was our daughter, who died in a car accident on her way to a dance.” It’s one reason — along with stunning fall sunsets over the water — that I always feel drawn to the lake this time of year.

    Karl Hoblitzelle, Majestic Theatre (1925 Elm St.)
    Step into the Majestic Theatre and you’re transported to its glamorous heyday, when the venue hosted stars like Mae West, Jimmy Stewart, and Duke Ellington before converting to a concert and comedy venue in the 1980s. Built in the early 1920s, the Renaissance Revival-style movie palace was the grand dame of Dallas’ now-vanished Theater Row, rich with baroque detailing and romantic flourishes, including an auditorium ceiling of clouds and twinkling stars.

    The Majestic was the crown jewel in a chain of theaters owned by vaudeville impresario and philanthropist Karl Hoblitzelle, whose spirit, some say, still keeps watch over his masterpiece. Employees and visitors have reported scenery shifting on its own, an office door unlocking and swinging open, phone lines lighting up without cause, and a sudden chill in the air. Perhaps some incidents can be explained by old wiring and vivid imaginations, but I like to think Karl is still in his happy place, enjoying the never-ending applause.

    The Miller Ghosts, City Park (1515 S. Harwood St.)
    It doesn’t get more classically haunted than the Civil War-era Millermore Mansion at City Park, where tales of cold spots, an uneasy sense of being watched, and a mysterious woman in a long brown dress have circulated for decades. Some say the Greek revival-styled mansion with the troubled past is haunted by the spirit of a former caretaker; others believe the woman is one of the three wives of cotton planter and slave owner William Brown Miller, the home’s original owner.

    Replete with period furnishings, marble-top tables and original fireplaces, Millermore is one of several 19th-century preserved buildings across the 22-acre City Park.

    The Jilted Bride, The Adolphus Hotel (1321 Commerce St.)
    The disappointed bride of the Adolphus, said to haunt the hotel since the 1930s, is a must-include on any list of Dallas ghosts. Stories recount incidents of disembodied crying and footsteps, elevator doors that open on their own, faint strains of unseen music, and a figure in a white gown drifting about.

    Opened in 1912 as Dallas’ first European-style luxury hotel, the Adolphus quickly became the city’s grandest destination — and for a time, its tallest building — hosting presidents, tycoons, and entertainers. The vintage opulence is wonderful: ornate exterior gargoyles, artwork, hardwood floors, the famed French Room, and sweeping views of downtown.

    The Spirits of Hermann, The Sons of Hermann Hall (3414 Elm St.)
    Home to the Dallas chapter of the German fraternal organization of the same name since 1911, the Sons of Hermann Hall is the city’s oldest bar. The historic venue is an excellent destination for swing dancing, beer drinking, and live music — and, according to Deep Ellum lore, for ghosts. In addition to the usual cold spots and spooky feelings, people have claimed to witness objects move or disappear, doors slam, phantom footsteps echo, and children’s laughter drift through empty rooms.

    One legend tells of a woman whose spirit lingers after she fell from a staircase. Another claims that long-departed members of the Sons of Hermann still show up for meetings. My favorite story involves a couple in Victorian dress who walked past a group of people and climbed the stairs toward what was assumed to be a themed wedding rehearsal. When they failed to reappear, someone went to check — only to find the door upstairs locked and no one inside.

    Haunted Burgers, Snuffer’s Restaurant & Bar (3310 Greenville Ave.)
    The original Snuffer’s building is gone, but the ghosts of the beloved burger joint are believed to carry on. In both its original and current buildings, staff and guests have noticed strange disturbances: echoing voices, flickering lights, objects moving on their own, and children’s laughter late at night. Some believe the eerie activity traces back to a murder that allegedly took place decades ago, when the property was still a neighborhood pool hall; others claim the site was built atop a children’s cemetery.

    Whatever the back story, Snuffer’s has embraced its friendly haunted ambiance — which may be why I wasn’t too spooked one New Year’s Eve in college when I felt someone tap me on the shoulder while walking to the powder room, even though I turned to find no one there. Maybe the ghost just wanted to know if I planned to finish my cheese fries.

    Rhonda Aghamalian is a North Texas freelance writer and lover of local history and spooky stories.

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    Movie Review

    Jessica Chastain drama Dreams stumbles through steamy romance

    Alex Bentley
    Feb 27, 2026 | 1:30 pm
    Isaac Hernández and Jessica Chastain in Dreams
    Photo courtesy of Teorema
    Isaac Hernández and Jessica Chastain in Dreams.

    The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.

    It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.

    Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).

    Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.

    But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.

    Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.

    Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.

    Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.

    ---

    Dreams is now playing in select theaters.

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