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Movie review

Eva Longoria's Flamin' Hot serves up a spicy underdog story with fairytale qualities

Alex Bentley
Jun 9, 2023 | 10:54 am

Underdog stories are a reliable go-to for filmmakers, as there is something universal about beating the odds and rising above someone’s supposed station in life. While typically associated with sports stories, the underdog arc can be especially potent when it’s an individual rising above the system to become more than anyone thought they could be.

Flamin’ Hot is an especially successful version of this story, centering on Richard Montañez (Jesse Garcia), a Mexican-American man trying to escape his rough past in the Los Angeles area. He and his wife, Judy (Annie Gonzalez), both struggle to find work until Richard is hired to work as a janitor at the nearby Frito-Lay factory.

Richard soon proves himself to be an extremely hard worker, as well as an insatiable learner, bugging various higher-ups, including Clarence Baker (Dennis Haysbert), about everything that goes into making the brand’s snacks. Noticing a lack of flavors that would appeal to Hispanic people, Richard takes it upon himself to create a spicy flavor, one which would go on to become a cornerstone of the company.

Directed by Eva Longoria in her feature debut and written by Lewis Colick and Linda Yvette Chávez, the story is irresistible – even if it may not actually be true. If you’re willing to suspend a little disbelief, the film works like a charm, as Richard is a compelling character whose drive and easygoing nature make him someone for whom it’s easy to root. Subtle but effective scenes dealing with racism and classism reinforce the uphill climb he faced toward success.

Richard is almost relentlessly positive, able to withstand slights in a manner that few others would be able to do. To accomplish this, Longoria and her team employ a lot of humor, sometimes in straight-up funny situations and other times to defuse the tension built up from a particular confrontation. Richard is also complemented extremely well by Judy, who brings her own energy to make their struggles seem less daunting.

Even if you weren’t aware of the dispute of Richard’s claims, it’s clear that the film is meant to be a type of fairy tale, one that gives Latinos a showcase they don’t often get. While the film is family-friendly, Longoria doesn’t avoid unsavory topics like Richard being abused as a child or dealing drugs in his younger days. The difference is that the characters are shown as three-dimensional humans, ones who are capable of good and bad things.

Both Garcia and Gonzalez are getting their biggest roles to date, and each does a fantastic job. Garcia is in 95 percent of the scenes, and he carries the film as if he’s been a longtime star. Gonzalez is equally impressive, playing the supportive wife in a way that doesn’t diminish her own performance. Haysbert, Tony Shalhoub, Matt Walsh, and others turn in great supporting roles.

Flamin’ Hot is full of all the right elements that make for a rousing underdog story. With great performances, a solid combination of drama and comedy, and a brand that’s instantly recognizable, it’s a feel-good film that earns its spicy stripes.

Brice Gonzalez, Annie Gonzalez, Jesse Garcia and Hunter Jones in Flamin' Hot

Photo by Emily Aragones; courtesy of Searchlight Pictures

Brice Gonzalez, Annie Gonzalez, Jesse Garcia and Hunter Jones in Flamin' Hot.

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Flamin' Hot is now streaming on Hulu and Disney+.

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Movie Review

New movie Being Heumann spotlights rousing fight for disability rights

Alex Bentley
Nov 13, 2026 | 2:30 pm
Ruth Madeley in Being Heumann
Photo courtesy of Apple TV
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The presence of building ramps, curb ramps, wheelchair-accessible stalls, accessible parking spaces, and more accommodations for people with disabilities is now so ubiquitous in the United States that it’s hard to remember a time without them. But as the new film Being Heumann ably demonstrates, the fight to get those things was as difficult as any civil rights battle.

The film focuses on a specific period of time in 1977 when disability rights activist Judy Heumann (Ruth Madeley) led a movement to try to get U.S. Secretary of Health, Education and Welfare (HEW) Joseph Califano (Mark Ruffalo) to sign Section 504 of the Rehabilitation Act of 1973. After years of no progress under Presidents Nixon, Ford, and Carter, Heumann and her group of other disabled people and allies decide to stage a sit-in at the HEW offices in San Francisco.

What begins as a temporary event turns into a prolonged ordeal, with Califano initially unmoved and the protesters unwilling to leave the building. The strong-willed Heumann, helped by fellow leaders like Kitty Cone (Madeline Delp) and TV reporter Evan White (Dylan O’Brien), not only puts pressure on Califano and other HEW staffers, but also members of her own group, some of whom are unable or unwilling to stay as long as she wants.

Directed by Sian Heder (CODA) and written by Heder and Rebekah Taussig, the film features a rousing story made all the more effective by the presence of actual disabled people. In addition to people in wheelchairs like Madeley and Delp, the cast features people who are blind, deaf, are short-statured, and more. Some of the cast members are professional actors, some aren’t, but they all bring a realism that enhances the story.

Heder and her team underscore the importance of the story by taking their time telling it. That doesn’t just mean giving Madeley and others extra scenes to demonstrate their skills, although the 127-minute film provides plenty of time for that. More pointedly, Heder allows the disabled people to take however long they need to do something, like trying to navigate inaccessible stairways or using a pointer to spell out words. The respect this approach shows the actors brings extra heft to the story they’re trying to tell.

There are multiple moments in the film where audience members may scoff at what’s happening to the disabled people, most notably when they are met with derision by government officials and even regular passers-by. Heder occasionally overplays her hand by either showing Califano as being overly callous or White being supremely helpful, but she mostly plays things straight, allowing the difficulties the protestors face speak for themselves.

Madeley, a veteran actor with over 30 credits to her name, puts in an award-worthy performance. While the reality of her disabled body plays a part in her role, it’s mostly the fieriness and determination that she shows that make it stellar. Others like Delp, Antwan Tolliver, Rio Finnegan, and more prove crucial in supporting roles. Known actors like Ruffalo, O’Brien, and Rob Delaney are fine, but secondary to the main group.

Being Heumann is a great way to honor the legacy of Heumann, who passed away in 2023. There is still work to be done to ensure disabled people are given access and respect in the U.S., but the events in the film show that people like Heumann and the groups they lead have power when they choose to fight.

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Being Heumann is now playing in select theaters and streaming on Apple TV.

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