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    Lipstick lover

    Pop culture provocateur Janelle Monáe loves on Dallas with Age of Pleasure tour stop

    Hannah J. Frías
    May 31, 2023 | 12:50 pm
    Janelle Monáe

    Janelle Monáe is bringing her Age of Pleasure tour to Texas this fall.

    Photo by Mason Rose

    Janelle Monáe's upcoming Age of Pleasure album is already making headlines with her latest single (and music video) "Lipstick Lover." And thankfully, Dallas fans won't have to wait long after the album's release (June 9, via Atlantic Records) to watch it come to life on stage.

    The critically acclaimed and award winning singer and actress will bring her "Age of Pleasure Tour" across North America later this year, with a 26-city lineup kicking off on August 30 at WAMU Theater in Seattle, Washington. The Texas leg of her tour will include a stop in Dallas-Fort Worth (October 9 at The Pavilion at Toyota Music Factory) before moving on to Houston's Bayou Music Center on October 10 and Austin's Moody Ampitheater on October 11.

    Known worldwide for her inimitable style and visionary sound, Monáe is an eight time Grammy Award-nominated singer, songwriter, producer, performer, and fashion icon. According to a release, she promises to light up your body, soul, and all of your senses with an unforgettable performance featuring songs off her latest album and classic hits from her discography.

    Tickets for the tour go on sale Thursday, June 1, starting with a Verizon presale at 10 am; the exclusive presale via Verizon Up gives customers access to purchase presale tickets for select shows until Tuesday, June 6, at 10 pm. Additional presales will run throughout the week ahead of the general onsale beginning Wednesday, June 7 at 10 am on Ticketmaster.

    The full list of tour dates is below:

    Wed Aug 30 – Seattle, WA – WAMU Theater
    Thu Aug 31 – Vancouver, BC – UBC - Doug Mitchell Thunderbird Sports Centre
    Sat Sep 02 – Portland, OR – RV Inn Style Resorts Amphitheater
    Wed Sep 06 –Salt Lake City, UT – The Complex
    Thu Sep 07 – Morrison, CO – Red Rocks Amphitheatre
    Sat Sep 09 – Kansas City, MO – The Midland Theatre
    Mon Sep 11 – Minneapolis, MN – Armory
    Wed Sep 13 – St. Louis, MO – Stifel Theatre
    Thu Sep 14 – Chicago, IL – Byline Bank Aragon Ballroom
    Sun Sep 17 – Boston, MA – MGM Music Hall at Fenway
    Mon Sep 18 – Philadelphia, PA – The Met
    Wed Sep 20 – Montreal, QB – Mtelus
    Thu Sep 21 – Toronto, ON – Massey Hall
    Sun Sep 24 – Washington, DC – The Anthem*
    Tue Sep 26 – New York City, NY – Radio City Music Hall
    Thu Sep 28 – Brooklyn, NY – Kings Theatre
    Mon Oct 02 – Charlotte, NC – Skyla Credit Union Amphitheatre
    Tue Oct 03 – Nashville, TN – Ryman Auditorium
    Wed Oct 04 – Birmingham, AL – Avondale Brewing Company
    Fri Oct 06 – Atlanta, GA – Fox Theatre Atlanta
    Mon Oct 09 – Dallas, TX – The Pavilion at Toyota Music Factory
    Tue Oct 10 – Houston, TX – Bayou Music Center
    Wed Oct 11 – Austin, TX – Moody Amphitheater
    Sun Oct 15 – Phoenix, AZ – Arizona Financial Theatre
    Tue Oct 17 – San Francisco, CA – Bill Graham Civic Auditorium
    Wed Oct 18 – Inglewood, CA – YouTube Theater

    * non-Live Nation date

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    Movie Review

    Humans are scarier than zombies in 28 Years Later: The Bone Temple

    Alex Bentley
    Jan 15, 2026 | 1:51 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple
    Photo by Miya Mizuno
    Ralph Fiennes in 28 Years Later: The Bone Temple.

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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