Concert News

Janet Jackson returns to the road for summer 2023 tour with stop in Dallas

Janet Jackson, Unbreakable tour, September 2017

Music icon Janet Jackson will be coming to Dallas in 2023.

Courtesy of Janet Jackson/Facebook

After four years, Janet Jackson is back on tour — and that includes a stop in Dallas. The five-time Grammy Award-winning Rock and Roll Hall of Fame Inductee will return to the road in summer 2023 with her ninth concert tour, called “Together Again."

Produced by Live Nation, the 33-city tour will hit arenas and amphitheaters, launching in Florida in April, followed by stops across North America including New York, Toronto, and California, before wrapping up in Seattle on June 21.

The tour will make three stops in Texas:

Dallas: Friday, June 2, at Dos Equis Pavilion
Houston: Saturday, June 3, at Cynthia Woods Mitchell Pavilion
Austin: Sunday, June 4, at Moody Center

She'll be joined by Grammy Award-winning recording artist (and Fast and Furious actor) Ludacris, who will join Jackson across all dates as a special guest.

Jackson's most recent stop was her "Unbreakable" tour in 2017. She'd planned a summer 2020 tour for her Black Diamond World release but that was in the throes of COVID-19 and it got canceled.

The “Together Again” Tour will celebrate Jackson's 50th anniversary in entertainment and feature her biggest chart-topping hits, plus new music.

Tickets go on sale Friday, December 16 at 11 am at LiveNation.com.

Presale will be available to Citi cardmembers Tuesday, December 13 at 11 am-Thursday, December 15 at 10 pm through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

TOGETHER AGAIN TOUR DATES:

Fri Apr 14 – Hollywood, FL – Hard Rock Live Arena
Wed Apr 19 – Orlando, FL – Amway Center
Fri Apr 21 – Savannah, GA – Enmarket Arena
Sat Apr 22 – Birmingham, AL – Legacy Arena
Tue Apr 25 – Columbia, SC – Colonial Life Arena
Thu Apr 27 – Atlanta, GA – State Farm Arena
Sat Apr 29 – Memphis, TN – FedEx Forum
Sun Apr 30 – St Louis, MO – Enterprise Center
Tue May 02 – Kansas City, MO – T-Mobile Center
Thu May 04 – Nashville, TN – Bridgestone Arena
Sat May 06 – Bristow, VA – Jiffy Lube Live
Tue May 09 – New York, NY – Madison Square Garden
Fri May 12 – Charlotte, NC – PNC Music Pavilion
Sat May 13 – Baltimore, MD – CFG Bank Arena
Sun May 14 – Virginia Beach, VA – Veterans United Home Loans Amphitheater
Fri May 19 – Mansfield, MA – Xfinity Center
Sat May 20 – Atlantic City, NJ – Hard Rock Live at Etess Arena
Tue May 23 – Toronto, ON – Budweiser Stage
Wed May 24 – Detroit, MI – Little Caesars Arena
Fri May 26 – Noblesville, IN – Ruoff Music Center
Sat May 27 – Tinley Park, IL – Hollywood Casino Amphitheatre Chicago
Sun May 28 – Milwaukee, WI – American Family Insurance Amphitheater
Tue May 30 – St Paul, MN – Xcel Energy Center
Fri Jun 02 – Dallas, TX – Dos Equis Pavilion
Sat Jun 03 – Houston, TX – Cynthia Woods Mitchell Pavilion
Sun Jun 04 – Austin, TX – Moody Center
Wed Jun 07 – Phoenix, AZ – Ak-Chin Pavilion
Fri Jun 09 – Irvine, CA – FivePoint Amphitheatre
Sat Jun 10 – Los Angeles, CA – Hollywood Bowl*
Sun Jun 11 – San Diego, CA – North Island Credit Union Amphitheatre
Fri Jun 16 – Mountain View, CA – Shoreline Amphitheatre
Tue Jun 20 – Portland, OR – Moda Center
Wed Jun 21 – Seattle, WA – Climate Pledge Arena

*Not a Live Nation Date

concerts

Movie Review

Office sexual politics rear their ugly head in Netflix's Fair Play

Photo courtesy of Netflix

Alden Ehrenreich and Phoebe Dynevor in Fair Play.

The career of Alden Ehrenreich has – so far – been one without much progress. He was the star of Beautiful Creatures 10 years ago, a film that made little impact. Since then, he’s been in a Woody Allen movie, a Coen Brothers movie, and played a young Han Solo, none of which made him a star. After a few years away from movies, he’s back with a bang in 2023, with roles in Cocaine Bear, Oppenheimer, and now Netflix’s Fair Play.

Ehrenreich plays Luke, who’s in a relationship with Emily (Phoebe Dynevor), which they must keep secret because of a no-fraternization policy at the hedge fund where they both work. Working in finance, both are naturally ambitious, although Luke is a bit more naked in his desires. When Emily gets promoted ahead of Luke, he is at first is supportive, but is soon unable to hide his jealousy.

Written and directed by Chloe Domont in her feature film debut, the film tracks the devolution of Luke and Emily’s relationship, going from hot and heavy to heavily antagonistic. The sexual politics at play in the story are front and center, with Emily being the lone visible woman working in an otherwise all-male office. Luke initially bristles at whispers that Emily was promoted for reasons other than her financial skills, but working as her underling starts to bring out the worst in him.

Because Luke and Emily start the film as equals, the power dynamics take on an unusual form. Emily arguably does much more for Luke after her promotion than he would for her if the roles were reversed, sometimes to her own detriment. His blindness to her helpfulness, which eventually turns to suspicion, speaks volumes about the fragile ego of many men.

Another type of reversal is the sexuality depicted in the film. Most films of this type build up to the big sex sequences, using them as a culmination of a particular relationship. But Domont starts the film with them, and uses the absence of them later on as a way to denote how much Luke and Emily have drifted from each other.

It’s understandable why Domont set the film in a hedge fund, given the disparity between men and women in the field. But the scenes in which the employees, led by boss Campbell (Eddie Marsan), talk about the intricacies of their work just don’t pop, mostly because the dense terminology feels like the characters are speaking a foreign language.

Ehrenreich and Dynevor (best known for Bridgerton) each start off great, but as the film goes along and they’re required to get increasingly histrionic, they both become less believable. Domont saves most of the drama for the film’s final act; if the film was more balanced in its ups and downs, the two leads might have been able to even out their performances as well.

Still, the film has a propulsion to it that keeps it interesting, and the intensity of the final sequence is sufficient to forgive any earlier missteps. And, unfortunately yet again for Ehrenreich, it’s Dynevor who leaves the bigger impression, making a case that she should get many more lead roles in the future.

---

Fair Play is now playing in select theaters; it debuts on Netflix on October 6.

Photo courtesy of Netflix

Alden Ehrenreich and Phoebe Dynevor in Fair Play.

movies film