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Concert News

Dallas' Longhorn Ballroom reveals first acts to perform at restored venue

Teresa Gubbins
Jan 31, 2023 | 2:27 pm
Emmylou Harris

Emmylou Harris

Kat Villacorta

The big acts are coming out for Dallas' famed Longhorn Ballroom, slated for a comeback in spring 2023.

The historic venue, currently in the final throes of a renovation by Kessler Presents, is anticipated to softly reopen at the end of March, and already has shows on the books by epic performers including Asleep at The Wheel, Old Crow Medicine Show, Joshua Ray Walker, and Emmy Lou Harris.

Harris' show on April 22 will be the first at the Longhorn for this long-reigning Americana queen.

Kessler Presents is the team headed by historical steward Edwin Cabaniss, who also restored the Kessler Theater in Oak Cliff and The Heights Theater in Houston.

They're reopening the Longhorn Ballroom with the goal of bringing it back to its heyday so a new generation can enjoy what is a Texas legend.

"We are excited to share the first batch of shows as it is just a taste of what patrons can expect from Longhorn Ballroom programming in the coming years,” Cabaniss says in a release. “From the legendary to the emerging-and-rocketing-toward-stardom, every bill during our soft launch is made up of artists we love and are personally excited to see perform."

The first round of shows with dates are as follows:

  • March 30: Asleep at the Wheel with Brennen Leigh and Joshua Hedley
  • March 31: Old Crow Medicine Show with special guest Joshua Ray Walker
  • April 1: Morgan Wade with special guests Lucero and Kaitlin Butts
  • April 22: Emmylou Harris

Tickets for some shows begin going on sale January 31.

Western Swing torchbearers Asleep at the Wheel with Brennen Leigh and Joshua Hedley will be the first acts back in the Longhorn, keeping in line with Kessler Presents' goal of connecting the venue's history to the present and future.

"We first played the Longhorn in 1974, and for a bunch of young Bob Wills fans, it was a thrill," says Asleep at the Wheel frontman and founder Ray Benson in a statement. "I have seen the ups and downs of the Longhorn over the last 50 years, and am very excited and relieved that Edwin and his team are going to continue to honor the tradition of this special place and make sure it is never forgotten or lost like so many other of Texas’ historic venues and dance halls."

"To be the first band back on the Longhorn stage for the reopening is an honor and an opportunity I take great pride in having," Benson says. "You can bet the dance floor will be packed and Bob Wills music will be played!"

Morgan Wade was originally scheduled for the Kessler Theater, but that show sold out, prompting the team to move the show to the Longhorn, which with 2,000-plus seats is larger capacity, and adding alt-country favorites Lucero to the bill.

Tickets can be purchased at Longhornballroom.com and go on sale at 10 am on the following dates:

  • January 31: Morgan Wade/Lucero
  • February 1: Asleep at the Wheel
  • February 3: Old Crow Medicine Show (with artist presale on February 1)
  • February 3: Emmylou Harris
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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