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    Holidays Are Here

    Ben Stiller wrangles with mayhem in Hulu holiday movie Nutcrackers

    Alex Bentley
    Nov 29, 2024 | 11:27 am
    Ben Stiller, Atlas Janson, Homer Janson, and Ulysses Janson in Nutcrackers

    Ben Stiller, Atlas Janson, Homer Janson, and Ulysses Janson in Nutcrackers.

    Photo courtesy of Nutcracker Productions LLC/Hulu

    A holiday-themed comedy seems like just what the doctor ordered right now, and the new Hulu film Nutcrackers steps up with a little mayhem, heartfelt sentiment, and a nod to traditions. But it doesn't add up to a memorable experience.

    The film stars Ben Stiller as Mike, a high-powered Chicago architect with little time for anybody but himself whose sister and brother-in-law are recently deceased. He is supposedly there to place his four nephews - Justice (Homer Janson), Simon (Arlo Janson), Steve (Ulysses Janson), and Samuel (Atlas Janson) - into foster care. But social worker Gretchen (Linda Cardellini) informs Mike that the foster family has fallen through, and he needs to act as guardian until she can find someone else.

    Whether they’re still reeling from their parents’ deaths or are just wild in general, the kids prove to be more than a handful for Mike, who always has one eye on the door, hoping to get back to his own life as soon as possible. But the longer he’s forced to stay, the more the kids grow on him, especially when he learns that at least two of them were students at their mom’s dance studio, giving him an idea to stage a version of a certain holiday classic.

    Directed by David Gordon Green and written by Leland Douglas, the film would seem to have all the elements that make a holiday film memorable, but the vibe is off right from the start. First of all, the audience is thrown right into the mix along with Mike, with barely any introduction to the main characters. As their backstories are mostly missing, it’s difficult to feel anything - good or bad - about Mike or the kids, and so they just kind of co-exist for the first act of the film.

    Green and Douglas can also never decide what kind of people they want the kids to be. The film starts with a scene of them sneaking into an amusement park and causing havoc, and subsequent scenes make it seem like they’re supposed to be hellions. But when the filmmakers start going back-and-forth between them wrecking things and being responsible, down-to-earth kids, the plot thread gets confusing and less interesting.

    It’s also perplexing why they would cast Stiller, who’s been known to play straight-laced characters who go off the rails on many occasions, and then not let him do what he does best. Even when confronted with some of the kids’ worst behavior, Mike keeps his reactions in check, which may be good for a real-life uncle, but makes for a less-than-entertaining holiday family film.

    Stiller still lives up to his star-billing at times, but the arc of his character is not that inspiring, even when a slight romance starts to bloom between Mike and Gretchen. The Janson brothers, who are making their collective film debut, are fun at times, but their lack of experience shows in their unpolished performances. Cardellini is a nice presence, but she’s not given enough to do to make a big impact.

    Nutcrackers is an inoffensive movie in that it’s not so terrible that there’s no way to actually finish it. But there’s little in its story, characters, or attempt to be a holiday movie that can be recommended as a fun family watch, so it’s likely to fade away into streamer oblivion.

    ---

    Nutcrackers is now streaming on Hulu.

    moviesfilm
    news/entertainment

    Movie Review

    Supergirl loses the sense of fun that Superman brought to DC Comics films

    Alex Bentley
    Jun 26, 2026 | 12:00 pm
    Milly Alcock in Supergirl
    Photo courtesy of DC Studios and Warner Bros. Pictures
    Milly Alcock in Supergirl.

    The new Superman in 2025 brought with a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

    When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

    Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

    Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

    Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

    To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

    Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

    Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

    While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

    ---

    Supergirl is now playing in theaters.

    moviesfilm
    news/entertainment

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