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    ACM Awards news

    Country star Parker McCollum to headline 2024 ACM Awards benefit in The Colony

    Stephanie Allmon Merry
    Mar 19, 2024 | 12:25 pm
    Parker McCollum

    Parker McCollum will headline the 2024 ACM Awards Lifting Lives concert in DFW.

    Photo via Parker McCollum/Facebook

    UPDATE 4-23-2024: The entire concert lineup has been revealed and includes Old Dominion, Jordan Davis, Kameron Marlowe, Ashley Cooke, along with additional surprise guests.

    ---

    The ACM Awards will make Dallas-Fort Worth a country music mecca for the second year in a row when they arrive in May. Among the many Awards-adjacent events will be the ACM Lifting Lives LIVE benefit show, headlined by Texan Parker McCollum.

    Officially called "Parker McCollum and Friends: ACM Lifting Lives LIVE, Presented by Choctaw Casinos & Resorts," the concert, a release says, "will raise money and awareness for ACM Lifting Lives, which works to improve lives through the power of music with a specific focus on health-related initiatives that use music therapy as a way of healing."

    The show will take place on the golfing green at Topgolf in The Colony on May 15, the night before the 59th ACM Awards at The Star in Frisco. (Also exactly a month before McCollum takes the stage in College Station with another Texan, country icon George Strait.)

    Fans might remember that the ACM Lifting Lives benefit was the event that Morgan Wallen was slated to headline in 2023; he had to cancel due to illness the day before and was replaced by Jason Aldean. Also taking the stage for the sold-out show were HARDY, Lainey Wilson, ERNEST, Bailey Zimmerman, and DJ 13lackbeard.

    Additional performers for the 2024 edition will be announced in the coming weeks, organizers say.

    "I am truly honored that ACM Lifting Lives has given me the opportunity to host the Parker McCollum & Friends: ACM Lifting Lives event this year at Topgolf in The Colony, TX,” McCollum says in the release. “The work they do to improve lives through the power of music and the funds they raise are vital to helping folks in and out of our country music community. I can't wait to have some of my really talented friends join me for a great night supporting the mission of ACM Lifting Lives and help them continue their incredible work."

    General admission tickets on the green will be available to ACM Members, ACM A-List subscribers, 59th ACM Awards ticket holders, and Topgolf Friends and Family through an exclusive presale starting Thursday, March 21 at 10 am. Remaining tickets will be available for a general public on-sale, beginning Friday, March 22 at 10 am, through ACMLiftingLives.org/Concert. Tickets are $150.

    All proceeds will go to ACM Lifting Lives, whose beneficiaries include the ACM Lifting Lives Autism Lab at Vanderbilt Kennedy Center and their annual Music Camp for individuals with Williams syndrome. The nonprofit also gives to various organizations that provide mental health support for the country music community, the release says.

    McCollum, a native of Conroe outside Houston, earned his first ACM Award for New Male Artist of the Year at the 2022 ACM Awards. He also won “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards and earned two back-to-back CMA Awards nominations (2022 & 2023) for New Artist of the Year. He made his RodeoHouston debut as the Opening Day act in 2023.

    He's currently on the road for a 41-date "Burn it Down" tour in support of his latest album, Never Enough.

    “We have been massive fans of Parker for years, and we couldn’t be more excited that he chose to volunteer his time to help us raise money and awareness in his home state, says ACM Lifting Lives Executive Director Lyndsay Cruz in the release. "We can’t wait to party with the fans in North Texas so soon.”

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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