Time to Shine(r)

Shiner Beer pops a top on star-studded songwriting contest ahead of Texas' SXSW

Is this your time to Shine(r)?

Calling all Texas songwriters: Maybe you're a budding musician looking for that big break. Or maybe you always had the dream, but chose a more traditional career. Either way, this upcoming South by Southwest (SXSW) could be the golden ticket you've been waiting for to get your song in front of some big-name industry experts.

The festival has long been known to catapult artists to fame, but a special SXSW-adjacent contest is giving one songwriter the chance to have their work reviewed by Martine McBride, Paul Worley, and Wendy Moten (Season 21 runner-up from The Voice). Hosted by VEVA Collect and Shiner Beer, the Shiner Song Contest will grant one grand prize winner $1,000 cash, as well as direct feedback from these industry experts.

Other prizes include a signed item from McBride and Moten, a two-day recording session with Blackbird Academy valued at $900, a full-year subscription to Inside Blackbird, a full-year subscription to VEVA Collect’s Pro Unlimited Account, a Shiner branded acoustic guitar, and YETI gear.

The contest is open to all songwriters, with entries accepted from February 15, 2023, to March 31, 2023, and interested participants can head to Vevacollect.com for entry guidelines and rules. Ten randomly-selected runners up will receive a full-year subscription to VEVA Collect's Pro Unlimited Account valued at $600 and a full-year subscription to Inside Blackbird, along with written feedback from a panel of experts.

"We're thrilled to launch this challenge and give songwriters the opportunity to showcase their talent and have their work heard by industry legends," said Deborah Fairchild, President for VEVA Sound, in a release. "Martina McBride's music has inspired generations of musicians, and we're excited to see the creativity and passion that will come from this contest."

Fairchild is also partnering with McBride and Moten for a special SXSW panel taking place on March 15 from 4-5 pm at the Austin Convention Center, Room 17AB. They will be joined by Beverly Keel, Dean of MTSU’s College of Media and Entertainment, for a discussion focusing on “Fostering Diversity & Equity in the Music Industry” at the upcoming SXSW Conference & Festival. The panelists will share their stories of triumph and ways they have overcome adversity to sustain and thrive in their careers in the music industry.

"We're excited to bring this important discussion to the forefront at SXSW," said Fairchild in the release. "Women are underrepresented in the music industry, and it's time for us to address this issue and work towards creating a more diverse, equitable and inclusive industry for all."

VEVA Sound is a leading music tech company providing a platform for artists, songwriters, and producers to collaborate, share, and distribute their work. In addition to the contest and the panel, VEVA's SXSW presence will include a special partnership with SoundExchange for the SXSW Artist Village, March 13-17; a panel discussion with The Ivors and Credits Due at the British Embassy, entitled "Building Global Recognition of Songwriters – Why The Ivors matter" (10:30 am on Thursday, March 16, at the British Music Embassy); and a sponsored showcase in partnership with legendary record label Kill Rock Stars taking place at Cheer Up Charlie's taking place on Friday, March 18, beginning at 8 pm.

To learn more about VEVA, visit vevasound.com.

shiner beer songwriting contest martina mcbride sxsw

Movie Review

Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

Photo courtesy of Lionsgate

Amanda Seyfried and Sydney Sweeney in The Housemaid.

Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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The Housemaid is now playing in theaters.

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Movie Review

Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid