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    New version of Snow White updates classic with nods to modern world

    Alex Bentley
    Mar 20, 2025 | 1:27 pm
    Andrew Burnap and Rachel Zegler in Snow White

    Andrew Burnap and Rachel Zegler in Snow White.

    Photo by Giles Keyte

    Snow White and the Seven Dwarfs made history in 1937 as the first-ever animated feature film from the then-fledgling Walt Disney Productions. As fate has it, it may also be the last of the classic Disney films to receive a live-action remake (of their big movies released prior to 1970, only Bambi and The Sword in the Stone have not been remade). And given the quality of the live-action remakes, that is a good thing, as few have come close to recreating the magic of the originals.

    This new Snow White (minus the now politically incorrect second part of the title) stars Rachel Zegler as the titular princess who, in truly classic Disney form, loses both of her parents at an early age, leaving her to toil under the thumb of her stepmother, the Evil Queen (Gal Gadot). An encounter with Jonathan (Andrew Burnap), the leader of a group of bandits, opens her eyes to how bad things have become under the Evil Queen’s rule, and a kind-hearted action puts her on the Queen’s bad side.

    Forced to flee to the nearby forest, Snow White is taken in by a group of seven (inexplicably CGI) little people, who are solely in charge of mining the area’s vast jewel resources. Snow White, the group of bandits, and the miners find they have common ground in opposing the Queen, and they soon set out to bring some sense of normalcy back to the kingdom.

    In the hands of director Marc Webb and writer Erin Cressida Wilson, this new version of Snow White sits in a middle zone of being neither very good nor very bad. It plays on the nostalgia many viewers will have of watching the original when they were children, but also adds in some updates that could be viewed as subtle commentary on the modern world, even current American politics.

    Versions of songs from the original like “Heigh-Ho” and “Whistle While You Work” remain, but songwriters Benj Pasek and Justin Paul (along with Paul Feldman) have added a slew of new songs to make the film more current. Some of them make an impression, like “Waiting on a Wish” and “Princess Problems,” but the issue that arises is they sound too much like the Broadway world from which the songwriters come, giving an anachronistic feel to the decidedly old-timey story.

    The film maintains a pleasant and solid pace that keeps it watchable throughout. There are odd elements like never really getting to know the bandits - really just resistance fighters against the Evil Queen - and miners, but that’s part and parcel of the classic story. Snow White still doesn’t exactly exude girl power, but the film’s excision of the song “Someday My Prince Will Come” points to a certain amount of autonomy it gives her.

    Zegler proved in West Side Story that she has musical chops, and she shows her worth as the title character here. She embodies Snow White’s changing demeanor well, and can really belt it in her signature songs. Gadot is fine as the Evil Queen, but it's a one-dimensional role with little nuance. Unfortunately, nobody else stands out, which doesn’t allow the film to reach beyond its traditional limits.

    On the sliding scale of live-action Disney remakes, Snow White makes it on the positive side of the ledger, but not by much. It offers up a few new good songs, a solid lead performance, and a slight subversiveness epitomized by giving a new definition of “Who’s the fairest of them all.”

    ---

    Snow White opens in theaters on March 21.

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    Movie Review

    Ryan Gosling tries to save the universe in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 10:00 am
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he - and the audience - learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and - for good measure - features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

    ---

    Project Hail Mary opens in theaters on March 20.

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