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    RIP to all

    These notable figures with Dallas  connections passed away in 2022

    Teresa Gubbins
    Dec 29, 2022 | 11:15 am
    Meat Loaf
    Meat Loaf in Austin in 2012, when he was inducted into the Texas Film Hall of Fame.
    Photo by Jon Shapley

    As 2022 comes to a close, we take a look back at some of the notable figures in Dallas or with Dallas connections who died this year. This year's list includes musicians, actors, media personalities, and figures from local politics.

    Here's the 2022 list of notable deaths, in chronological order:

    Rock star Meat Loaf, a native of Dallas known for hits such as "Paradise By the Dashboard Light," died on January 20; he was 74. Born Marvin Lee Aday, his career spanned six decades, selling more than 100 million albums worldwide and starring in more than 65 movies, including Fight Club, Focus, Rocky Horror Picture Show, and Wayne's World. Aday grew up in Dallas and was already singing and acting in high school before attending Lubbock Christian College and the University of North Texas. After moving to Los Angeles, he found massive success with Bat Out of Hell, his collaboration with songwriter Jim Steinman, which was released in 1977, won a Grammy Award, and became one of the best-selling records in history, with worldwide sales of more than 40 million copies.

    Beloved rock musician Trey Johnson, a founding member of rock band Sorta, died on January 31; he was 53. Born Lewis Harlan Johnson III, Trey was a graduate of Greenhill School and the University of North Texas, and co-founder of State Fair Records, a Dallas music label that released albums by acclaimed artists such as Joshua Ray Walker, Kristy Kruger, and Eleven Hundred Springs. Sorta was an Americana rock band that released four full-length records and garnered national attention when their songs were picked up for several television series.

    Dennis González, a jazz musician, artist, and teacher, died on March 15; he was 67. González recorded more than 30 albums for international and domestic jazz labels as well as his own label Daagnim Records. He was also a public school educator for decades in Dallas.

    Max Glauben, a Holocaust survivor who co-founded the Dallas Holocaust and Human Rights Museum, passed away on April 28. He was 94. Glauben was a part of a group of Dallas Holocaust survivors who came together with the goal of creating a memorial center where they could remember loved ones and educate future generations about the horrors of the Holocaust. The Dallas Holocaust and Human Rights Museum opened in downtown Dallas in 2019.

    Dallas radio personality Jim White, who co-founded the Savor Dallas food festival as well as Restaurant Week, died on June 4. His wife, Vicki Briley-White, confirmed that White passed away while in hospice care, after learning he had cancer just two months before. White, who had a mellifluous voice that could melt ice, served as a news anchor and talk show host for 1080 KRLD for a decade from 1995-2004. He was probably Dallas' original foodie in his capacity as host of "The KRLD Restaurant Show with Jim White," a two-hour talk show featuring famous chefs, cookbook authors, winemakers, and restaurateurs that earned a James Beard Foundation nomination for "Best Radio Show on Food."

    Dallas musician Jess Barr, a member of seminal alt-country rock band Slobberbone, passed away on December 6; he was 46. Barr was guitarist for Slobberbone during its heyday, when the quartet put its hometown Denton on the map and created a vibrant local scene at bars like the Barley House. He also played with a Slobberbone offshoot band, The Drams. In 2013, he opened Twilite Lounge, a bar in Deep Ellum, with partner Danny Balis, then opened a spinoff in Fort Worth in 2017. Both earned best bar awards and provided a platform for local musicians — another of his legacies.

    Anna Casey, a formidable political consultant and strategist who worked on many pivotal campaigns in Dallas, died on December 8 after a long illness. She was 61. She was known for her difference-making work on several city propositions including helping to vanquish the proposal to build a toll road in the Trinity River, as well as for candidates for the Dallas School Board, Dallas City Council, Dallas County Commissioners Court, and Texas State House of Representatives.

    Michael Lindenberger, a former writer and editor at The Dallas Morning News, died on December 11, following an illness; he was 51. Lindenberger worked for the newspaper for 14 years until 2018, when he moved to the Houston Chronicle, and was part of a team that won a Pulitzer Prize in 2022.

    Hollywood actor Stuart Margolin died on December 12; he was 82. Margolin won two Emmy Awards for his role as "Angel" Martin in the TV show The Rockford Files. Although born in Iowa, he grew up in Preston Hollow and attended Hillcrest High School. In 1979, already a success in Hollywood, he moved back to Dallas for a couple of years, working on writing projects and establishing a production company River Entertainment.

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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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