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    Weekend Event Planner

    These are the 12 best things to do in Dallas this weekend

    Alex Bentley
    Jan 23, 2025 | 6:00 am

    Performing arts of all stripes will be featured this weekend in and around Dallas. They include a film festival, four local theater productions, a symphony concert, two dance productions, two opera events, a comedian, and a kids TV show come to life.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, January 23

    Denton Black Film Festival
    The Denton Black Film Festival was created to address under-representation in film and media by giving Black stories an audience and Black creatives a platform. Highlights of the 2025 event include opening night film The Spook Who Sat By The Door, the documentary Bastards of Soul, narrative feature Mister Gates, and closing night film Champions of the Mic. Events will take place through Sunday at multiple venues, including Alamo Drafthouse Denton, Campus Theater, Margo Jones Performance Hall, and more.

    NTPA Academy presents Freaky Friday
    When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. By spending a day in each other's shoes, Katherine and Ellie come to appreciate one another's struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter. The production, performed by students of the North Texas Performing Arts Academy, will have five performances through Sunday at Willow Bend Center of the Arts in Plano.

    Dallas Symphony Orchestra presents "Symphonie Fantastique"
    Symphonie Fantastique is a work of opulent orchestral colors and effects that tells a “fantastic” story, starring Hector Berlioz himself, besotted with a Shakespearian actress. The passion-propelled story follows the love-sick hero’s drug-induced visions to a glittering ball, the march to the scaffold and a demonic Witches’ Sabbath with the Dies irae pounding out a hair-raising theme amid tumult. Conductor Giedrė Šlekytė makes her Dallas Symphony Orchestra premiere leading Strauss’ "Oboe Concerto," with Principal Oboe Erin Hannigan in the spotlight. There will be four performances through Sunday at Meyerson Symphony Center.

    Theatre Three presents Debbie Does Dallas: The Musical
    Debbie Does Dallas is a lively stage adaptation of the infamous 1978 adult film that follows Debbie Benton, a small-town girl with big dreams of becoming a Texas Cowgirl cheerleader in Dallas. Determined to raise funds for her trip to Dallas, Debbie and her friends embark on a series of misadventures, blending comedy, music, and cheeky humor along the way. This production will take place in the Theatre Too space at Theatre Three through February 23.

    Friday, January 24

    Art Centre Theatre presents Old Age Ain't for Sissies
    A single spotlight on an old man with a guitar and a ukulele opens on a stage in front of an unsuspecting audience. A verbal autobiography that spans over 80 years of living, spiked with some acerbic humor and handmade songs that touch on various elements of life that everyone has or will experience in their lifetimes: Babyhood, childhood, teen angst, marriage, children, jobs, travel, heartbreak, divorce, death, and a multitude of other subjects. The production will have three performances through Sunday at Art Centre Theatre in Plano.

    B. Moore Dance presents The Parlor Room
    In partnership with vocalist Damon K. Clark, this collaborative production brings together classical music and contemporary works in an intimate setting with a live chamber group. Audiences can step into The Parlor Room and become intrigued in a reimagined world of opulence and creativity, where the ambiance of traditional elegance meets the excitement of contemporary performance. The production, part of AT&T Performing Arts Center's Elevator Project, will have three performances through Sunday at Wyly Theatre.

    TITAS/Dance Unbound presents Ballet Hispanico: CARMEN.maquia
    Ballet Hispanico’s CARMEN.maquia is a Picasso-inspired contemporary take on Bizet’s beloved classic. The physically charged and sensual choreography fuses contemporary dance with nods to the Spanish paso doble and flamenco. With minimalist black-and-white costumes evoking the paintings of Pablo Picasso, the production is highly original and full of elaborate partnering, a bold and electrifying reimagining of the tragic tale. There will be three performances through Saturday at Moody Performance Hall.

    Dallas Children's Theater presents Pete the Cat
    Pete the Cat thinks life is an adventure no matter where he winds up, so the minute the groovy blue cat meets The Biddles, he gets the whole family rocking. Well, everyone except for young Jimmy Biddle, the most organized second grader on planet Earth. So when Jimmy draws a blank in art class during the last week of school, it turns out Pete is the perfect pal to help him out. Based on the popular Pete the Cat series, the production runs through February 23 at Dallas Children's Theater.

    Saturday, January 25

    Dallas Opera presents The Linda and Mitch Hart Institute for Women Conductors Showcase Concert
    The Hart Institute provides training and career support for the next generation of women conductors, to address the gender imbalance that exists at the helm of the world’s opera orchestras. Participants will lead the acclaimed Dallas Opera Orchestra and vocal soloists in several operatic selections - and audiences will get a unique performer’s-eye-view of the conductor. The event takes place at Winspear Opera House.

    Drew Lynch: The Faking It Tour
    Comedian and actor Drew Lynch gave a Golden Buzzer performance on Season 10 of America’s Got Talent, where he finished in second place. In February 2023, Lynch released his second special, And These Are Jokes. He also appeared in a recurring role in the final season of the IFC series Maron and appeared on TBS’ Conan. He'll perform for one night only at Majestic Theatre as part of his The Faking It Tour.

    Sunday, January 26

    Wild Kratts Live! 2.0: Active Creature Power!
    Wild Kratts Live! is a theatrical stage show based on the hit animated TV series. Stars Martin and Chris Kratt will engage the audience in a classic Wild Kratts story as they activate some fan favorite Creature Power Suits and go “Off to the Creature Rescue!” With the help of the Wild Kratts team - and the audience members - the Kratt Brothers confront a comic villain and help bring the creatures of the animal world to safety once again. There will be two performances on Sunday at Texas Trust CU Theatre at Grand Prairie.

    Dallas Opera presents The Robert E. and Jean Ann Titus Family Recital: Christian Gerhaher
    In a rare U.S. appearance, revered German baritone Christian Gerhaher is joined by his longtime pianist Gerold Huber for this season’s Titus Family Recital. The formidable duo will perform a program featuring lieder by Robert Schumann, a complete survey of which they have recorded to great acclaim. The recital will take place at Moody Performance Hall.

    Wild Kratts live show
    Photo by Chris Ocken

    Wild Kratts Live! 2.0 | Active Creature Power! will be at Texas Trust CU Theatre at Grand Prairie on January 26.

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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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