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The Farmer Diaries

Texas farmer ditches dirt to experiment with hydroponics

Marshall Hinsley
Mar 23, 2014 | 5:00 am

I was in my greenhouse last December, preparing seedlings for the new year, when I made a discovery that changed everything I thought about plants and food production.

Tucked behind some pots was a mason jar, coated with algae, holding a few sprigs of tomato plants I cut from my garden last fall. I had intended to root them and plant them in containers, but I forgot about them. Some of the sprigs had died. But one put on roots, grew up and out of the jar, and sprawled out onto the table.

The fact that this plant had survived in the face of utter neglect was impressive enough. But what startled me was the fact that the plant had a tomato growing at the end of the vine — red, ripe and ready for picking in the dead of winter.

Indoor hydroponic production reduces water needs by up to 90 percent, makes pesticide companies obsolete and frees us from climate challenges.

By accident, I'd witnessed an example of what professor and author Dickson Despommier says is the future of crop production in his 2010 book, The Vertical Farm. The book is not a guide of growing methods; rather, it's a proposal on how we can progress from land-based crops grown outdoors to crops grown indoors, in a controlled climate, where farmers harvest fruits and vegetables throughout the year, not just when a crop is in season.

Essential to this concept is hydroponics, the practice of growing plants in an aerated nutrient solution without dirt. The book, along with every study about hydroponics I've read, has persuaded me that we can grow more food on less land, using less energy, if we simply upgrade our growing methods.

The benefits are numerous. Indoor hydroponic production reduces water needs by up to 90 percent; makes pesticide companies obsolete; and frees us from climate challenges such as droughts, floods and unexpected freezes.

Hydroponics always intimidated me; all this science, I don't understand. But the mason jar tomato changed that. Putting vertical farming into practice successfully has become my obsession.

Growing a winter salad
I began by creating my own experimental hydroponic system. Using a bucket-stacking system similar to bokashi composting, I took two 5-gallon buckets and drilled holes in one. I filled the drilled basket with expanded shale, a gravel-like growing medium, then stacked it into the intact bucket. I planted a rooted tomato sprig in the top bucket, then poured in enough water to fill the lower bucket just up to the bottom of the upper bucket.

I rigged up a watering system, using a submersible electric bird-bath pump with flexible tubing that would draw water from the lower bucket and flow it out into the upper bucket. Once I plugged in the pump, it spurted up water from below and into the root zone of my transplant. To this water flow, I added plant nourishment: seaweed extract and a few teaspoons of liquid plant food.

Unlike plants planted in garden soil, the hydroponic tomato showed no signs of transplant shock. Rather than falling over limp for a few days after its roots were disturbed, it stood up straighter the next day. In a week, it bushed out and grew rapidly.

But then its leaves began to look less verdant. Taking that as a sign of a deficiency, I added a nutrient concentrate produced by General Hydroponics (purchased at Lone Star Hydroponics in Dallas). After a day in the hydroponic solution, the tomato plant perked back up.

Lettuce pray
Because my experiment showed promise, I decided to try lettuce, a crop that has caused me great suffering in the garden.

Rather than buy a prefabricated hydroponic system, I made my own. I purchased a flat, wide, 28-quart Sterilite container — the kind you use to store sweaters under a bed — at Target for $5. I cut holes in the lid to hold six "net cups," about the size of a single-serving yogurt cup, with slots punched in them that allow plant roots to grow through them.

When I harvested my first head of lettuce in early March, I also harvested tomatoes, chard and a cucumber. In a controlled environment, it's a cinch.

I sprouted some lettuce seeds on moist paper towels. Once they emerged as seedlings, I placed them into the net cups, with their roots dangling out of the bottom. I set the cups into the holes in the lid, letting them hang in place by their rims. Then I filled the tub with water and nutrients. To keep them aerated, I installed a $6 aquarium air pump with an air stone. Seventy five days later, I had six heads of iceberg lettuce.

In addition to the lettuce, I hydroponically planted yellow pear tomatoes, cucumber, Swiss chard and basil. When I harvested my first head of lettuce in early March, I also harvested tomatoes, chard and a cucumber. Topped with a sprinkling of homegrown alfalfa sprouts, it was the crunchiest, most flavorful salad I've eaten.

More than a salad, it was proof of the potential of hydroponics. Lettuce is a cool-season plant. Tomatoes are a summertime crop. Cucumbers and Swiss chard are best in the seasons in between. To harvest all simultaneously is seldom feasible in a Texas garden. But in a controlled environment, it's a cinch.

I have not found it necessary to supplement lighting, despite recommendations encouraging its use. Everything has grown well from the natural sunlight that falls into the 144 square-foot greenhouse in my backyard. It's one of the perks of living in Texas.

That I've had no plant casualties or setbacks has inflamed my obsession. Maintaining my commitment to eat only what I grow organically is a struggle in the winter. Half-sick of collard greens, kale, Swiss chard and other cold-hardy plants, I crave summer cucumbers, squash, okra and melons. The neglected tomato was an exciting omen.

A ladybug searches for aphids on a cucumber leaf growing in a greenhouse in mid-February.

Photo by Marshall Hinsley
A ladybug searches for aphids on a cucumber leaf growing in a greenhouse in mid-February.
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Cocktail buzz

New Art Deco-inspired cocktail lounge Marlowe shakes into Uptown Dallas

Stephanie Allmon Merry
Aug 13, 2026 | 2:42 pm
Marlowe cocktail lounge
Rendering courtesy of Duncan Design Group
Rendering of the Marlowe cocktail lounge coming to 2912 McKinney Ave. in the fall.

A cocktail lounge coming to Uptown Dallas this fall will give night owls a new place to hang. Called Marlowe, it will open in September at 2912 McKinney Ave., in a space that most recently housed Theory Nightclub Uptown (which closed in June 2025), and before that, Avenu Lounge and Aura Lounge / Club Babalu.

A release calls Marlowe an "a richly layered hospitality experience where design, food, cocktails, music and service have been conceived to work together as one."

It will be open just Wednesday through Saturday, from 5 pm-2 am.

The project is led by Dallas hospitality entrepreneur Alon Abramov, who has more than a decade of experience developing and operating hospitality concepts, the release says. Thomas Menaitreau is operating partner and general manager, while Kyle Buckelew serves as beverage director and Garrett Swain, also known as DJ Zillamatic, is music programming director.

Marlowe is designed as a place where guests can drop in for drinks and a bite, stay for dinner, or swing by after dinner for a late-night drink, the owners say.

While few menu details are available yet, the food will be prepared without seed oils, they say. Early menu items include charred Matagorda Pearl oysters with garlic-lemon butter and parsley, along with beef skewers served with sumac tahini yogurt.

Buckelew, who led the bar team at just-opened Delilah Dallas, is overseeing the cocktail program. One of the early offerings revealed is an espresso martini made with salted caramel vodka, dulce de leche, espresso, and Demerara syrup.

The interior is designed by Duncan Design Group and takes cues from Art Deco and cinematic design, they say. The space will feature wood-vaulted ceilings, curved architectural elements, tiered seating, antique-mirror and marble bars, brass details, velvet seating, and a central stage. There's also an enclosed glass-and-brass patio with a birdcage-inspired structure. Music will be another major component, with Swain overseeing the programming.

Abramov says the idea for Marlowe started with the guest experience.

“Marlowe started with one question I’ve carried throughout my career: how should a guest feel the moment they walk through the door?” says Abramov in the release. “We’ve approached every decision through that lens. The lighting, music, design, cocktails, service and energy of the room all have to work together. We’re not interested in creating the biggest room — we want to create one of the most memorable, and a place people feel connected to enough to return to again and again.”

Menaitreau, who was born and raised in Strasbourg, France, has worked at Michelin-recognized restaurants including Fiola and Bresca in Washington, D.C., and Joël Robuchon in Las Vegas.

“At Marlowe, every element should contribute to how a guest remembers the evening — not individually, but collectively,” Menaitreau says. “Our vision is to pair refinement with warmth and create an atmosphere where excellence feels natural, personal and never overly formal. Ultimately, we want every guest to leave feeling better than when they arrived.”

What is the significance of the name "Marlowe?" The release does not explain the name, and CultureMap has asked. Considering the logo is a penguin, it could possibly be a "Marlowe penguin," referring to the Penguin Classics editions of works by Elizabethan playwright Christopher Marlowe. Stand by for an update on the intriguing name.

The exact opening date, full menu, cocktail list, reservations and entertainment programming will be announced in the coming weeks, the owners say say.

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