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    Meandering through San Antonio

    San Antonio's Old Highway 90 weaves a path through the city's history

    Francisco Ortiz
    Oct 23, 2018 | 1:30 pm
    Del Bravo Record Shop San antonio
    The Del Bravo Record Shop is one of the businesses on the historic street.
    Del Bravo Record Shop/Facebook

    A little more than a century ago, a group of merchants and officials from the Southeastern U.S. touted the idea of creating an “Old Spanish Trail” route that would span from coast to coast.

    Promoters wanted to call it the Old Spanish Trail because they thought it would symbolically follow the path that Spanish conquistadors, explorers, and missionaries would have traversed in the new America of their time.

    While their history was way off, the advocates of the Old Spanish Trail were ahead of their time, and they built what eventually became the U.S. Highway 90 and U.S. Highway 80.

    Roadway to history
    These highways did indeed became major east-west routes for commerce and recreational travel in the nation’s emerging highway system. They also celebrated the nation’s Spanish Colonial heritage that has been preserved along large swaths of the corridor closer to the Mexican border and Gulf Coast.

    Through Texas, Highway 90 connected El Paso, San Antonio, and Houston. And while much of the highway’s traffic has long shifted to the Interstate 10 corridor, communities along portions of “Old Highway 90” have never forgotten the neighborhoods, businesses, churches, schools, and historic monuments that sprung up along the route over decades.

    Creating a community
    In the 1920s, business owners saw the corridor as the best and most scenic route to carry goods between San Antonio and West Texas. So much so that the U.S. Highway No. 90 Association was launched in 1929 to improve the road using money from the private sector.

    The expansion of Kelly Air Field in the 1930s spurred further growth along the route. In the mid-1940s, San Antonio annexed what is now the Woodlawn Lake Park area. That caused further growth along Old Highway 90, which was a critical route for people wanting to travel west. Meanwhile, eastbound travelers on Highway 90 often stopped in towns like Uvalde, Hondo, D'Hanis, and Castroville for food and rest en route to San Antonio and points beyond.

    The corridor also became a popular area for live music venues in the post-World War II years. Spots such as Club El Morocco and El Camaroncito hosted musicians from all kinds of genres. (If you lived in the neighborhood at the time, you also knew the best places to go dancing on a weekend.)

    The music scene along parts of Old Highway 90 was so lively from the 1950s through the 1970s that it became home to the Del Bravo recording studios, where conjunto legends Flaco Jimenez and Lydia Mendoza recorded.

    In the '60s, local voters approved building a new highway system, including a new Highway 90, which we now use today. Old Highway 90, meanwhile, is referred to as the “older extension.”

    Shifting gears
    The closure of Kelly as an Air Force base in 2001 caused a serious downturn in commerce in the immediate area, but longtime residents and merchants still see the neighborhood as a place of cooperation, hard work, and pride.

    Led by Save Old Highway 90 Alliance, the city’s Office of Historic Preservation, and councilman Greg Brockhouse, the group set about collecting video and audio recordings, photos, oral histories, and other artifacts and documents to showcase this historic neighborhood. What they found was an area steeped in culture — and community pride.

    A 2018 study by the City of San Antonio's Office of Historic Preservation about Old Highway 90 contains the following entry: “The stories collected from the community reveal a tight-knit community that resembles the kind you might find in a small town, more than one that exists in a large city like San Antonio. They attended Stafford Elementary and Edgewood High School together. They work at El Capitan Drive-In Theater and other businesses together.”

    “The community looks out for each other and supports each other as an extended family might do," the study continues. "This may be because so many families have co-existed for generations along the corridor, owning their own small businesses. A particular pride of the community is that their family-owned small businesses are the mainstays of the business corridor where no big-box corporate owned stores may be found.”

    In honor of this historical community, the city’s Historic and Design Commission officially designated Old Highway 90 as a Cultural Heritage District in August. This is only the second designation of its kind in San Antonio; the Jefferson Heights neighborhood received the distinction in 2005.

    Sharing their stories was key to clinching the designation. “You listened and did the hard work of documenting this history,” Brockhouse said on his Facebook page. “To the residents of [Old Highway 90], we all listened to you. We all thank you for fighting to preserve your past, while building your future.”

    A new route forward
    According to the city, the Cultural Heritage Designation could lead to a designation of a Legacy Business Corridor, which would highlight the significance of the corridor and its contribution to San Antonio’s evolution. Maria Velasquez Miller lived in the neighborhood, attended Edgewood High School, and understands this evolution well.

    Growing up, she frequented El Capitan for movies and was interviewed for one of the video “histories” recorded by the city’s OHP. “I just wish we could go back in time and everything would still be here,” she said.

    One thing that many residents and merchants wish they could go back and change is the current name of part of the roadway. The Enrique Barrera Parkway, which honors the late city councilman who represented the neighborhood, has been controversial since the council approved the name change in 2015.

    Opponents of the Barrera name say the change dishonors the history with which Old Highway 90 is associated. “Thank you to everyone who has worked so hard at keeping Old Highway 90’s name alive,” Judy Stewart posted on the Save Old Highway 90 Facebook. “The entire city knows this name and its location.”

    While it remains to be seen if the name ever fully returns to its original moniker, the neighborhood remains an indelible part of San Antonio's history. And, thanks to its new designation, everyone knows it.

    preservation
    news/travel

    Soul Searching

    A New York designer's tips for shopping vintage in Round Top this spring

    Emily Cotton
    Mar 19, 2026 | 4:27 pm
    Alfredo Paredes
    Courtesy of Alfredo Paredes
    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    The annual Round Top Spring Antiques & Design Show in Round Top, Texas is officially in full-swing for 2026. In recent years, the diversity of vendors has grown from mom-and-pop shops selling classic Texas items to international purveyors of imported European wares with provenance spanning multiple centuries. Whether a shopper partakes of the festival as a mere spectator, or is genuinely seeking an “I’ll know it when I see it” opportunity, the question always remains: what’s worth buying?

    One person who can answer that question is Alfredo Paredes. Known as the interior designer for Houston restaurant Latuli, Paredes served as creative director for Ralph Lauren for three decades, designing all stores, restaurants, and Ralph Lauren Home collections.

    Recently, Paredes traveled to Round Top in search of antique and vintage finds for his private clients as well as his forthcoming store in Hudson, New York. CultureMap tagged along for an afternoon of learning a thing or two about shopping vintage like Ralph Lauren’s right hand man.

    While the jovial Paredes readily acknowledges that he loves items from every corner of the globe, the design guru was particularly drawn to Brutalist wooden consoles, wicker, and organic woven pieces. This is only the second trip to Round Top for Paredes, and certainly not the last.

    “What I’ve started to notice in the last 10 years is — I used to go to Europe a lot, London and the Paris flea market — now a lot of it is here. People are coming now because it’s a more varied experience. It’s not all western, or all cowboy, or all whatever. It’s all eclectic and you never know what you’re going to find, and that’s why it’s more interesting now I think. It’s just interesting that it’s all here — you just have to know where to look.”

    At Market Hill, Paredes found things he couldn’t pass up for his store and for his clients. Bulky wooden pieces, low-slung leather chairs, and paintings showcasing deep umbers and blues seemed to be a draw. Saltillo tile-topped tables received high praise, as did bisque-fired ceramic works and artistic wooden carvings.

    “My eye goes to things that appeal to me. Not necessarily to a client, but just things I’m liking right now,” explains Paredes. “It’s hard to articulate what I’m loving, but I’m drawn to this sort of masculine, French, midcentury country house, but not Parisian [aesthetic]. You know — rugged stuff. I’ve always liked that, but I’m really attracted to it now. It just appeals to me. I like soulful things. I like woods that have patina, woods that have a story. I don’t like things too polished.”

    There is something endearing about witnessing Paredes in action, in his element. When he sees something he likes — say a chair, or a sofa — he makes a beeline for it and plops the seat of his Ralph Lauren vintage label blue-jeans right on it. Next, the hands get going, patting and rubbing the materials. Is it soft, is it sturdy, what are the tactile qualities, is it comfortable; an invisible sea of datapoints striking and firing in a single shot. How to know if it passed his tests? He wants the price.

    The afternoon is spent weaving through the well-organized mess of vendors getting ready for the spring show before it officially opens the next day. Boxes are being broken down and carried off, and telltale terrycloth squares peek out of back pockets — it’s nearly showtime. Paredes is recognized and greeted by vintage vendors he’s known since his days at Ralph Lauren. The genuine warmth of their greetings confirms a suspicion that’s been lingering since lunchtime — he’s the real deal.

    Favorites from the day come from Architectural Anarchy, Alma Gallery, and Amelia Tarbet Studios. Earlier in the day, Kansas City-based vendor Prize was also a great source for the style Paredes is currently curating.

    “I like this sort of — let’s call it ‘Old Hollywood Mogul.’ Something you’d see in Robert Redford’s house or an old movie star’s house; something of a period. I like that. I lean into old movies,” he explains

    Paredes shops with an air of confidence reserved for those who have long since forgotten to second guess themselves, but he remains all too aware that shopping vintage can intimidate the types of people who find solace in the arms of a robust and generous return policy.

    “Getting people to be comfortable with the sort of pace of shopping for vintage, and sort of collecting and owning [is tricky],” says Paredes. “Being okay that this is the one you selected — you know what I mean? If you miss it, you regret it. You need to know it’s a good investment, because you can always sell it. You can always move on. These pieces have been in people’s homes for a long time.”

    With his private clients, Paredes stays hard at work helping people understand the stewardship that goes along with collecting vintage pieces. It’s not about designer names with the things he’s drawn to, it’s about durability and craftsmanship — “artistry,” as he calls it. People shy away from the unfamiliar at times, then once they have had the time to consider rare vintage pieces long enough to fall in love with the idea, the piece is usually gone. And that’s something Paredes finds regrettable.

    “Vintage is a tricky thing for clients because you have to decide. Otherwise, it vanishes and it’s like hunt-and-peck. Then you’re not finished. A lot of people shy away from it because they can’t commit. That’s why you have an empty dining room, because you didn’t commit. We saw 30 tables and you didn’t commit. Missing out on things is a combination. People think they’re getting ripped off, or that it’s not the best one, or it’s ‘Can I see more options [of the same vintage piece]?’ The answer is no, no, and no. This is what it is — it’s collecting!”

    The new store in Hudson will be 60 percent vintage finds and 40 percent items from his private label. His pieces are bench-crafted in North Carolina and are inspired by his vintage finds. He loves that his line is made in the United States and inspired by pieces from across the globe. He doesn’t copy, he just lifts ideas.

    “I see this Parisian Art Deco chair that’s been upholstered in Mohair, and I’ll decide that we need a piece in Mohair. And that’s all I’ll take away from it,” he says.

    Textiles and other tactile materials are a big draw for Paredes, which is how he came to have a line with Kravet Fabrics. The line is mostly made of vintage-inspired patterns in classic, Americana colorways. This makes them easy to pair with vintage frames and materials plucked from anything from vintage fairs like the Round Top show to something inherited from a beloved family member.

    In his book, Alfredo Paredes at Home, he invites readers to explore the interiors of four homes he’s had throughout the years, showcasing his idea that inspired rooms can be built around the love of something as simple — yet unique — as a tassel.

    During his visit to Round Top, Paredes took the time to sign books and visit with vintage enthusiasts at gallerist Shelli Alter’s Round Top pop-up “dinnerpARTy.” Alter finds great success in mixing simplistic contemporary artworks by international artists like Riera Arago with ornate antique frames from the 18th century. The mix and juxtaposition is something very in line with the Paredes aesthetic.

    What’s most important to Paredes is the idea that people should just be having fun, loving the thrill of the hunt, and not putting too much pressure on themselves. As he says: “It’s someone’s own home — they need to enjoy it!”

    Explore the thrill of vintage at these top spots in Round Top

    Market Hill: March 9–29
    The Horseshoe: March 12–28
    Bader Ranch: March 13–28
    Zapp Hall: March 13–28
    Excess Field: March 1
    Blue Hills: March 14–28
    McLaren’s: March 14–28
    The Arbors: March 14–28
    The Compound: March 14–28
    The Halles: March 14–28
    Big Red Barn: March 22–28
    550 Market: March 14–28
    Marburger Farm: March 24–28
    Cisco Village: March 20–April 6

    Alfredo Paredes

    Courtesy of Alfredo Paredes

    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    interior designerround topshoppingvintage
    news/travel
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