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Coronavirus impact

Dallas arts groups have lost nearly $100 million during pandemic, report says

Stephanie Allmon Merry
Feb 5, 2021 | 4:38 pm
DSO, concert truck
Dallas Symphony Orchestra presented concerts via mobile concert truck in late 2020.
Photo courtesy of The Concert Truck

The first eight months of the COVID-19 pandemic affected the Dallas nonprofit arts and culture community to the tune of more than $95 million and 1,000 jobs, a sobering new report shows.

The third survey on the pandemic's impact conducted by a trio of Dallas arts advocacy organizations — The Arts Community Alliance (TACA), Dallas Arts District (DAD), and Dallas Area Cultural Advocacy Coalition (DACAC) — covered the period from March 13, 2020 (initial government-mandated shutdowns) through November 30, 2020. Results were detailed in a February 5 news release.

In total, the pandemic-related impact for the nonprofit arts community within the city of Dallas reached $95,545,710 in financial losses, including 3,145,209 in lost or deferred attendance, the report showed.

“The impact of the pandemic on the arts in Dallas — financial, human and cultural — continues to be staggering,” says Terry D. Loftis, president and executive director of the arts funding organization TACA, in the release. “We’re encouraged that our organizations are resilient and finding ways to engage the community. But these losses are not sustainable and no one is expecting a return to normal anytime soon.”

Seventy groups responded to the most recent survey, but a total of 91 organizations provided economic impact figures across all three surveys the trio conducted in 2020; those losses are aggregated as part of the total economic impact, the report says. Individual artists were not surveyed.

According to the most recent report, the 2020 closures of museums and performing arts venues caused:

  • Performing arts organizations to cancel or defer 2,088 performances
  • Visual arts organizations to close, collectively, for 2,142 attendance days
  • All groups together to cancel or reschedule 9,725 workshops, classes, and programs

Many performing arts organizations, such as The Dallas Opera, had to cancel or push back entire seasons into 2022, losing almost two years’ worth of earned revenue.

According to the release, since the initial shutdowns:

• 15 arts and cultural facilities have reopened for live, in-person experiences at a reduced capacity.
• 40 of the respondents said their traditional performance or exhibition space has not been able to reopen.
• 27 organizations have resumed presenting live, in-person programing.
• 37 respondents are using virtual platforms or streaming, or are presenting their work in new and alternative spaces, including parking garages, warehouses, storefronts, churches, plazas, parks, and outdoor performance venues.

Safety was the number one barrier to reopening, the survey showed. Groups said they didn't have the resources, rehearsal space, or blessing of their audiences to reopen safely. "Many of our long-term patrons are 65+ and have firmly stated that they are not interested in attending a live choral performance before a vaccine is widely available," one respondent said.

Fourteen groups cited union restrictions as their top barrier to reopening. The Actors' Equity Association revoked Firehouse Theatre's status as an Equity producer last fall when a COVID-19 outbreak forced the abrupt shutdown of a production at the Farmers Branch theater.

For arts organizations that have been able to present live and in-person experiences or virtual, 39 groups say they have been able to generate revenue through admissions or fees — but at lower rates than normal. Most say they have been able to fundraise to make ends meet, even when they can't rely on lavish galas and other large gatherings to do so. Funding from the city has also helped, they say.

“The fact that the City of Dallas was able to keep the funding for most organizations level with the prior year helps explain why most Dallas arts and cultural organizations have survived,” says Joanna St. Angelo, Sammons Center for the Arts Executive Director, in the release. “The next year will be a challenge, but we are fortunate our city leaders recognize the importance of the arts community to the economy, jobs, tourism and the quality of life in Dallas.”

Dallas arts groups will continue to innovate to survive in 2021 and beyond, they say. Besides presenting virtual shows, they have taken their performances into unique spaces, such as parking lots, drive-ins, and garages; the Dallas Symphony Orchestra even brought in a mobile concert truck.

“There is no question our arts community is creative, passionate and resilient, but limited resources only go so far,” says Lily Weiss, executive director of the Dallas Arts District, in the release. “These are small businesses sustaining major revenue and job losses. I worry that many of our organizations are reaching a tipping point. This is going to be a very difficult year.”

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news/arts

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Drama kings

Dallas theater lures new leaders away from Hollywood and Broadway

Alex Bentley
Nov 2, 2026 | 1:51 pm
Malcolm Goodwin
Photo courtesy of Lyric Stage
Malcolm Goodwin is an actor, director, and producer familiar for roles in Reacher, iZombie, and The Fall of the House of Usher.

Dallas theater company Lyric Stage has looked to Hollywood and Broadway for new leadership, hiring film and television actor and director Malcolm Goodwin and Broadway veteran Victor Hawks as the theater company's new co-artistic directors.

The appointments mark a new chapter for the company, which was founded in 1993 by Steven Jones, executive director Catherine Carpenter Cox says in a November 2 announcement.

Goodwin and Hawks are the co-founders of Team Vision Entertainment, a production company developing and producing film, television, and theater projects.

Their longstanding creative partnership will now extend to Lyric Stage, where they will work alongside Cox to develop programming, support new works, and strengthen the organization's connections to the broader entertainment industry, a press release says.

Goodwin is an actor, director, and producer best known for roles in Amazon Prime Video's Reacher and The CW's iZombie. Other credits include The Fall of the House of Usher, American Gangster, and Spike Lee's Miracle at St. Anna.

His new role at Lyric Stage brings him back to the art form that first inspired his career.

"Theater is where I first learned how to tell stories and where I discovered that I loved every part of the creative process, not just performing," Goodwin says in the release. "I was building theaters, working with lighting and sound, and learning how everything comes together to create something special for an audience. Being able to return to that world and help create opportunities for other artists is incredibly meaningful to me."

Hawks brings an extensive Broadway background to his new position, having appeared in the original Broadway company of Urinetown the Musical, the 2006 Broadway revival of Les Misérables, South Pacific at Lincoln Center, and The Producers national tour.

Victor Hawks, Lyric Stage Victor Hawks.Photo courtesy of Lyric Stage

"Musical theater changed the direction of my life," Hawks says in a statement. "I know firsthand what happens when someone gives a young performer an opportunity to learn, grow and be part of something bigger than themselves. That's what makes this next chapter so exciting. Lyric Stage already has an incredible history, and we want to build on that by creating great theater and opening doors for artists who are just beginning their journeys."

Over the past three decades, Lyric Stage has earned a reputation for its professional productions, world premieres, and restoration of classic Broadway works, with a big focus on musicals.

For Cox, the appointments are about bringing together artists who understand the importance of theater while offering the experience and relationships to help the organization grow.

"Steven Jones built something truly special with Lyric Stage, and we have a responsibility to honor what he created while continuing to move the organization forward," Cox says. "Malcolm and Victor have built remarkable careers in entertainment, but what I love most is that theatre is where both of their journeys began. They understand what the stage can mean to an artist, and they share my passion for creating opportunities for the next generation."

Cox also recently moved into a new role as director, making her directorial debut with Lyric Stage's production of the musical Godspell, which finished its run on October 25.

Upcoming Lyric Stage productions include A Very Lyric Christmas, A Chorus Line, Newsies, and Once.

Future planned endeavors for the company include Lyric Stage Academy, an educational program designed to introduce young people to the performing arts, as well as Children's Theatre, Summer Stock, professional training opportunities, a New Works Lab, and master classes.

lyric stage performing-arts theater
news/arts
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