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    Downtown News

    It's hard not to take a shine to new Holocaust Museum in Dallas' West End

    Micah Moore
    Apr 2, 2019 | 1:48 pm
    Holocaust Museum
    The copper cladding is already catching many a passersby eye.
    Photo courtesy of Steven Briggs

    After three years in the works, the Dallas Holocaust and Human Rights Museum in downtown Dallas is nearing the finish line toward its opening in September 2019.

    The museum will be moving into a new 52,000-square-foot facility at 300 N. Houston St., at the corner of Record Street. Facilities will include a plaza, courtyard, lobby, exhibits, a 250-seat theater, reflection area, library, and classrooms.

    It will honor both human rights and the memory of the Holocaust, a unique mission among 21st century educational institutions.

    Meanwhile, its eye-catching exterior, enclosed in a shell of brilliantly shiny copper, is already turning heads.

    It's all a significant step up from its former location at 211 Record St.

    Backers raised $73 million in a campaign to grow the organization: $56 million for the building, and $16 million for endowments and acquisitions.

    These additions are long awaited, as the museum has relied on rental spaces since its inception in 1984 and cannot accommodate large groups and schools. Their Upstanders Speakers Series has grown so popular that it, and many other programs, are frequently held offsite.

    "These are all wonderful problems to have, but we urgently have to address our community's need for education surrounding the history of the Holocaust and its all too relevant lessons," says museum CEO Mary Pat Higgins.

    Copper band
    Construction remains underway, and the exterior design is already on full display. The museum was designed both to tell a story and fit in with the surrounding West End red-brick vibe.

    Its striking facade is marked by a colossal band of copper encircling the top floors — a feature that's intrinsic to the design, says lead architect Mark Holsinger.

    "The entire building is a beacon of civil rights," Holsinger says. "Using copper is intentional as its appearance changes as it ages. It's the idea of perseverance and weathering the storm."

    The outside of the building sets the stage for what's inside.

    Once open, visitors will be guided through 27 historical and contemporary exhibits. These displays will tell the story of the Holocaust and human genocide, as well as the human-rights struggles of modern-day America. The exhibits will highlight experiences of Dallas survivors and liberators with testimonials and photographic displays.

    The architecture of the facility was informed by the exhibits and mission of the museum, Holsinger says. "It was truly built from the inside out," he says.

    Open spaces and design elements are meant to complement the exhibits. The plaza and lobby are bright and airy; the museum is more intimate with darker lighting through the exhibits.

    "We have been enthralled with this building and designing how space can influence the people through compression and expansion throughout the passageways in the museum," Holsinger says.

    Residents will get their first look inside during a grand opening tentatively scheduled for September 18.

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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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