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    Eyes on the ArtPrize

    Dallas embraces status as world-class art city with launch of ArtPrize

    Kendall Morgan
    kendall Morgan
    Nov 21, 2014 | 4:35 pm

    Dallas artists both established and aspiring have a reason for good cheer this holiday season. The international art competition ArtPrize just announced a Big D expansion in 2016, with up to $560,000 prizes and grants for local talent.

    Established in 2009 in Grand Rapids, Michigan, by entrepreneur Rick DeVos, the 19-day event takes over venues both traditional and unexpected — lobbies, laundromats and auto body shops among them — with contemporary art, providing a critical dialogue among both the general populace and art critics.

    Having a $22.2 million economic impact on Grand Rapids in 2013 alone, the expansion of ArtPrize was always a foregone conclusion, and the organization’s executive director, Christian Gaines, says Dallas is just the right place to do it.

    “Dallas seems to have an appetite for it,” says ArtPrize executive director Christian Gaines.

    “The impact it could have on a city was established after its second year, and we spent time thinking about and developing the guiding principles about what ArtPrize is,” Gaines says. “We had a few conversations with different cities, but when we started to talk to Dallas, we got a sense quickly of a community that was really ready for ArtPrize.

    “Dallas seems to have an appetite for it, and the conversations just sped up and got more and more interesting.”

    Former Goss-Michael Foundation associate director Ariel Saldivar, who served as an ArtPrize juror in the 2014 competition, will take on the role of executive director of ArtPrize Dallas. Having approached crucial players in the Dallas arts scene, she found a warm reception for the concept, starting with Mayor Mike Rawlings.

    “Dallas right now is in a very different time than it was 10 years ago or even five years ago,” Saldivar says. “There’s such an appetite here with Aurora and the Dallas Art Fair coming to town and in terms of a growing art community. There’s also room to expand the arts audience. The artists are hungry for it, and ArtPrize will be part of that story.”

    Although still in the planning stages, the event will mostly likely launch the week after the Dallas Art Fair in downtown and Deep Ellum, with possible expansion to the Cedars and Fair Park. Any artist over the age of 18 is eligible to register online, and venues will connect online with talent at artprize.org. The public can vote on works via mobile devices to award half the prize money, with a jury of international experts rewarding the other half.

    “You can compare and contrast what the public thinks and what the experts think,” Gaines says. “Anyone can self-identify as an artist, and anyone who identifies as a venue can participate. The purpose of that is to make the process truly open and accessible to all.”

    With an average of 400,000 visitors, this annual event should have a significant impact on both the culture and the economy of Dallas. “Whether you’re an artist or venue or any kind of business or nonprofit or family or individual, you’re looking at that big holiday and coming up with ideas on how to celebrate it,” Gaines says. “Everyone’s got a part to play, and that’s what’s fun about it.”

    Anila Quayuum Agha's Intersections.

    Anila Quayuum Agha
    Photo courtesy of ArtPrize
    Anila Quayuum Agha's Intersections.
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    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

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