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    Real Housewives Recap

    Real Housewives of Dallas must be a throwaway for Bravo

    Elaine Liner
    Jun 6, 2016 | 11:40 pm
    Brandi Redmond Real Housewives of Dallas
    Brandi does two things at warp speed in every episode: get drunk and start weeping.
    Photo courtesy of Bravo

    On other, more glamorous Real Housewives shows, the ladies often jet off to Bali or Banff or the Bahamas for a super-glam on-camera vacation. For Real Housewives of Dallas, the Bravo network has seen fit only to schlep the gals down to Lake Travis for two nights. On a bus.

    Away the women roll to a sprawling lake house built by cast member Brandi Redmond’s husband Bryan and pal Stephanie Hollman’s husband Travis. It’s a big, bland pile of bricks with a pool and a lake view, which the cameras don’t ever bother to feature.

    The centerpiece of episode nine of this 10-part series (the finale is next week, followed by a “reunion” special) is a catered birthday dinner for three of the wives. Rambunctious party scenes are a staple of Housewives shows. Remember Teresa Giudice flipping the table and yelling “prostitution whore!” at the multifamily meal on RHONJ? Or Camille Grammer’s psychic pal spilling nasty predictions over that boozy dinner with the RH’s of Beverly Hills?

    Those episodes were full of fireworks. RHOD’s lakeside slumber party merely lights some damp squibs. The title of this week’s hour is “Killing Time in Austin.” It feels as if this version of the series is doing just that, ticking off minutes until it can clear the time slot to make way for the return of the ratings-pulling crazypants shenanigans of the New Jersey franchise.

    Down at Lake Travis, it’s charity-mad LeeAnne Locken in the center ring, as usual. LeeAnne is a gorgeous woman with a heart for good causes and the temperament of a trapped wolverine. This week she’s more than a little miffed that her fellow housewives keep circulating a story about that time she took too many laxatives, had a dram too much alcohol, and didn’t make it to the ladies’ room in time.

    Scatology is the dominant theme of RHOD. You have to wonder what the women did during the filming to tick off the crew and editors of this show so badly that every hour ended up loaded with references to pee and poop. This week they include the moment Brandi urinates into a red plastic cup on the bus trip from Dallas to Austin. Cut right to a commercial for a “bladder support” device.

    Back at the dinner party, Brandi, bless her sodden heart, gets snockered, does a backward somersault over the tabletop, and then tumbles off her chair onto the floor. Brandi does two things at warp speed in every episode: get drunk and start weeping.

    “Brandi and Jesus juice [her nickname for wine] make a lot of decisions together,” observes Brandi’s best friend Stephanie, a pretty blonde who laugh-cackles like an evil sister in Macbeth.

    The plan for the weekend in Austin appears to be to hang out at the pile of bricks for a night, pick at chef-prepared scallops, drink too many fireballs and glasses of Pinot Noir, and then wake up early to enjoy a spa day at Austin’s Four Seasons. And here’s where it’s really clear that Bravo has treated RHOD like a throwaway: After the camera crew has left for the night, a major brouhaha breaks out between LeeAnne and the nearly silent Marie Reyes (the one who wore the twiglet hat a few weeks back).

    No footage of this contretemps makes it to the small screen; just audio clips of LeeAnne shouting at Marie, captured on Cary’s phone. There’s also a secondhand retelling of the argument by Stephanie in her to-the-camera post-production confessional.

    What might have been the high point of the series (or low, depending on how you measure awful behavior among adult women who fancy themselves cultured and privileged), happens off-camera. Viewers only get the tell, but not the show.

    So all that’s left on episode nine is the aftermath of blow-up. LeeAnne again explains her hair-trigger temper with references to her crappy childhood. Marie looks terrified as she tries to explain that she’s not the one who revealed the story of LeeAnne’s loose bowels. Tiffany Hendra, LeeAnne’s constant enabler, begs the others to walk in LeeAnne’s espadrilles and try to understand her.

    Apologies. Hugs. Cary Deuber (the plastic surgeon’s wife) rolls her eyes under perma-arched brows.

    Another tense dinner unfolds at the Austin location of Bob’s Steak & Chop House. LeeAnne drills her death-stare into Cary and Tiffany. Brandi babbles some nonsense about her fear of sharks and then disappears into the restroom. “Worst girls’ trip ever,” snaps Cary.

    Previews of episode 10 feature the Byron Nelson golf tournament, two of the housewives falling into a swimming pool, and a revolting close-up of rabbit feces on the carpet at the Redmond home.

    On this show, even the pets are party poopers.

    ---

    Real Housewives of Dallas airs at 9 pm Mondays on Bravo. You can also watch episodes online.

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    Movie Review

    Hugh Jackman channels Neil Diamond in biopic Song Sung Blue

    Alex Bentley
    Dec 24, 2025 | 1:05 pm
    Hugh Jackman and Kate Hudson in Song Sung Blue
    Photo courtesy of Focus Features
    Hugh Jackman and Kate Hudson in Song Sung Blue.

    Neil Diamond - a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold - is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue - named after Diamond’s 1972 hit song - serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.

    Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.

    Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.

    Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.

    What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.

    Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.

    Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.

    While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.

    ---

    Song Sung Blue opens in theaters on December 25.

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