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    Tesar on TV

    Dallas chef John Tesar signs on for Gordon Ramsay-style TV show — with less yelling

    Teresa Gubbins
    Jul 23, 2014 | 3:32 pm

    Endlessly entertaining Dallas chef and former Top Chef contestant John Tesar has signed on to develop a new restaurant-themed reality show with a production company in Los Angeles. The show would follow Tesar as he makes Gordon Ramsay-style visits to restaurants and helps them improve their game.

    Tesar, chef-owner at Preston Center seafood restaurant Spoon and new Hotel Palomar steakhouse Knife, has been the talk of the food media world ever since he took to Twitter and Facebook last week to question the credibility of Dallas Morning News restaurant critic Leslie Brenner, following a review of Knife.

    "What we're working on comes from a lot of things — including the way things have changed with the decreasing impact that restaurant critics have," Tesar says.

    On Facebook, he posted an update saying that she was not welcome in any of his restaurants. On July 17, he issued the tweet heard around the food world that said, "@lesbren fuck you! Your reviews are misleading poorly written, self serving and you have destroyed the star system and you really suck."

    He followed that with a response to @BlakeBowyer that said, "Dallas doesn't need a miserable self serving food critic with a chip on her shoulder who make reviews personal."

    His comments were subsequently analyzed by bloggers and food writers across the country, from Eater to the Los Angeles Times.

    Tesar, whose unflinching honesty perked up an otherwise dull season of Top Chef Seattle, says that he's been approached by a veteran reality-show production company that has created a number of shows for Bravo TV, among others.

    "I need to do a few preliminary things like get with an entertainment attorney, but we're going to start developing a concept," he says.

    Tesar says the idea would be something along the lines of Gordon Ramsay's Kitchen Nightmares, but with less screaming.

    "It would be me going to a restaurant and help fix it up, but I want it to be interesting and not just a guy who yells in a kitchen," he says. "What we're working on comes from a lot of things — including the way things have changed with the decreasing impact that critics have on restaurants.

    "The era of the critic is over, and that FU was the icing on the cake."

    Chef John Tesar, in his meat room at Knife.

    Chef John Tesar of Knife steakhouse in Dallas
    Photo by Marc Lee
    Chef John Tesar, in his meat room at Knife.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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