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    Movie Review

    Irish woman searches for independence and safe haven in Herself

    Alex Bentley
    Jan 7, 2021 | 2:59 pm
    Irish woman searches for independence and safe haven in Herself
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    In the blockbuster movie era in which we live, smaller films can often get overshadowed. While superhero and action movies certainly have their place, not many of them prioritize storytelling over spectacle. For that kind of thing, movie lovers still have to rely on filmmakers who desire to tell a simple story and tell it well, as is the case with Herself.

    The film stars Clare Dunne as Sandra, a mother of two young girls who manages to escape an abusive relationship with her ex, Gary (Ian Lloyd Anderson). Unfortunately, she still has to share custody with him and can barely make ends meet working two different jobs. She longs for a home for her and her girls to call their own, but that kind of thing seems as far away as the moon.

    That is until Sandra discovers a way to build her own cheap, small home, and Peggy (Harriet Walter), who employs Sandra as a cleaner, offers up not only her back garden as a plot, but a loan to get her started. Through sheer force of will and some help from unexpected sources, Sandra’s dream slowly starts to take shape.

    Directed by Phyllida Lloyd (Mamma Mia!, The Iron Lady) and written by Dunne and Malcolm Campbell, the film is straightforward in its storytelling but never simplistic. The film is always on Sandra’s side, as she is obviously doing her best to keep herself and her kids safe, even when both the legal and government system sometimes seem to conspire against her.

    On the surface, there’s nothing special about the story, although it’s one that deserves to be told more often than it does. But it’s the way that Lloyd, Dunne, and almost everyone involved treats the material that makes it stand out, giving the film the weight that it needs while never bogging it down in things it doesn’t.

    The female-led story is no surprise coming from Lloyd, who has made it her purpose to put women at the forefront of her projects. Both Dunne and Walter have starred in all-female casts of Shakespeare productions Lloyd has done, and their familiarity with each other pays rich dividends here.

    Dunne, who’s making her debut as a screenwriter, does the story justice with both her script and acting abilities. She portrays Sandra as harried and exhausted, but also as someone with enough strength to always do what’s right. Walter uses her long history of supporting roles to great effect, acting as the ideal role model and support system for Sandra.

    Herself is the type of story that needs the right touch to elevate from its basic premise, something that both Lloyd and Dunne seem to have. It’s an uplifting start to the 2021 movie year, perhaps portending even better things to come.

    ---

    Herself is playing in select theaters. It debuts on Amazon Prime Video on January 8.

    Clare Dunne and Ian Lloyd Anderson in Herself.

    Clare Dunne and Ian Lloyd Anderson in Herself
      
    Photo by Pat Redmond/Amazon Studios
    Clare Dunne and Ian Lloyd Anderson in Herself.
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    Movie Review

    Dark comedy Friendship covers male bonding with copious cringing

    Alex Bentley
    May 16, 2025 | 4:16 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara) and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin - a weatherman at a local TV channel - even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, there are many things in the story that go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

    ---

    Friendship is now playing in select theaters.

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