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    Your Show of Shows

    Gallery picks of the month: Weather-influenced art and a fresh new space

    Kendall Morgan
    kendall Morgan
    Jan 10, 2014 | 2:22 pm

    A new year brings a new slew of must-see shows, with everything from New York painters to eye-popping sculpture on the agenda. Without further ado, these art gallery openings are sure to cure your winter blues and brighten your walls:

    “Into the Quiet,” Dawn Waters Baker and Mary Tomás, at Mary Tomás Gallery
    Reception:
    January 11, 6-9 pm
    Exhibition dates: January 11-February 15

    Let’s talk about the weather; everyone else is. The Polar Vortex discombobulated most of America this past week, and artist Dawn Waters Baker’s paintings at Mary Tomás Gallery have presciently addressed the way weather affects our environment. So much so, she was asked to participate in the National Weather Center’s first Biennale in Norman, Oklahoma.

    For her current show, she realistically depicts changing climate conditions, while gallery owner and artist Tomás’ works explore the ethereal, calming spiritual feel that nature brings.

    “Zero Degrees Celsius,” Adela Andea at Cris Worley Fine Arts
    Reception:
    January 11, 6-8 pm

    Exhibition dates: January 11-February 15

    A recent trip to Alaska and its remaining glacial formations was the impetus for Houston-based artist Adela Andea’s “Zero Degrees Celsius” at Cris Worley. Mixing an eye-popping selection of mediums, including magnifying lenses, flex neon, LED lights and power sources, she captures the illuminating white and glowing pastels of the icebergs themselves in their ancient yet temporal state.

    “While [Andea was] sailing through and around these glaciers, she witnessed simultaneous thrill and sorrow, as they rapidly melted and fell into the waters below,” Worley says. “This exhibition questions the antithetic relationship between nature and technology.”

    Thom Jackson at Craighead Green Gallery
    Reception:
    January 11, 5-8 pm

    Exhibition dates: January 11-February 15

    Making an appearance at Craighead Green is Dallas-based photographer Thom Jackson, with his collection of epic Marfa landscapes (occasionally populated by budding Swedish supermodel Julia Hafstrom). Calling the West Texas terrain “the world’s most beautiful studio,” it’s clear Jackson sees the setting as the star of the show.

    Big sky country is even more impactful in his oversized 33-by-44, black-and-white prints.

    “75215,” Borden Capalino, Rose Marcus and Eli Ping at And Now
    
Exhibition dates: January 18-April, 2014

    The latest addition to the burgeoning Cedars neighborhood is British gallerist’s James Cope’s new And Now project space. The former director of the Goss-Michael Foundation and curator of the recent “Video Days” exhibit at SMU, Cope relishes the opportunity to stop the pop-up and put down roots in his own space at 1415 Beaumont St.

    “Doing invitation shows are great, but if you’re trying to create a following or a dialogue with collectors and artists, you’re jumping all over the place from New York to Miami or Dallas. [Having a space] helps you define your mission,” he says.

    Because most of Cope’s clientele are New York- and London-based, expect to see emerging artists from these — and European — locales. First up: works by Borden Capalino, Rose Marcus and Eli Ping.

    Still Heart by Mary Tomás, oil on canvas, 36 x 48 in., at Mary Tomás Gallery.

    Mary Tomas
    Photo courtesy of Mary Tomas Gallery
    Still Heart by Mary Tomás, oil on canvas, 36 x 48 in., at Mary Tomás Gallery.
    unspecified
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
    news/arts

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