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    Actor Spotlight

    Former Dallas actor makes a grand theatrical debut in weepy musical tour

    Lindsey Wilson
    Feb 1, 2016 | 12:55 pm

    Even though he's now a New York City resident, John Campione can't seem to stay away from Texas. The Dallas actor starred in musicals at just about every theater before he left and has already returned to town once in Dallas Theater Center's Moonshine: That Hee Haw Musical.

    Now he's joining the national touring company of The Bridges of Madison County as Michael, the son of lonely housewife Francesca. Campione joins the tour in Houston at the Hobby Center on January 25, then stops at the Music Hall at Fair Park February 2-14 courtesy of Dallas Summer Musicals. He will then continue touring the country with the show.

    As he preps to make his grand entrance, Campione took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: John Campione

    Role in The Bridges of Madison County: Michael (Bud and Francesca's son)

    Previous work in the DFW area: Multiple roles/shows with Dallas Theater Center, Uptown Players, WaterTower Theatre, Theatre Three, Lyric Stage, Stage West, and others.

    Hometown: Mesquite, Texas

    Where you currently reside: NYC. Washington Heights to be specific.

    First theater role: Motel the tailor in Fiddler on the Roof, sporting the most awful, fake, glued-on red beard you ever saw (important note: I am most definitely not a redhead).

    First stage show you ever saw: The first show I recall was a junior college production of Camelot, and I remember thinking, "Well, that looks fun, maybe I'll try it."

    Moment you decided to pursue a career in theater: I had a recital to give at the end of my classical music degree in voice, and the pieces that seemed to resonate the most, both with me as well as with my audience, were the two theater selections. Something clicked in my head that opera was never going to be my strongest suit, and it was then I started to realize my passion for theater, acting, and digging into a character.

    Most challenging role you’ve played: Valentin in Kiss of the Spiderwoman. It was equally challenging dramatically and vocally, and sort of marks a turning point for me in terms of how I look at prep and character development. I learned a lot from that experience and would really love a crack at that role again in a few years.

    Special skills: I play guitar, piano, and a couple others with varying levels of skill. I like to write and arrange music from time to time, and I love anything physical (i.e., obstacle course racing, cycling, climbing, archery, and I just tried trapeze for the first time a few days ago and LOVED it!).

    Something you’re REALLY bad at: Keeping a straight face. Sometimes in the worst of situations.

    Current pop culture obsession: All these FANTASTIC Marvel films! And in theater, the new Hamilton musical.

    Last book you read: The Bridges of Madison County in prep for this tour. Currently reading Ron Chernow's fascinating, massive, and incredibly well researched biography of Alexander Hamilton (which inspired the show).

    Favorite movie(s): I'm so terrible at picking favorites. Favorite film I've seen most recently was Spotlight (Oscar nom this year).

    Favorite musician(s): Mumford and Sons, Jason Mraz, Brad Paisley, and Journey, just to name a few.

    Favorite song: "Back in Black," "Let It Be," "She's Got a Way," "Soldier" by Gavin DeGraw.

    Dream role: Guy in Once, Tom Joad, John Wilkes Booth in Assassins.

    Favorite play(s): A recent favorite read was Night Watch by Lucille Fletcher.

    Favorite musical(s): Company and Hello Dolly!

    Favorite actors/actresses: Oh these impossible choices ... Steve Carell, Jessica Chastain, Michael Fassbender.

    Favorite food: Tex-Mex.

    Must-see TV show(s): American Horror Story, The Walking Dead, Criminal Minds, How I Met Your Mother.

    Something most people don’t know about you: All 10 of my fingers are double jointed and I'm always happy to provide a demonstration.

    Place in the world you’d most like to visit: Italy.

    Pre-show warm-up: Various stretches from head to toe, quiet reading, and some pacing and emotional prep.

    Favorite part about your current role: The way he kind of whips onstage, says his bit, and gets out of there (very much like a typical 16-year-old).

    Most challenging part about your current project: With a longterm project like this one, I think the biggest challenge is always maintaining the quality and spontaneity of the work from start to finish, as well as staying healthy and consistent.

    Most embarrassing onstage mishap: I can't think of anything I've been embarrassed by ONstage. It's live theater: Things happen, actors adapt, and I think that's what makes it so great. My most embarrassing moment is when I have missed an entrance because of a lack of focus. There is no excuse for it and you only have yourself to blame for letting your colleagues down. It's also not something I ever look back and laugh about; it always bugs me.

    Career you’d have if you weren’t in theater: Stunt driver.

    Favorite post-show spot: The Old Monk! Nice to be back in Dallas so I can have some more of those fries. Also, Whataburger is never more life-changing than at midnight after a two-show day...

    Favorite thing about Dallas-Forth Worth: The friends I've made here over the years.

    Most memorable theater moment: I consider myself lucky that there have been too many to count in the last few years, but the first that comes to mind is performing "Don't Rain on My Parade," as part of Broadway Our Way at Uptown Players. Singing that song and the audience response was as thrilling and empowering as any single moment I have ever experienced onstage.

    Campione, upper right, in Moonshine: That Hee Haw Musical at Dallas Theater Center.

    Moonshine: That Hee Haw Musical at Dallas Theater Center
    Photo by Karen Almond
    Campione, upper right, in Moonshine: That Hee Haw Musical at Dallas Theater Center.
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    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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