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    She's Got Moxie

    Texas author's 'Moxie' powers Amy Poehler's edgy new Netflix film

    Johnston Farrow
    Johnston Farrow
    Feb 8, 2021 | 3:23 pm

    Texas author Jennifer Mathieu is raising a glass after the trailer for the Netflix movie based on her young adult novel, Moxie, was released and shared around the world in myriad media outlets last week.

    The film stars and is directed by comedy legend Amy Poehler. The former Saturday Night Live and Parks and Recreation star’s production company, Paper Kite, optioned the rights to Moxie in 2018, and it will premiere on the streaming giant on March 3.

    “It’s been surreal,” says Mathieu, who lives in Houston and teaches English at Bellaire High School. “I don’t think I’ll ever get used to it. One of the nice things about all this is that friends, my college roommate, and people I went to high school with are sharing it on social media and saying nice things. So, it’s been really fun and a way to connect with people.”

    While many books are adapted for screen by streaming services, not all star an Emmy Award-winning actress in Poehler and an Academy Award winning actress in Marcia Gay Harden, not to mention a who’s-who in upcoming young Hollywood talent in Hadley Robinson (Little Women, Utopia) and Patrick Schwarznegger (son of Arnold).

    Moxie follows protagonist Vivian Carter who becomes inspired by her mother’s riot grrrl-inspired, feminist past to create an anonymous zine that speaks out against the sexist culture at her high school. The zine is the catalyst for a feminist movement on campus, drawing the ire of administrators and the young men whose toxic masculinity is being called out.

    Despite the recent glut of teen movies across platforms, Moxie is drawing favorable comparisons to some of the best of the genre, including 2019's Booksmart and classic Mean Girls.

    The story is somewhat personal to Mathieu. She is a unabashed feminist who wrote zines herself as a teenager. She loved riot grrrl bands of the '90s, such as Sleater-Kinney and Bikini Kill, known for promoting female equality through art and music. Walking the walk, Mathieu is also the proud sponsor of the Feminist Club at Bellaire High School, a campus she says is much more accepting and supportive of all voices than the fictional high school setting of her novel.

    "That's why I wrote Moxie," she says. "I love riot grrrl, I love feminism and stories that center on how hard it is to be a teenager. It's just been a great experience from start to finish."

    While not directly involved with the filmmaking process, Mathieu did discuss the adaptation with screenwriter Tamara Chestna. She also had the opportunity to fly to California before the pandemic started to visit the set, where she met with Poehler and some of the cast, including Robinson, who plays the main character, Vivian.

    "Amy Poehler came out and I was just so uncool," Mathieu remembers. "I immediately asked, 'Can I have a picture with you?' I was going to be on set for the whole day. But I was like, I need a picture with you now! That moment was probably a top 10 in my life."

    When she got to see a screener of the movie, she watched it with her husband, and then watched it three more times.

    “I 100 percent, freaking loved it,” she recalls. “I mean, I knew Amy Poehler was going to do a good job, but you always hear stories of authors like Stephen King didn’t like The Shining, but I knew that wasn’t going to be me. I knew I was going to love it because I love everything that Amy Poehler does, but I don’t think I was prepared to love it as much as I did.”

    Unlike King’s well-documented criticism of adaptations of his work, the film version of Moxie stayed true to the book with a few changes and wrinkles that work for the screen. The feminist spirit of the novel is fully intact, which comes through in the trailer.

    “The big elements and scenes that were really important to me, that I loved writing are all still in there, but [Poehler’s] also added her own spin on it,” Mathieu says. “She’s changed some of the storyline, and the principal is now played by a woman, which I thought was an interesting choice, played by Marcia Gay Harden. But the way she put it all together works so beautifully, and I think it’s the best kind of film adaptation — it honors the book but it’s its own special creation.”

    Unfortunately, due to the pandemic, Mathieu will miss out on walking the red carpet at an official premiere, but she’s quite content to celebrate at home with her husband and 10-year-old boy.

    "Of course I would have loved to gone, but as someone who is pretty introverted, there's a part of me that's 'phew,' I don't know how I would have handled being at a big event like that," she says. "But I know there will be virtual watch parties and my publisher is putting together a Moxie movie in a box to send out to to reporters to build buzz. There's also going to be a movie tie-in version of the book."

    Next up for Mathieu is the release of her sixth novel, Bad Girls Never Say Die, which contains echoes of Moxie about a gang of girls in Houston set in 1964. A tentative date has been set for the fall. Until then, the author is content to enjoy the ride around the Netflix film, continue to teach, and write in her spare time.

    “When I saw the list of everywhere the trailer had been, I was so pumped to know it had that wide of a reach,” Mathieu says. “I’m super excited — I really am just like a high school teacher. I’m a mom, I live in Westbury, I’m 44 years old, it’s kind of overwhelming sometimes. But in a great way.”

    Jennifer Mathieu's fourth novel, "Moxie," follows a female protagonist inspired to start a feminist movement at her high school.

    Jennifer_Mathieu
    Courtesy Jennifer Mathieu
    Jennifer Mathieu's fourth novel, "Moxie," follows a female protagonist inspired to start a feminist movement at her high school.
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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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