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    Weekend Event Planner

    These are the 9 best things to do in Dallas this weekend

    Alex Bentley
    Feb 10, 2022 | 6:00 am
    Peters hits the stage at Verizon Theatre in Grand Prairie on February 17.
    Peters hits the stage at Verizon Theatre in Grand Prairie on February 17.
    Photo courtesy of Russell Peters

    This weekend in and around Dallas will be mostly focused on local organizations, including events featuring classical music, theater, art, and ballet. There will also be appearances by two national touring comedians and a pop-up interactive museum in honor of Black History Month.

    Below are the best ways to spend your precious free time this weekend.

    Thursday, February 10

    Dallas Symphony Orchestra presents Pinchas Zukerman
    Normally the Dallas Symphony Orchestra presents one program at the same venue for a few days, but they'll change it up this week while welcoming violinist Pinchas Zukerman. Zukerman and cellist Amanda Forsyth will play with the full orchestra at Meyerson Symphony Center on Thursday, followed by a concert on Friday at Caruth Auditorium at SMU, where the two musicians will be joined by members of the DSO. Finally on Sunday, Zukerman will be joined by members of the Dallas Symphony Orchestra and Meadows School music faculty for another concert at Caruth Auditorium.

    Russell Peters: Act Your Age World Tour
    Canadian comedian Russell Peters holds the distinction of being the first comedian to get a Netflix stand-up special with 2013's Notorious. He's gone on to have another Netflix special and one for Amazon Prime Video, starred in a variety of movies and TV shows, and toured the world. Peters will be at Texas Trust CU Theatre at Grand Prairie as part of his Act Your Age World Tour, in which he gives his hilarious takes on cancel culture, aging, and the current state of the world.

    Friday, February 11

    The BLK Experience Museum
    The BLK Experience Museum is an innovative pop-up museum dedicated to celebrating Black lives and Black excellence. Taking place at Urban Arts Center on weekends through February 27, visitors will be transported into the Black experience at this fully immersive popup art gallery. Guests will be able to step onto the stage of the world-famous Cotton Club, dive into the Black hair mosh pit, journey through the history of Black Dallas, and more.

    Cara Mia Theatre Co. presents Luchadora!
    When an old pink lucha libre mask is discovered, an inspiring journey of cultural identity and family traditions unfolds. In Luchadora!, a young Lupita is about to unmask a big family secret. When she decides to pursue her dreams of becoming a luchadora, she soon finds it difficult keeping her secret from her father. The play, presented by Cara Mia Theatre at Latino Cultural Center through Sunday, is a moving story of a young girl who defies traditional roles of women and breaks personal barriers through her determination.

    Improv Addison present Joel Kim Booster
    Joel Kim Booster is an LA-based comedian and writer who you might have heard as a panelist on NPR's Wait, Wait, Don't Tell Me. He cares deeply about cats, appointment television, various feuds, and other useless stuff. He starred as Jun Ho in NBC’s Sunnyside and has written for Big Mouth, The Other Two, Billy On The Street, and others. He'll perform twice on Friday and twice on Saturday at Improv Addison.

    Avant Chamber Ballet presents "Bach, Brahms, and Bartok"
    Avant Chamber Ballet presents a trilogy of epic ballets with live music. The production will include Brahms Trio, a famous musical trio performed by violinist Lauren Haseltine, pianist Mikhail Berestnev, and horn Kevin Haseltine; George Balanchine's Concerto Barocco, music made visible as two ballerinas each depict one of the instrumental soloists in Bach’s virtuosic double violin concerto; and a world premiere by Katie Puder with music by Bela Bartok. There will be performances on Friday and Saturday at Moody Performance Hall.

    Texas Ballet Theater presents "A Tchaikovsky Evening"
    Texas Ballet Theater presents "A Tchaikovsky Evening," a mixed repertoire production featuring George Balanchine’s iconic Serenade and two world premieres — Star Crossed by Ben Stevenson and Violin Concerto in D by TBT Associate Artistic Director Tim O’Keefe. There will be four performances through Sunday at Wyly Theatre before the production heads to Fort Worth next weekend.

    Saturday, February 12

    Crow Museum of Asian Art presents Jooyoung Choi: "Songs of Resilience From the Tapestry of Faith" opening day
    The Crow Museum of Asian Art of The University of Texas at Dallas will present JooYoung Choi: "Songs of Resilience from the Tapestry of Faith." The exhibit will feature the works of the Houston-based multidisciplinary artist whose paintings, videos, sculptures, animations, music, and installations merge the autobiographical with the fantastical. The exhibition, on display through September 4, marks the third and final offering of the museum’s Texas Asian Women Artists series, which focuses on contemporary issues both in Texas and abroad, giving voice to complex, humanized stories of identity, place, tradition and modernity.

    Teatro Dallas presents 20th International Performance Festival
    Teatro Dallas' 20th International Performance Festival will be broken up into two weekends, starting on Saturday with Pastor’s Paradox, featuring a jazz quartet led by Aruán Ortiz. The production, taking place at Latino Cultural Center, is an original work inspired by the political life and vision of Martin Luther King, Jr. in five movements. Ortiz is a pianist, violist, and composer, and has been an active figure in the progressive jazz and avant garde scene in the US for more than 15 years. A different production, Las Sillas, will take place on February 19 and 20.

    Crow Museum of Asian Art opens Jooyoung Choi: "Songs of Resilience From the Tapestry of Faith" on February 12.

    Jooyoung Choi
    Photo courtesy of Jooyoung Choi
    Crow Museum of Asian Art opens Jooyoung Choi: "Songs of Resilience From the Tapestry of Faith" on February 12.
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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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