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    Actor Spotlight

    Dessert-loving Lizzy Greene is no ordinary child actor

    Lindsey Wilson
    Feb 11, 2014 | 9:57 am

    Ten-year-old Lizzy Greene is no stranger to the spotlight. As part of Fun House Theatre and Film's core talent base, she has appeared in several of the company's shows, playing everything from an ambitious cookie-seller to a talking reindeer to Joseph Stalin (her favorite). Next up: The Secret Origin of Dr. Frankenstein, which runs February 20-23.

    Just as Fun House is no ordinary children's theater (best never to call it that), Lizzy is no ordinary child actor. Though she's in high demand onstage and off — she recently traveled to LA for a Disney project — Lizzy took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Lizzy Greene

    Role in The Secret Origin of Dr. Frankenstein: William Burke

    Previous work in 2013: I went to California to cut a new CD for Richard Sherman called “On Our Merry Way” for a new online Disney TV show called It’s a Small World.

    Hometown: Dallas

    First theater role:Rudolph the Red Nose Reindeer, and I will always love that role.

    First stage show you ever saw:Madeleine

    What made you want to do theater: I love the feeling of performing in front of an audience. It makes me feel happy and confident. I don’t get nervous before a show; I’m excited to get out there.

    Most challenging role you’ve played:Raimi Roma in Daffodil Girls. I had to research Al Pacino and all of his mannerisms and learn the David Mamet ways.

    Special skills: I do a great chicken noise and memorizing material. I can visualize a picture in my head and draw it exactly that way on paper.

    Something you’re REALLY bad at: WAITING on anything!

    Current pop culture obsession: I love to make up rap songs about people I know, Irish dancing, PVZ and Candy Crush. And I LOVE Batman.

    Last book you read:The Shakespeare Stealer

    Favorite movie(s):Frozen, Rio and Bolt, because he [the main character] is a German Shepherd.

    Favorite musician(s): Macklemore and Katy Perry

    Favorite song: “Thrift Shop” and “Dark Horse.” And I love the new “Happy” song.

    Dream role: Elsa in Frozen

    Favorite play(s):Daffodil Girls, Inspired by David Mamet’s Glengarry Glen Ross and The Sound of Fannie — both written by Jeff Swearingen

    Favorite musical(s):The Sound of Fannie. There were so many songs from popular musicals in it, and our director, Jimmy [James Chandler], Jeff and Bren [Rapp] rewrote the words to the songs. It was really funny.

    Favorite actors/actresses:Jennifer Lawrence

    Favorite food: All sweets, strawberries, grilled cheese sandwich. If I know there is a dessert at the end of a meal, I will eat ANYTHING to get the dessert.

    Must-see TV show(s):Dog Whisperer, Dance Moms, Gravity Falls and Dog With a Blog

    Something most people don’t know about you: I love German Shepherds and all bugs, and I sing all the time. I paint pictures on my bedroom wall at home, and I absolutely hate chewing gum and French fries.

    Place in the world you’d most like to visit: New York to see a Broadway play and Disneyland and Disney World

    Pre-show warm-up: Silent rock band dance with Jeff Swearingen

    Favorite part about your current role: Scottish accent and costume

    Most challenging part about your current role: Scottish accent

    Most embarrassing onstage mishap: One time I ad-libbed a line in a play, and when I came off stage, my female director told me to “shut up,” and my brother was there laughing at me.

    Most memorable theater moment: In the play The Sound of Fannie, when Fannie realizes her mother has lied to her, and she sings the melody from Phantom of the Opera: “You will curse the day you did not do all that the Fannie asked of you.” And it was dark and the lights were flashing.

    Lizzy Greene as Fannie in Fun House's The Sound of Fannie.

    Dallas actress Lizzy Greene
      
    Photo courtesy of Fun House Theatre and Film
    Lizzy Greene as Fannie in Fun House's The Sound of Fannie.
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    news/arts

    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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