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    Your Show of Shows

    Playful Dallas art-world tribute tops this month's gallery picks

    Kendall Morgan
    kendall Morgan
    Feb 13, 2015 | 6:00 am

    We’re enamored by February’s gallery shows, which have the Dallas art community feeling the love all around. There’s an art-world tribute to two local talents, classic images from a photographer of the people and vivid paintings to take you into spring.

    All this plus an opportunity to strike a pose on a paper moon. Isn’t it romantic?

    Who’s Afraid of Chuck and George?, various artists, at CentralTrak
    Reception: February 13, 8-10 pm
    Exhibition dates: February 13-April 4

    Partnered creatively and romantically for 25 years, “The Brians” (Jones and Scott) live in a creative world all their own under the moniker “Chuck & George.” Beloved not only for their work, but also for their unique abode and legendary parties, the Dallas art scene wouldn’t be quite the same without them.

    So when CentralTrak director Heyd Fontenot decided to honor the duo with an exhibition of work inspired by their “campy universe,” nearly 80 artists answered the call. It must be a bit surreal to see creative valentines to your own personas, but Fontenot says Scott and Jones eventually took it in stride.

    “I think they were taken a little aback at first,” Fontenot says. “It’s like a roast, and you’re going to be up for interpretation and examination among your friends — sometimes that can be a shocking revelation. I think they got it very quickly. It’s just really fun, and you get a sense of all of these long friendships they’ve had.”

    Calling the duo “the Pee Wee Hermans of Oak Cliff,” Fontenot says the Brians’ own art collection inspired the way the show was installed. “We painted the hallway walls to look like the walls in their living and dining rooms. It’s sort of like a play on period rooms.”

    Studio Expo,at 500X Gallery
    Reception: February 14, 7-10 pm
    Exhibition dates: February 14-March 8

    An institution for more than 35 years, 500X continually nurtures the next generation of talent with its annual Studio Expo exhibition. Jurored in the past by artists Allison V. Smith and Erick Swenson and gallerist Cris Worley, the event is helmed this year by mom-and-son partners Susan Roth Roman and Jordan Roth of Ro2 Art. The duo is currently determining who will walk away with $300 in prize money, having already narrowed the field from 280 entries to just over 50.

    “There’s a range of work, a lot of video, a lot of installations, a couple of kinetic pieces and a lot of paintings,” Roth says. “One of the things that was kind of difficult in narrowing it down is we’re working with the first floor of 500X, and it’s not the biggest space. We saw incredible entries that were giant, but there was just no room for them.”

    Whether or not the pieces will be sold after the fact is up to the discretion of the artists themselves, but count on the opportunity to take home at least some fresh work from North Texas’ newest, best and brightest.

    Color, various artists, at Mary Tomas Gallery
    Reception: February 21, 6-9 pm
    Exhibition dates: February 21-March 28

    Spring brings a burst of vibrant shades, both outside and on gallery walls. Mary Tomas Gallery’s latest show features “colorful, explosive work” for the first time in the space, which typically deals in more muted paintings.

    With talent sourced from New York, New Mexico, Texas, Tennessee and Italy, and featuring minimalist, abstract and figurative styles, “Color” was a year in the making. Interior designer Mary Anne Smiley was on hand to help place the works, and she’ll give a chat February 25, 5:30-7:30 pm, advising patrons on how to balance colorful art with their décor.

    Earlie Hudnall Jr. at PDNB Gallery
    Reception: February 21, 5-8 pm
    Exhibition dates: February 21-May 9

    One of the most notable African-American photographers working today, Earlie Hudnall has been documenting the Fourth Ward, Fifth Ward, Trinity Garden and Hispanic neighborhoods of Houston for decades.

    Capturing everything from kids headed the wrong path to churchgoing families, his thoughtful images have landed in museum collections from Chicago to Fort Worth. PDNB is staging its second one-man show for Hudnall, but this time as a retrospective with 40 photographs from the ’70s to early 2000s.

    Explains co-owner Missy Finger, “He has this way of photographing people that transcends time. Their costume may be different, but these are true and wonderful portraits of humanity.”

    In addition to this visual treat, PDNB is giving its friends and collectors something sweet: Pop by on Valentine’s Day solo or with your loved ones to pose in an iconic paper moon set provided by vintage photography collectors Beverly and Jack Wilgus. Popular at the beginning of the 20th century, paper moons were once ubiquitous in photo studios, carnivals and dances, and the Wilgus’ modern version is free at the gallery from 11 am-5 pm.

    Simply RSVP here, strike a pose and you’ll receive a jpeg that’s the perfect way to say “Be Mine.”

    Who's Afraid of Chuck and George? by Matt Bagley and Rusty Scruby, at CentralTrak.

    Matt Bagley and Rusty Scrubby
      
    Photo courtesy of CentralTrak
    Who's Afraid of Chuck and George? by Matt Bagley and Rusty Scruby, at CentralTrak.
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    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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