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    YOUR SHOW OF SHOWS

    Gallery picks of the month: Dallas punks, abstract landscapes and beautiful freaks

    Kendall Morgan
    kendall Morgan
    Feb 18, 2013 | 1:01 pm

    DALLAS. PUNK! 1976-1982: Various artists, at Cohn Drennan Contemporary
    Opening reception:
    February 23, 6-8 pm
    Exhibition dates: February 23-March 30

    Like most cool scenes, if you weren’t there, you just don’t get it. But lucky for Dallas newbies and young ’uns who didn’t get to hang out at Zeros, Magnolia’s or the Hot Klub, Cohn Drennan Contemporary is giving us a look at the late, great world of Dallas punk.

    “Dallas has doubled in size, and only 50 percent of the people you meet on the street know this insanely cool thing happened,” says the exhibition’s curator, David Marett. “It’s also catching up to what everyone’s up to these days and what they did to embrace that ‘fuck you’ punk rock attitude in their life and work.”

    Photographers James Bland, Tracy Holman and Paul Quigg; muralist Frank Campagna; and bone sculptor Turner Van Blarcum exhibit new and classic work alongside screenings of classic videos and concert footage, with an era-appropriate soundtrack provided by DJ Mr. Rid.

    LAND HO: New works by Dean Monogenis and Pepa Prieto, at Circuit 12 Contemporary
    Opening reception:
    February 23, 6-10 pm
    Exhibition dates: February 23-March 31

    Travel the world through the mind’s eye at “Land Ho,” the latest show at Circuit 12. Featuring painting video, sculpture and installations from Brooklyn-based artists Dean Monogenis and Pepa Prieto, “Land Ho” is the result of working concurrently on two continents and two islands, including time spent in studios in New York, Spain and Greece.

    “They’re basically a husband-and-wife combo, and ‘Land Ho,’ is their way of saying, ‘We’ve gotten back home after traveling for two years,’” explains Circuit 12’s owner Dustin Orlando. With Monogenis’ architectural fantasy environments and Prieto’s abstract landscapes, the show serves as a dreamlike trip around the globe, without ever leaving the Design District.

    PROCESS: Jonathan Ramirez and Eric Cox at W.A.A.S. Gallery
    Opening reception:
    February 21, 7-10 pm
    Exhibition dates: February 21-March 22

    If grotesquery and in-your-face sexuality is your cup of tea (and why wouldn’t it be?), W.A.A.S Gallery’s collaborative exhibit featuring two of their celebrated resident artists should be on the list of the month’s must-attend events. “Process” showcases the portraits and sculptures of Phoenix artist Eric Cox, who tackles the raw, genetic and corporal identity of the human condition. Monterrey, Mexico native Jonathan Ramirez draws forth unsettling emotions from viewers who look upon his darkly emotional digital illustrations and sculptures.

    Both have been censored for their in-your-face approach, but together they break the boundaries of what fine art has become. The show also features a performance from local electro-punk Cutter, who recently took home a 2012 Dallas Observer Music Award for Best Electronic Act.

    "Dallas: Punk!" featuring works by photographer James Bland and other artists, opens February 23 at Cohn Drennan Contemporary.

    James Bland, Dallas. Punk!, Cohn Drennan gallery in Dallas
      
    Photo by James Bland
    "Dallas: Punk!" featuring works by photographer James Bland and other artists, opens February 23 at Cohn Drennan Contemporary.
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    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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