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    Weekend Event Planner

    Dual Dallas Theater Center productions top best weekend events

    Alex Bentley
    Feb 19, 2015 | 12:00 am

    It's an arts-heavy weekend around Dallas-Fort Worth, as most of the big events revolve around culture. You can choose between multiple theater productions, popular classical music, a big fashion event, tap dancing and more.

    Below are the best options for your precious free time Thursday through Sunday. Don't like what you see? Lucky for you, we have a much longer list of the city's best events.

    Thursday, February 19

    Once the Musical
    It's been a couple of months since the national tour of Once the Musical was in Dallas, but the anticipation of its arrival in Fort Worth makes seeing it that much sweeter for musical fans in the Panther City. The simply enchanting love story has a short stay at Bass Performance Hall, running through Sunday.

    Dallas Theater Center presents Medea
    The first of two new Dallas Theater Center productions this weekend is the classic — as in ancient — Greek tragedy Medea​. It's an intimate affair for the cast and the audience, as all performances take place in the basement of Kalita Humphreys Theater. The play alternates with the other new DTC production (see below) through March 29.

    Eisemann Center for the Performing Arts presents The Last Two People on Earth
    Two theater legends, Mandy Patinkin and Taylor Mac, have teamed up for The Last Two People on Earth, an "apocalyptic Vaudeville." After a flood of Biblical proportions leaves Patinkin and Mac as the last two people on Earth, the only thing they can do is sing and dance and hope the world comes back again. The cabaret plays at Eisemann Center for the Performing Arts through Sunday.

    Friday, February 20

    Dallas Symphony Orchestra presents Disney in Concert
    Songs from Disney films are some of the most iconic in movie history, so they're a natural to be performed by symphony orchestras. The Dallas Symphony Orchestra tackles selections from Frozen, Aladdin, The Lion King, Beauty and the Beast, The Little Mermaid, and many more in three concerts through Sunday at Meyerson Symphony Center.

    Dallas Theater Center presents The School for Wives
    As an antidote to the tragic Medea, DTC presents the comedy The School for Wives by Moliére. The French farce, playing through March 29 in the main space of Kalita Humphreys Center, contains razor-sharp observations about love, marriage and desire. And to make it even better, it features almost the exact same cast as Medea, letting them really show off their acting range.

    Saturday, February 21

    Crow Collection of Asian Art presents Chinese New Year Festival
    Horse lovers, your year is over as the Chinese calendar flips from the Year of the Horse to the Year of the Ram. The Crow Collection of Asian Art celebrates with an all-day festival featuring an array of specialty booths, wellness activities, entertainment, cultural performances and food trucks along Flora and Harwood streets.

    The Pin Show presents Scene: A Fashion Concert
    You can tide yourself over for the actual Pin Show in April, which will take place at the newly revived Bomb Factory, with this event taking place at Trees in Deep Ellum. Take in performances by French 75 and Diamond Age while witnessing a behind-the-scenes photo shoot of the designs of Nha Khanh, Lucy Dang, Nine Muses and Emmanuel Tobias.

    Sunday, February 22

    Arts & Letters Live: Jacqueline Woodson — Dreams Come True
    The Arts & Letters Live series at Dallas Museum of Art always brings in a great variety of authors — some celebrities and some not. Jacqueline Woodson falls on the "not yet" side, but that doesn't mean she won't be interesting, as she talks about her collection of poems Brown Girl Dreaming, which won the 2014 National Book Award for Young People's Literature.

    Pocket Sandwich Theatre presents Rhythmic Souls
    The tap dance troupe Rhythmic Souls has been making a name for themselves all over Dallas with their energetic routines that utilize different genres of music, like jazz, classical, blues, hip-hop and rock. This performance at Pocket Sandwich Theatre is the start of a new series for the troupe, titled Play It By Ear — Volume 1: Experiments in Rhythm.

    Once the Musical plays at Bass Performance Hall through February 22.

    Once the Musical
    Photo by Joan Marcus
    Once the Musical plays at Bass Performance Hall through February 22.
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    Movie Review

    George Clooney confronts reality of being a celebrity in Jay Kelly

    Alex Bentley
    Nov 21, 2025 | 1:00 pm
    George Clooney in Jay Kelly
    Photo by Peter Mountain/Netflix
    George Clooney in Jay Kelly.

    The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

    In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

    A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35+ year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

    Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

    Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

    A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

    Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

    Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

    ---

    Jay Kelly is now playing in select theaters. It debuts on Netflix on December 4.

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