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    85th Annual Academy Awards

    After a slow start, Seth MacFarlane shines and Argo grabs gold at surprisingly entertaining Oscars

    Joe Leydon
    Feb 25, 2013 | 8:56 am

    No less a notable than First Lady Michelle Obama delivered the Motion Picture Academy’s final verdict: an Oscar for Argo. And, with that, one of the more briskly paced and consistently amusing Oscarcasts in recent years drew to a close Sunday evening as Ben Affleck’s sensationally smart and suspenseful fact-based drama picked up the glittering prize for Best Picture.

    Mind you, even with its grand total of three Academy Awards — in addition to nabbing the big enchilada, it won trophies for Editing and Adapted Screenplay — Argo didn’t take home the biggest haul of golden statuettes. Life of Pi actually scored four wins, in the Cinematography, Original Score, Visual Effects and Best Director (Ang Lee) categories.

    Argo is the one that will be remembered, rightly or wrongly, as a victorious underdog.

    But Argo is the one that will be remembered, rightly or wrongly, as a victorious underdog, one that edged out two worthy rivals that had, at various points during this season’s interminable Oscar sweepstakes, appeared to be front-runners: Steven Spielberg’s Lincoln (which settled for Best Actor and Production Design awards) and Silver Linings Playbook (which claimed only one Oscar, a Best Actress accolade for Jennifer Lawrence).

    Seth's slow start
    As for the Oscarcast itself: I must admit that, a few minutes into the program — specifically, the length of the jaw-droppingly off-putting “Boobs” production number — I briefly considered the possibility that host Seth MacFarlane was deliberately striving for dishonors as Worst Oscar Host Ever.

    Maybe that was supposed to be part of the joke triggered by William Shatner’s appearance as Captain Kirk, who supposedly was beaming back from the future to warn MacFarlane that his tasteless comedic shtick would chart heretofore unplumbed depths of suckage.

    But, as Huey Lewis sagely noted, sometimes bad is just bad.

    Throughout the entire program, MacFarlane sustained an artful balance of snarky wit and zesty enthusiasm.

    Fortunately, however, the longer MacFarlane’s opening segment continued, the funnier it got. (Kudos to Shatner — and to Sally Field, who may have lost the Supporting Actress prize but earned top honors as Best Sport Ever.)

    Throughout the entire program — with the arguable exception of a final number with frightfully chirpy Kristin Chenoweth — MacFarlane sustained an artful balance of snarky wit and zesty enthusiasm.

    Other elements of the Oscarcast worth noting:

    Keeping abreast of titillating developments
    During last year’s Oscarcast, Angelina Jolie inspired an instant Twitter account — “Angelina Jolie’s Leg” — with her brazen display of a shapely limb. This year, some Tweeters noted that, even before the Oscarcast actually began, Anne Hathaway — the Supporting Actress prize-winner for Les Misérables — inspired a pair of Twitter accounts (@annesheadlights and @hathawaynipple) with her braless look on the red carpet. To which I replied: Well, of course there are two of them.

    Best running gag
    Every so often, Quvenzhané Wallis of Beasts of the Southern Wild could be seen in the audience playfully flexing her muscles, as though giddily acknowledging just how amazing it was that someone so young (and so talented) could be an Oscar nominee.

    All of which prompted MacFarlane to warn other hopefuls not to get too stuck on themselves: “So you got nominated for Oscar — something a 9-year-old could do.”

    Worst gag of any sort
    MacFarlane rightly praised Daniel Day Lewis’ Oscar-worthy performance as Abraham Lincoln — and offered props top Raymond Massey’s portrayal of the Great Emancipator in Abe Lincoln in Illinois (1940). Even so, he added, “I would argue that the actor who got most inside Lincoln’s head was John Wilkes Booth.”

    MacFarlane tried to make light of the audience’s audible disapproval of his remark. But that didn’t make it any less inexcusable.

    Best acceptance speech
    Some haters have accused Anne Hathaway of seeming too “rehearsed” in her acceptance speeches during this awards season as she’s claimed multiple accolades for her performance in Les Misérables. A performance, it must be acknowledged, that consists largely of her deeply affecting rendition of the song “I Dreamed a Dream.”

    But you know what? When Hathaway gasped, “It came true” at the start of her onstage remarks — well, hell, I was a goner.

    Second best acceptance speech
    Ang Lee gets his Best Director prize, and says, “Thank you, Movie God.”

    Brassy Bassey
    The tribute to 50 years of James Bond movies was cleverly assembled — but, really, the film-clip montage served merely as an introduction to a dazzling performance by Dame Shirley Bassey, who belted out the theme from Goldfinger with her customary pizzazz while demonstrating that, at age 76, she’s still one of the more sizzling songbirds around.

    With all due respect to Adele — who rocked the house with her rendition of this year’s Oscar winning 007 theme, “Skyfall” — there is nothing like a dame.

    Oscar winners, from left, Daniel-Day Lewis, Jennifer Lawrence, Anne Hathaway and Christoph Waltz.

    Daniel Day-Lewis, Jennifer Lawrence, Anne Hathaway, Christoph Waltz, Academy Awards, February 2013
    Photo by Jason Merritt Getty Images
    Oscar winners, from left, Daniel-Day Lewis, Jennifer Lawrence, Anne Hathaway and Christoph Waltz.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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