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    Actor Spotlight

    Dallas actor who plays LBJ likes a challenge, not a kale smoothie

    Lindsey Wilson
    Mar 2, 2016 | 12:15 pm

    Brandon Potter wasn’t originally cast as our 36th president in All the Way, a co-production between Dallas Theater Center and Houston’s Alley Theatre. But when the first actor had to step down for medical reasons, Potter found himself in the spotlight.

    For the Brierley Resident Acting Company member, who has been consistently earning good notices for his supporting roles, it’s a chance to make his mark as a leading man. Potter recently played Richard III for Shakespeare in the Bar, and he more than proved his star quality then.

    Before All The Way opens in Dallas on March 3 at the Wyly Theatre, after previously playing Houston, Potter took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Brandon Potter

    Role in All The Way: Lyndon Baines Johnson

    Previous work in the Dallas-Forth Worth area: King Lear, A Christmas Carol, The Book Club Play, Sense and Sensibility at Dallas Theater Center

    Hometown: Weatherford, Texas

    Where you currently reside: Knox-Henderson in a super-cute apartment with my amazing wife, Ardis Campbell, and my stupid cat, Toots.

    First theater role: Harmony Rhodes in Weatherford High School’s production of Daddy’s Dyin’ Who’s got the Will? The whole show was double cast except for my role, which meant I got to kiss two different casts of girls.

    As a 14-year-old boy, I thought I had beat the system. Little did I know I was just working twice as hard.

    First stage show you ever saw: One of the King Johns or maybe one of the Henrys. It was Shakespeare Dallas, and it was bloody!

    Moment you decided to pursue a career in theater: It was in high school. I realized I could fulfill my elective by either sharing a shower with a bunch of football players, or by sharing a dressing room with a bunch of theater chicks. I chose wisely, I think!

    Most challenging role you’ve played: LBJ

    Special skills: Oh, I don’t know if I have any skills that are truly special. I can, however, get super interested in one thing and pursue it doggedly no matter how bad I am at it. I think this is something most creative people do. It leads to being able to do neat party tricks like juggling and handstands, and being able to play a few tunes on the piano or standup bass.

    There was a while a year or two ago when I was able to a back handspring. It always weirded people out to see a pudgy bald guy bust out some gymnastics.

    Something you’re REALLY bad at: REALLY bad at, huh? The all-caps REALLY puts the pressure on to find the thing that I’m on record for being the worst at.

    Ooooh, I know! There was this one time I talked my way into being a copywriter at this super hip Internet startup in SoHo back in New York. I was TERRIBLE at it. ALL CAPS TERRIBLE. About a week into the job I realized that I was out of my league. It took them another week to come to the same conclusion.

    Current pop culture obsession: The Expanse. Best sci-fi TV show in years.

    Last book you read: Indomitable Will by Mark K. Updegrove

    Favorite movie(s): I like too many of ’em. Last one I watched that I really loved was The Witch. Saw that tonight with my wife. Had to scoop my jaw up off the floor when we left the theater. Before that, Holy Mountain or maybe Badlands. Geez, I like too many of ’em.

    Favorite musician(s): Been listening to a lot of Disco Doom and Ghost these days. I always come back to Tom Waits, though. Who doesn’t?

    Favorite song: I can almost always to listen to “Angel of Death” by Slayer.

    Dream role: Hickey in The Iceman Cometh

    Favorite play(s): Most of Shakespeare. I wish I had some new cutting-edge play to plug here, but, dang, Billy Shakes is the best.

    Favorite musical(s): Maybe a Disney thing? Robin Hood? That whistling chicken is pretty cool!

    Favorite actors/actresses: I saw Brian Cox in Super Troopers, then in a Stoppard play, then in 25th Hour. That dude is a stone cold master. Yep, I’m going with Brian Cox.

    Favorite food: Cows. I wish that something with a soul didn’t have to die in order for me to have satisfying meal. But that’s just not true. Not now.

    Maybe one day I’ll grow to love kale smoothies and couscous. But that day is not today.

    Must-see TV show(s): Deadwood and Game of Thrones are probably my favorites. Love me some genre drama!

    Something most people don’t know about you: I had my own Taekwondo studio when I was 14. I was a black belt and everything!

    Place in the world you’d most like to visit: Gotta go to rural Japan sometime. Not robot-’splosion-future-Japan, but cherry-blossom-silent-shrine-Japan.

    Pre-show warm-up: I gotta stretch. Especially my spine. Then I do text from the play. I do jumping jacks and push-ups. And I gotta walk onstage and speak before the play, before the house is open. Oh! And coffee. Gotta have some coffee before the show.

    Favorite part about your current role: I like playing characters who own the world; they’re always at home. I also like playing characters who are backed into a corner; they’ll do anything to survive. LBJ is all of that stuff — and he’s funny to boot.

    Most challenging part about your current project: Doing the makeup before every show. I’m an actor, not a painter!

    Most embarrassing onstage mishap: This one time I was singing a song out in the house, and the crotch of my costume caught on the set. I turned to walk away and the entire front of my pants ripped away. I was both singing and flashing my underwear to audience members who were less than a foot away.

    I tried to run offstage singing with a smile on my face, but the fabric was still stuck to the set, so I was trapped. I had to sing and unsnag myself while the audience averted their eyes from my freshly exposed boxer briefs.

    Career you’d have if you weren’t in theater: Carpenter. I like working with my hands.

    Favorite post-show spot: Old Monk or up in that bed with my lady and my cat.

    Favorite thing about Dallas-Forth Worth: DFW is big enough and cosmopolitan enough that it competes on the national or global level in a variety of fields. But it’s not so huge that it feels anonymous or impersonal. That’s a tough balance.

    I’ve lived a few places, and DFW passes my Goldilocks test.

    Most memorable theater moment: I got to see James Gandolfini, Jeff Daniels, Hope Davis, and Marsha Gay Harden do God of Carnage. It was one of those unintentional master-class moments. That was when I realized that every actor has their own style, and that’s okay.

    ---

    All the Way plays March 3-April 3 at the Wyly Theatre.

    Potter as LBJ in All The Way.

    Brandon Potter in All The Way
    Photo by Karen Almond
    Potter as LBJ in All The Way.
    qainterviewtheater
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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