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    Movie Review

    Netflix stakes claim as premier studio with propulsive Triple Frontier

    Alex Bentley
    Mar 6, 2019 | 1:00 pm
    Netflix stakes claim as premier studio with propulsive Triple Frontier
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    Netflix, much to the chagrin of some in Hollywood, is continuing to infiltrate all areas of the moviemaking world. Fresh off winning multiple Oscars for Roma, the streaming service seems to have designated 2019 as the year it truly takes over. Films from big-name directors — most notably Martin Scorsese’s The Irishman — will be coming out all year long, with the latest being the star-laden crime thriller Triple Frontier.

    As the film begins, Santiago Garcia (Oscar Isaac) is seen helping with a drug bust in South America. When he gets wind of a huge amount of cash hidden at a drug king’s home in the jungle, he sets out to recruit some former Special Forces buddies to help him steal it. They include Tom Davis (Ben Affleck), Ben Miller (Garrett Hedlund), William Miller (Charlie Hunnam), and Francisco Morales (Pedro Pascal).

    Each member of the group is now leading a life that is at stark odds with what they expected upon leaving the military, making them vulnerable to greed in a situation like this. Naturally, each member also possesses a certain skill crucial to the mission, talents that will come in handy if they are to succeed in not only raiding the house, but also schlepping the haul out of the country.

    If you’ve seen pretty much any heist movie, it’s clear from the get-go that not everything will go smoothly. But the manner of those obstacles and how effectively they are overcome determine the worthiness of this type of film. It already has a sheen of credibility thanks to Oscar-nominated co-writer/director J.C. Chandor and co-writer Mark Boal, who, along with executive producer Kathryn Bigelow, has made Oscar-winning military movies like The Hurt Locker and Zero Dark Thirty.

    The filmmakers give the story a propulsion from minute one that rarely lets up. While the film never goes too deep on why the five men are so good at what they do, thanks to their ease of communication, there’s never a doubt that they are elite soldiers who know how to handle themselves when things go to hell. They are also confronted with a number of moral quandaries, and it’s the treatment of those situations that makes the film more than just your standard thriller.

    A few elements hold it back a bit, most notably why the film is called Triple Frontier in the first place. Without any foothold in the plot of the film, it’s a generic action movie title that should have been rethought. And while the suspension of disbelief holds up for most of the running time, there are a few moments where characters go over the line and break the spell of the movie.

    The five main actors work as well together as you would hope. The film requires hyper-masculinity at almost all times, and each of them in their own unique way provides the requisite testosterone. Isaac is the de facto leader, and he exudes both a calmness and intensity that suits the role perfectly.

    Were this a standard theatrical release, it’s easy to see Triple Frontier competing for the top spot at the box office for a few weeks or more. It’s as good a crime thriller as any movie fan could want, and one that demonstrates that Netflix is staking its claim as one of the premier movie studios.

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    Triple Frontier will have a special one-week theatrical run at Landmark Magnolia before debuting on Netflix on March 13.

    Garrett Hedlund and Charlie Hunnam in Triple Frontier.

    Garrett Hedlund and Charlie Hunnam in Triple Frontier
    Photo by Melinda Sue Gordon
    Garrett Hedlund and Charlie Hunnam in Triple Frontier.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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